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Freddie McGregor Sings Jamaican Classics

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Download links and information about Freddie McGregor Sings Jamaican Classics by Freddie McGregor. This album was released in 1991 and it belongs to Reggae, Roots Reggae, World Music genres. It contains 38 tracks with total duration of 02:15:23 minutes.

Artist: Freddie McGregor
Release date: 1991
Genre: Reggae, Roots Reggae, World Music
Tracks: 38
Duration: 02:15:23
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Tracks

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No. Title Length
1. Artibella 3:59
2. Dance Crasher 2:55
3. I've Got to Go Back 3:41
4. Take It Easy 3:52
5. Breaking Up 3:59
6. Conquer Me 3:50
7. How Can I Forget 3:45
8. I Was Born a Winner 3:37
9. Joy In the Morning 3:55
10. Let Him Try 3:30
11. Nice Time 3:44
12. Red Rose 3:02
13. You Don't Need Me 3:23
14. You're Gonna Lose 4:05
15. You've Caught Me 3:33
16. Come On Little Girl 3:33
17. Every Day Is Just a Holiday 3:24
18. Everything Crash 3:00
19. Falling In Love With You 3:39
20. Give Me the Right 3:27
21. Let Them Say 3:56
22. Little Nut Tree 2:58
23. Moving Away 3:16
24. Mr. Fix It 4:00
25. Nanny Goat 2:25
26. Undying Love 3:42
27. Watch This Sound 3:46
28. Can I Change My Mind 3:35
29. Danger In Your Eyes 2:59
30. Declaration of Rights 3:55
31. Satta 3:52
32. Sweet Talking 2:18
33. Hooligan 3:32
34. Stranger In Love 3:23
35. My Jamaican Girl 3:56
36. Beat Down Babylon 3:47
37. Curly Locks 3:39
38. Love Has Found Its Way 4:31

Details

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Originally released in the early 1990s as three separate volumes, Freddie McGregor Sings Jamaican Classics is an expanded edition that brings all three of those volumes together in a single package. The original sets were recorded between 1990 and 1994 and featured McGregor's effortlessly elegant and relaxed vocals over backing tracks built from synthesizer riffs and drum loops as he revisits several roots rock classics from the '60s and '70s in a light dancehall style. By all rights, the end result should have been bland and relatively disposable, but that isn't the case, as McGregor's vocals are very much alive and nuanced, the arrangements are lovingly respectful and the rhythms support and enlarge these songs rather than overwhelm them. There is so much to like here, including a wonderful remake of the Clarendonians' "Breaking Up" (McGregor was a member of the group when the original version was recorded), Junior Byles' "Beat Down Babylon," Bob Marley's "Nice Time," and the Ethiopians' "Everything Crash," among others, and in each case McGregor sings from the heart, giving these remakes a nicely balanced feel between what made the originals such classics and what might actually still go over in the increasingly digital-driven dancehall market. That McGregor pulls it off is nothing short of amazing, and it's a rare thing when remakes of classics seem like classics themselves.