The Essential Earl Scruggs
Download links and information about The Essential Earl Scruggs by Earl Scruggs. This album was released in 1980 and it belongs to Country, Songwriter/Lyricist genres. It contains 40 tracks with total duration of 01:44:01 minutes.
Artist: | Earl Scruggs |
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Release date: | 1980 |
Genre: | Country, Songwriter/Lyricist |
Tracks: | 40 |
Duration: | 01:44:01 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Heavy Traffic Ahead (featuring Bill Monroe & His Blue Grass Boys) | 2:51 |
2. | It's Mighty Dark to Travel (featuring Bill Monroe & His Blue Grass Boys) | 2:52 |
3. | Molly and Tenbrooks (The Race Horse Song) (featuring Bill Monroe & His Blue Grass Boys) | 2:44 |
4. | Down the Road (featuring Lester Flatt, The Foggy Mountain Boys) | 2:39 |
5. | Foggy Mountain Breakdown (featuring Lester Flatt, The Foggy Mountain Boys) | 2:39 |
6. | Roll In My Sweet Baby's Arms (featuring Lester Flatt, The Foggy Mountain Boys) | 2:36 |
7. | Old Salty Dog Blues (featuring Lester Flatt, The Foggy Mountain Boys) | 2:27 |
8. | Pike County Breakdown (featuring Lester Flatt, The Foggy Mountain Boys) | 2:42 |
9. | Come Back Darling (featuring Lester Flatt, The Foggy Mountain Boys) | 2:39 |
10. | Don't Get Above Your Raising (featuring Flatt & Scruggs) | 2:42 |
11. | Jimmie Brown, the Newsboy (featuring Flatt & Scruggs) | 2:43 |
12. | Earl's Breakdown (featuring Flatt & Scruggs) | 2:59 |
13. | Get In Line Brother (featuring Flatt & Scruggs) | 2:21 |
14. | Dear Old Dixie (featuring Flatt & Scruggs) | 2:29 |
15. | Flint Hill Special (featuring Flatt & Scruggs) | 2:44 |
16. | Foggy Mountain Chimes (featuring Flatt & Scruggs) | 2:16 |
17. | Till the End of the World Rolls 'Round (featuring Lester Flatt, The Foggy Mountain Boys) | 2:33 |
18. | Foggy Mountain Special (featuring Lester Flatt, The Foggy Mountain Boys) | 2:01 |
19. | Randy Lynn Rag (featuring Lester Flatt, The Foggy Mountain Boys) | 2:03 |
20. | Shuckin' the Corn (featuring Lester Flatt, The Foggy Mountain Boys) | 2:02 |
21. | John Henry (Live) (featuring Hylo Brown) | 2:52 |
22. | Cumberland Gap (Live) (featuring Hylo Brown, The Timberliners) | 1:30 |
23. | Cripple Creek (featuring Lester Flatt, The Foggy Mountain Boys) | 2:04 |
24. | Reuben (featuring Lester Flatt, The Foggy Mountain Boys) | 1:59 |
25. | Sally Goodwin (featuring Lester Flatt, The Foggy Mountain Boys) | 2:09 |
26. | Foggy Mountain Top (featuring Flatt & Scruggs) | 2:24 |
27. | Georgia Buck (featuring Maybelle Carter, Lester Flatt, The Foggy Mountain Boys) | 2:51 |
28. | John Hardy Was a Desperate Little Man (featuring Flatt & Scruggs) | 2:13 |
29. | The Ballad of Jed Clampett (featuring Flatt & Scruggs) | 2:03 |
30. | Nashville Skyline Rag (featuring Flatt & Scruggs) | 2:45 |
31. | Nashville Blues (featuring The Nitty Gritty Dirt Band) | 3:09 |
32. | I Saw the Light | 3:43 |
33. | Some of Shelley's Blues (featuring The Earl Scruggs Revue) | 2:56 |
34. | Peking Fling | 2:12 |
35. | I Shall Be Released (featuring The Earl Scruggs Revue) | 3:48 |
36. | Stash It (featuring The Earl Scruggs Revue) | 2:12 |
37. | Song of the South (featuring Tom T. Hall) | 2:50 |
38. | I Still Miss Someone (featuring Johnny Cash, The Earl Scruggs Revue) | 3:26 |
39. | We'll Meet Again Sweetheart | 3:11 |
40. | American-Made, World-Played | 2:42 |
Details
[Edit]"The Paganini of the banjo"'s finest moments are collected on Columbia/Legacy's aptly named Essential Earl Scruggs. Unlike many other "best-of" collections, this two-disc set gathers tracks from nearly all of the stages of Scruggs' career, from his early days as one of Bill Monroe's Blue Grass Boys, through his genre-defining work with Lester Flatt, and a sampling of his solo career, including his appearances with Hylo Brown, the Nitty Gritty Dirt Band, and leading his own Earl Scruggs Revue. Informative liner notes by historian Rich Kienzle, banjo virtuoso Béla Fleck, and Scruggs himself illustrate the man behind the fingers, and the recording quality of the music is clear and consistent throughout. Hearing all of this pickin' in one place really reminds the listener how vital Scruggs was in popularizing the sound of bluegrass in the '40s, '50s, and '60s, and his innovations through the '70s and '80s. While stronger collections of Flatt & Scruggs and Bill Monroe recordings are available, none showcase the man behind the banjo as completely as this fine compilation does.