Club Evos (Bonus Track Version)
Download links and information about Club Evos (Bonus Track Version) by Evan Olson. This album was released in 2003 and it belongs to Rock, Dancefloor, Pop, Dance Pop, Alternative genres. It contains 20 tracks with total duration of 01:04:07 minutes.
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| Artist: | Evan Olson |
| Release date: | 2003 |
| Genre: | Rock, Dancefloor, Pop, Dance Pop, Alternative |
| Tracks: | 20 |
| Duration: | 01:04:07 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Shoebox Blues (Electro Version) | 2:56 |
| 2. | Go-Go | 2:57 |
| 3. | It's Strange (Bonus Track) | 4:17 |
| 4. | Shake What You Got (Bonus Track) | 2:37 |
| 5. | Not What I Wanted (Electro Version) | 3:33 |
| 6. | The Last Ride | 4:10 |
| 7. | Make You Feel (Bonus Track) | 3:03 |
| 8. | Jenny Had a Birthday | 1:51 |
| 9. | Let's Go Dancing | 2:26 |
| 10. | Tongue Burned | 4:23 |
| 11. | Like to Party | 3:31 |
| 12. | Couldn't Get Worse | 2:38 |
| 13. | Don't Know Why | 3:23 |
| 14. | The Last Ride (Instrumental) [Bonus Track] | 3:02 |
| 15. | Jenny Had a Birthday (Instrumental) [Bonus Track] | 1:51 |
| 16. | Sunset Drive | 4:11 |
| 17. | Sand Spy | 2:05 |
| 18. | Surf Me | 4:12 |
| 19. | Shelly | 2:40 |
| 20. | Tongue Burned (Instrumental) [Bonus Track] | 4:21 |
Details
[Edit]Evan Olson explores danceable productions and quirky, 21st century assemblage pop on Club Evos, his fourth solo effort and third for LoveCat Music. "Couldn't Get Worse," "Shoebox Blues," and "Let's Go Dancing" get by on melody when Olson's White Town-ish chattering gets tiresome. Meanwhile, upbeat, electronic-oriented stuff like "Tongue Burned" or "Go-Go" sound like the television program mood setters they're probably supposed to be. "Don't Know Why" is a decent appropriation of BT's pitch-shifted and pristine trance-house. Club Evos' last six tracks are largely instrumental. They range from big beat sounds through to the breathy backgrounds and plaintive lead guitar of "Sunset Drive." Evos lacks continuity, since most of its material seems designed for specific licensing opportunities. Still, Olson is adept enough at chameleonism to make most of it work.