Edgar Broughton Band
Download links and information about Edgar Broughton Band by Edgar Broughton Band. This album was released in 1971 and it belongs to Rock, Blues Rock, Hard Rock, Heavy Metal genres. It contains 13 tracks with total duration of 52:42 minutes.
Artist: | Edgar Broughton Band |
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Release date: | 1971 |
Genre: | Rock, Blues Rock, Hard Rock, Heavy Metal |
Tracks: | 13 |
Duration: | 52:42 |
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Tracks
[Edit]No. | Title | Length |
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1. | Evening Over Rooftops (2004 Digital Remaster) | 5:02 |
2. | The Birth (2004 Digital Remaster) | 3:23 |
3. | Piece of My Own (2004 Digital Remaster) | 2:48 |
4. | Poppy (2004 Digital Remaster) | 2:14 |
5. | Don't Even Know Which Day It Is (2004 Digital Remaster) | 4:21 |
6. | House of Turnabout (2004 Digital Remaster) | 3:08 |
7. | Madhatter (2004 Digital Remaster) | 6:16 |
8. | Getting Hard/What Is a Woman For? (2004 Digital Remaster) | 7:31 |
9. | Thinking of You (2004 Digital Remaster) | 2:08 |
10. | For Dr Spock (Parts 1 & 2) (2004 Digital Remaster) | 3:52 |
11. | Hotel Room (2004 Digital Remaster) | 4:05 |
12. | Call Me a Liar (2004 Digital Remaster) | 4:27 |
13. | Bring It On Home | 3:27 |
Details
[Edit]In the early '70s, as Deep Purple and Led Zeppelin set new standards for pomp and excess in British rock, Harvest Records—a small subsidiary of EMI—quietly made its reputation as the home for some of the most innovative acts on the British underground scene. The eclectic label recorded the likes of eccentric folk master Roy Harper, psychedelic casualty Syd Barrett, and the hard-charging blues-rock group The Edgar Broughton Band. The group cut its teeth on the wild free-festival circuit of the early ‘70s, performing alongside likeminded acts like The Pink Fairies, The Groundhogs, and Hawkwind. The Broughton Band's first two LPs for Harvest were full of rowdy, hippified blues-rock that split the difference between the ear-shredding assault of Blue Cheer and the unrepentant strangeness of early Beefheart. The Broughton Band’s self-titled third album was somewhat more polished. But if it lacked the manic intensity of its predecessors, it made up for it with improved songwriting and lush, folk-inflected arrangements that sound like rougher, less refined takes on the same hippie-folk aesthetic perfected by the likes of The Incredible String Band and Roy Harper.