Ennio Morricone: Unforgettable Soundtracks, Vol. 3
Download links and information about Ennio Morricone: Unforgettable Soundtracks, Vol. 3 by Ennio Morricone. This album was released in 2002 and it belongs to Theatre/Soundtrack genres. It contains 15 tracks with total duration of 43:08 minutes.
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| Artist: | Ennio Morricone |
| Release date: | 2002 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 15 |
| Duration: | 43:08 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Chapel Shootout (from "for a Few Dollars More") | 2:16 |
| 2. | The Strong (from "the Good, The Bad and the Ugly) | 2:24 |
| 3. | My Name Is Nobody (from "My Name Is Nobody") - 2nd Version | 2:22 |
| 4. | A Professional Gun / The Mercenary (from "a Professional Gun - The Mercenary) | 2:09 |
| 5. | The Big Gundown (from "the Big Gundown - La Resa Dei Conti") - Title Reprise | 2:01 |
| 6. | Face To Face (from "Face To Face / Faccia a Faccia") - Interlude | 2:43 |
| 7. | The Hellbenders (from "the Hellbenders") - Titles | 2:38 |
| 8. | Il Pinguino (from "Vamos a Matar Companeros") | 2:57 |
| 9. | Tradimento Primo (from "Tepepa") | 2:15 |
| 10. | Belinda May (from "L'alibi") | 2:56 |
| 11. | Senza Motivo Apparente (from "Senza Movente") | 4:22 |
| 12. | Silvie - A Moment of Love (from "Via Mala") | 3:29 |
| 13. | La Donna E La Campagna (from "the Lady Caliph - La Califfa") | 3:41 |
| 14. | Romanza Quartiere (from "Quartiere") | 3:40 |
| 15. | Ninna Nanna Per Adulteri ("from "Cuore DI Mamma") - Alternate Version | 3:15 |
Details
[Edit]The price is as right as the content on Ennio Morricone: The Soundtracks, a budget double-CD set, which gathers together a lot of Ennio Morricone's best soundtrack work, mostly from his westerns — though it also encompasses The Exorcist II and The Mission — in a reasonably coherent whole, all drawn from the original recordings from a multitude of European labels. None of it is in chronological order, starting as it does with the three "Man With No Name" western scores and jumping back later on to Morricone's pre-Sergio Leone westerns; and the booklet accompanying the set doesn't really contain any information, but it all sounds very good and the overview presented is better than one will find on any single-disc anthology. And any Morricone compilation that includes even one track of his glorious score for A Fistful of Dynamite — Morricone at his most sublimely beautiful, witty, and tragic — deserves a place on one's shelf.