Create account Log in

Harle: Terror and Magnificence

[Edit]

Download links and information about Harle: Terror and Magnificence by Elvis Costello, Andy Sheppard, Sarah Leonard, John Harle. This album was released in 1997 and it belongs to Jazz, Contemporary Jazz, Rock, Alternative, Songwriter/Lyricist, Classical genres. It contains 10 tracks with total duration of 01:12:43 minutes.

Artist: Elvis Costello, Andy Sheppard, Sarah Leonard, John Harle
Release date: 1997
Genre: Jazz, Contemporary Jazz, Rock, Alternative, Songwriter/Lyricist, Classical
Tracks: 10
Duration: 01:12:43
Buy on iTunes $11.99

Tracks

[Edit]
No. Title Length
1. Mistress Mine: I. Illyria (featuring Steve Lodder) 3:38
2. Mistress Mine: II. O Mistress Mine (featuring The Balanescu Quartet, Roy Babbington, Mitch Dalton, Steve Lodder, John Harle Band) 4:02
3. Mistress Mine: III. Come Away, Death (featuring The Balanescu Quartet, Roy Babbington, Mitch Dalton, Steve Lodder, John Harle Band) 4:27
4. Mistress Mine: IV. When That I Was and a Little Tiny Boy (featuring The Balanescu Quartet, Roy Babbington, Mitch Dalton, Steve Lodder, John Harle Band) 5:10
5. Terror and Magnificence (featuring London Voices, Russell Thomas, Paul Clarvis, Alexander Balanescu, Chris Wells, Steve Lodder, John Harle Band) 20:09
6. The Three Ravens: I. Since First I Saw Your Face (featuring Alexander Balanescu, John Harle Band) 3:50
7. The Three Ravens: II. The Three Ravens (featuring Alexander Balanescu, John Harle Band) 5:37
8. The Three Ravens: III. How Should I My True Love Know? (featuring Alexander Balanescu, John Harle Band) 4:52
9. Hunting the Hare (featuring Steve Lodder) 7:27
10. Rosie Blood (Sederunt) (featuring London Voices, Paul Clarvis, William Purefoy) 13:31

Details

[Edit]

John Harle, a saxophonist with Michael Nyman's band, composed Terror & Magnificence as his first serious venture into classical music. The album straddles the lines between jazz and classical, relying more on chamber music than be-bop. Harle enlisted the Balanescu Quartet as his main backing band, asking saxophonist Andy Sheppard and soprano vocalist Sarah Leonard to play on the record as well. But Terror & Magnificence gained attention because of Elvis Costello, who sings three Shakespearean songs that Harle set to music. These may be more authentic music than The Juliet Letters, yet they aren't as graceful as Costello's collaboration with the Brodsky Quartet. However, the remainder of Terror & Magnificence is quite intriguing, and while Costello fans will find it only of marginal interest, adventurous listeners would do well to give it a try.