Killing Time Again
Download links and information about Killing Time Again by Funker Vogt. This album was released in 1998 and it belongs to Electronica, Industrial, Rock, Hard Rock, Metal, Heavy Metal, Dancefloor, Dance Pop, Alternative genres. It contains 19 tracks with total duration of 01:36:50 minutes.
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| Artist: | Funker Vogt |
| Release date: | 1998 |
| Genre: | Electronica, Industrial, Rock, Hard Rock, Metal, Heavy Metal, Dancefloor, Dance Pop, Alternative |
| Tracks: | 19 |
| Duration: | 01:36:50 |
| Buy it NOW at: | |
| Buy on iTunes $15.99 | |
| Buy on Amazon $16.49 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Killing Fields (Killed Mix) [Killed Mix] | 8:26 |
| 2. | Evil's Birth | 5:33 |
| 3. | Vision | 5:16 |
| 4. | The Race Is On | 4:47 |
| 5. | Killing Fields (Guitar Fixer Mix II) [Guitar Fixer Mix II] | 4:59 |
| 6. | Evil's Birth (Mezzo Mix) [Mezzo Mix] | 4:40 |
| 7. | Black Hole (Live) | 4:17 |
| 8. | Words of Power (Highspeed Mix) [Highspeed Mix] | 4:45 |
| 9. | Take Care (US Remix) [US Remix] | 5:25 |
| 10. | The Third War (Original Mix) [Original Mix] | 5:19 |
| 11. | Wartime (FX Groove Mix) [FX Groove Mix] | 5:27 |
| 12. | Killing Fields (Guitar Fixer Mix) [Guitar Fixer Mix] | 5:07 |
| 13. | Take Care (G2F 135 Front 242 Remix) [G2F 135 Front 242 Remix] | 5:18 |
| 14. | Fantasies (Burning In Hell) | 2:10 |
| 15. | Words of Power (Power Mix) [Power Mix] | 4:20 |
| 16. | Thanks for Nothing (Controlled Fusion Remix) [Controlled Fusion Remix] | 7:00 |
| 17. | Take Care (Booster + 18 Mix) [Booster + 18 Mix] | 4:47 |
| 18. | The Third War (Atomic Shell) | 4:08 |
| 19. | Thanks for Nothing (In Strict Confidence Remix) [In Strict Confidence Remix] | 5:06 |
Details
[Edit]A two-CD collection that puts together most of the important remixes the group had provided tracks for, Funker Vogt's Killing Time Again is an interesting release. Neither necessary nor below their usual quality, what the album provides is a newer take on songs that were never bad to begin with. Because of their relative lack of exposure to the mainstream, little would clue a casual listener in to the fact that these are not the original versions. But because the savage vocals of Jens Kastel usually end up sounding even more vicious in these mixes, the album survives on his power alone. Not to take anything from musical madmen Gerrit Thomas or Kai Schmidt, but Kastel is one of the lucky few who not only has the voice to fit the genre, but knows how to present it. Although everything here is available already, this is another fine album in the canon of Funker Vogt.