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Lonely For You

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Download links and information about Lonely For You by Gary Stites. This album was released in 1960 and it belongs to Rock, Rock & Roll, Pop genres. It contains 30 tracks with total duration of 01:13:30 minutes.

Artist: Gary Stites
Release date: 1960
Genre: Rock, Rock & Roll, Pop
Tracks: 30
Duration: 01:13:30
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Tracks

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No. Title Length
1. Lonely For You 2:44
2. Hurry Down 2:26
3. I Tried 2:14
4. Shine That Ring 2:14
5. Chicken Shack 2:40
6. Gloria Lee 2:50
7. Don't Wanna Say Goodbye 2:20
8. Lawdy Miss Clawdy 2:12
9. Little Linda (Original Acetate Demo) 2:18
10. Hey, Hey 3:03
11. Hey Little Girl 2:13
12. A Girl Like You 2:07
13. Find Yourself Another Fool 2:35
14. You've Known So Many 2:17
15. You Doubted Me 2:34
16. Only a Fool Would Say 2:43
17. Hurting 2:26
18. Thinking of You 2:01
19. Honey Girl 2:22
20. Little Lonely One 2:19
21. Young Love 2:31
22. Little Tear 2:47
23. Without Your Love (Original Demo) 1:40
24. Starry Eyed 2:31
25. Lonely For You ( 45 Version) 2:37
26. Starry Eyed (45 Version) 2:28
27. Shine That Ring (45 Version) 2:12
28. Lonely For You (Stereo) 2:39
29. Starry Eyed (Stereo) 2:29
30. Shake a Hand 2:58

Details

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"Lonely for You" borrows a significant part of its melody from Conway Twitty's "It's Only Make Believe," but nevertheless became Gary Stites' biggest hit and only Top 40 chart entry. Stites' label, Carlton Records, followed up with a complete LP, Lonely for You, in 1960, issued in mono and stereo editions. In addition to the hit title track, the album contains the minor hits "Starry Eyed" and "Lawdy Miss Clawdy," a cover of Lloyd Price's 1952 R&B hit. The album tracks include the flip side of "Lonely for You" ("Shine That Ring") and a cover of Faye Adams' 1953 R&B chart-topper, "Shake a Hand." Stites proves himself adept at teen ballads ("Don't Wanna Say Goodbye"), rockers ("Chicken Shack"), and call-and-response party records ("Hey, Hey"), but doesn't establish much of a musical identity. He is a competent singer with a voice vaguely similar to Johnny Tillotson, but is otherwise lacking a distinctive sound. Collectors with a fondness for the early-'60s "teen sound" will appreciate Stites' well-executed recordings and formulaic songs, but it would be a stretch to argue that he created anything out of the ordinary. The Carlton tapes have been lost, so any reissues of Stites' material will be mastered from vinyl. Buyers beware of a poor-quality "gray market" CD, also titled Lonely for You, that contains 30 scratchy disc dubs.