The Debt
Download links and information about The Debt by Frank London. This album was released in 1997 and it belongs to Jazz, Avant Garde Jazz, Avant Garde Metal, Theatre/Soundtrack, Classical genres. It contains 28 tracks with total duration of 01:09:52 minutes.
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| Artist: | Frank London |
| Release date: | 1997 |
| Genre: | Jazz, Avant Garde Jazz, Avant Garde Metal, Theatre/Soundtrack, Classical |
| Tracks: | 28 |
| Duration: | 01:09:52 |
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| Buy on iTunes $9.99 | |
| Buy on Amazon $7.99 | |
| Buy on Amazon $3.99 | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Intro - The Groove (With the Groove) | 4:53 |
| 2. | Chorale | 1:08 |
| 3. | Filmi | 3:45 |
| 4. | Lament | 2:32 |
| 5. | Melancholy | 1:34 |
| 6. | Laundry Dance: Agitata | 4:47 |
| 7. | Laundry Dance: Calm | 2:59 |
| 8. | Revelation | 0:23 |
| 9. | Blume | 3:13 |
| 10. | Cult Groove | 3:08 |
| 11. | Redemption | 0:46 |
| 12. | Deep | 0:33 |
| 13. | Toy Piano | 1:54 |
| 14. | Shootout | 5:21 |
| 15. | The Debt | 2:26 |
| 16. | To the Club | 0:19 |
| 17. | Moods | 0:53 |
| 18. | Swingers Theme | 2:53 |
| 19. | In Bed | 1:15 |
| 20. | Lounge | 0:35 |
| 21. | Dressers | 2:42 |
| 22. | Brief Seduction | 0:49 |
| 23. | Theme: Reprise | 2:46 |
| 24. | El Silencio, Pt. 1 | 5:57 |
| 25. | El Siliencio, Pt. 2 | 3:17 |
| 26. | Panic Rhumba | 2:02 |
| 27. | La Paz | 2:05 |
| 28. | Outro - Pathos (With Pathos) | 4:57 |
Details
[Edit]The Debt will be an unexpected listen for anyone familiar with trumpeter Frank London's klezmer-oriented recordings. The opening and closing cuts are slick pseudo-funk featuring muted trumpet on reverb (along the lines of Tim Hagans' Animation-Imagination). There are a few a cappella pieces that range from classical choral to Bobby McFerrin style. There are also compositions of bowed strings and muted trumpet for Ivye Project; two commendable ensemble medley-like pieces for the 1993 Cannes Best Short Film winner, The Debt; as well as sections of excellent nightclub jazz for the film The Mood Swingers. Composed for several different films, the selections here are quite a testament to the range of settings in which London is comfortable, but they are also very hit-or-miss.