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Metti una sera a cena (Gold Tracks)

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Download links and information about Metti una sera a cena (Gold Tracks) by Ennio Morricone, Bruno Nicolai. This album was released in 1969 and it belongs to Theatre/Soundtrack genres. It contains 19 tracks with total duration of 01:00:01 minutes.

Artist: Ennio Morricone, Bruno Nicolai
Release date: 1969
Genre: Theatre/Soundtrack
Tracks: 19
Duration: 01:00:01
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Tracks

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No. Title Length
1. Metti una sera a cena 4:31
2. Sauna 4:56
3. Terrazza vuota 3:10
4. Alla luce del giorno 3:06
5. Croce d'amore 2:30
6. Uno che grida amore 4:32
7. Ric Happening 3:24
8. Ti prego amami 2:20
9. Nina 4:48
10. Metti una sera a cena (Uncut Version) 4:54
11. Uno che grida amore (Main Titles) 2:47
12. Terrazza vuota (Film Version Suite 1) 1:44
13. Nina (Alternate Version) 4:45
14. Uno che grida amore (Film Version) 1:27
15. Metti una sera a cena (Reprise) 1:59
16. Ric Happening (Film Version) 1:21
17. Ti prego amami (Film Version) 2:16
18. Metti una sera a cena (Reprise 2) 1:27
19. Hurry to Me (featuring The Sandpipers) 4:04

Details

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For a late-'60s Morricone soundtrack this is a little on the bland, easy listening side. But it's at the very least pleasant, and there are the occasional streaks of eccentricity to be heard here and there. The majority of the tracks are dainty and sunny, if lushly orchestrated, sometimes decorated with Edda Dell'Orso's female vocal scatting, as if to suggest the dawning of a new romance as the curtains are raised on a sparkling Mediterranean day. Some oddball stuttering organ pokes its head out on "Terrazza Vuota," and "Alla Luce Del Giorno" sounds like generic go-go party music, with callow, innocuous, wordless harmonies. "Ric Happening" takes a left turn into faux Indian-Asian ambient sounds; "Nina" has light jazz ballad colors. The CD is padded out to a 41-minute length with three previously unreleased tracks, including the main theme, "Hurry to Me," with Euro-jet-set male-female vocal duetting, and a couple of alternate versions. This is one for the Morricone completist rather than the listener collecting highlights of his massive discography.