Forever Knight (Soundtrack from the TV Show)
Download links and information about Forever Knight (Soundtrack from the TV Show) by Fred Mollin. This album was released in 1996 and it belongs to World Music, Theatre/Soundtrack genres. It contains 22 tracks with total duration of 01:16:36 minutes.
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| Artist: | Fred Mollin |
| Release date: | 1996 |
| Genre: | World Music, Theatre/Soundtrack |
| Tracks: | 22 |
| Duration: | 01:16:36 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Forever Knight Theme | 1:30 |
| 2. | The Hunger (featuring Lori Yates) | 3:12 |
| 3. | What a Wonderful Thing Humanity Is (featuring Nigel Bennett) | 0:16 |
| 4. | Dark Knight/France 1228/Cherry Blossoms/The Ambush | 3:29 |
| 5. | Suite from "Queen of Harps" | 7:23 |
| 6. | Suite from "The Hunted" | 5:23 |
| 7. | Nick's Piano Theme/Suite from "Forward Into the Past" (featuring Geraint Wyn Davies) | 6:58 |
| 8. | Black Rose (featuring Lori Yates) | 3:42 |
| 9. | Suite from "Amateur Night" | 5:19 |
| 10. | If You Love Something (featuring Nigel Bennett) | 0:11 |
| 11. | Suite from "Be My Valentine" | 6:41 |
| 12. | Father Figure/Nick's Lullaby to Lisa | 2:30 |
| 13. | Suite from "Dark Night" | 6:12 |
| 14. | You Would Do Well to Avoid Me (featuring Nigel Bennett) | 0:14 |
| 15. | Touch the Night (featuring Lori Yates) | 4:21 |
| 16. | Avenging Angel/Time Stands Still | 3:02 |
| 17. | Curiouser and Curiouser/Nick and Janette | 1:39 |
| 18. | Suite from "Undue Process" | 5:06 |
| 19. | Suite from "A More Permanent Hell" | 4:16 |
| 20. | Baby, Baby/On Tower Finale | 1:34 |
| 21. | Only One Thing Is Truly Permanent (featuring Nigel Bennett) | 0:17 |
| 22. | Dark Side of the Glass (featuring Lori Yates) | 3:21 |
Details
[Edit]Forever Knight was a wonderfully quirky series in so many ways; its demise is a pity. This soundtrack album serves as a decent memento, however, bringing together not only a collection of Fred Mollin cues for the series, but also snippets of Nigel Bennett's dialog as Lacroix and several songs written by Stan Meissner and series creator James Parriott, with vocal performances by Lori Yates. Mollin's music for this series is not overly subtle, but it does have an impressive range — roaring gothic one moment, suggestively Irish the next, soaring, plunging, crashing, melodramatic, moody, atmospheric in the seconds before huge tom-tom samples crash through the wall and take your ears hostage. In short, it's an album that deserves to be played loud.