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Jones, Elvin: When I Was at Aso-Mountain

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Download links and information about Jones, Elvin: When I Was at Aso-Mountain by Elvin Jones. This album was released in 1993 and it belongs to Jazz genres. It contains 8 tracks with total duration of 01:06:48 minutes.

Artist: Elvin Jones
Release date: 1993
Genre: Jazz
Tracks: 8
Duration: 01:06:48
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Tracks

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No. Title Length
1. Beautiful Love (featuring Sonny Fortune, Cecil McBee) 7:30
2. I Was Too Young (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 8:28
3. You Don't Know What Love Is (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 10:17
4. My Dream Come True, To E.J. (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 5:26
5. Dream Gypsy (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 8:27
6. When I Was At Aso-Mountain (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 8:15
7. Soultrane (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 8:54
8. The Uninvited: Stella by Starlight (featuring Sonny Fortune, Cecil McBee, Takehisa Tanaka) 9:31

Details

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This is basically a recording of the trio of Japanese pianist Takehisa Tanaka and the stellar rhythm team of bassist Cecil McBee and drummer Elvin Jones, with saxophonist/flautist Sonny Fortune performing on three of the eight selections, which include three Tanaka compositions and three standards. Ironically Fortune plays on all three Tanaka compositions, which are the recording's highlights: "I Was Too Young" is a ballad with the beautiful melody played by Fortune's tenor sax; "My Dream Come True, To E.J.," the only up-tempo selection on this recording, with the melody also played by Fortune's tenor sax; and the title track, a medium-tempo number that features Fortune's flute and Jones on mallets and brushes. The three standards, "Beautiful Love," "You Don't Know Where Love Is," and "Stella By Starlight" are given relatively straightforward readings here. The normally aggressive Jones is more restrained than usual throughout this recording, probably so he doesn't overpower Tanaka, a good pianist who seems out of place playing with musicians the caliber of Jones, McBee, and Fortune. Not an essential recording except for Jones completists.