Year of the Tiger
Download links and information about Year of the Tiger by Fred Ho. This album was released in 2011 and it belongs to Jazz, Avant Garde Jazz genres. It contains 14 tracks with total duration of 01:09:14 minutes.
Artist: | Fred Ho |
---|---|
Release date: | 2011 |
Genre: | Jazz, Avant Garde Jazz |
Tracks: | 14 |
Duration: | 01:09:14 |
Buy it NOW at: | |
Buy on iTunes $9.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | The Johnny Quest Theme (arr. F. Ho) | 4:02 |
2. | Very, Very Baaad! Tribute Medley to Michael Jackson: I. This Place Hotel (Jackson, modified by Fred Ho as Welcome to the Road Kill CafZ!) | 5:05 |
3. | Very, Very Baaad! Tribute Medley to Michael Jackson: II. Bad (Very, Very Baaad!) (Jackson) | 4:35 |
4. | Very, Very Baaad! Tribute Medley to Michael Jackson: III. Thriller (Super-Thriller) (Temperton, with text by Gomez) | 11:05 |
5. | Fire (arr. F. Ho) | 3:30 |
6. | Purple Haze (arr. F. Ho) | 4:54 |
7. | Take the Zen Train: I. Prelude to a Kiss Off: No Baggage, Please! | 3:46 |
8. | Take the Zen Train: II. The Violence of Virtuosity | 2:28 |
9. | Take the Zen Train: III. The Quick of My Being | 6:32 |
10. | Take the Zen Train: IV. Optometry for the Vision-less | 2:53 |
11. | Take the Zen Train: V. Quarantine for the Aggressor | 3:06 |
12. | Take the Zen Train: VI. Beyond the Beyond | 3:19 |
13. | Hero Among Heroes | 5:59 |
14. | Blazing on the Turquoise Sea | 8:00 |
Details
[Edit]To approximate the first half of Fred Ho's album Year of the Tiger, it's necessary to imagine the sound that might be created if the members of Duke Ellington & His Orchestra were mixed with the players from Parliament/Funkadelic and set loose on the Michael Jackson and Jimi Hendrix catalogs. That's right, songs like "Thriller" and "Purple Haze" get severely retrofitted into an aggressive, irreverent jazz-funk style, with harsh, massed horn parts. Sometimes, the sound resembles a couple of high-school marching bands fighting it out on the same football field. In the second part of the album, Ho takes a more conventional jazz approach, that is, if "conventional" can be taken to mean a post-bop big-band style in which a horn ensemble is employed for avant-garde purposes. And then there's the children's chorus that pipes up on the Oriental-styled "Hero Among Heroes." This is ambitious, challenging jazz, occasionally made somewhat more accessible by the leader's evident zany sense of humor.