Gentle Jug, Volume 3
Download links and information about Gentle Jug, Volume 3 by Gene Ammons. This album was released in 2000 and it belongs to Jazz genres. It contains 11 tracks with total duration of 01:00:20 minutes.
Artist: | Gene Ammons |
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Release date: | 2000 |
Genre: | Jazz |
Tracks: | 11 |
Duration: | 01:00:20 |
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Tracks
[Edit]No. | Title | Length |
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1. | Didn't We | 6:03 |
2. | (I'm Afraid) The Masquerade Is Over | 4:42 |
3. | Out In the Cold Again (featuring Jack McDuff, Sonny Stitt) | 6:45 |
4. | Let It Be You | 3:49 |
5. | Blue Velvet | 4:06 |
6. | My Foolish Heart (featuring Sonny Stitt) | 5:10 |
7. | You Better Go Now | 3:15 |
8. | Lush Life | 5:57 |
9. | Angel Eyes | 8:45 |
10. | We'll Be Together Again (featuring Sonny Stitt) | 4:31 |
11. | Born to Be Blue | 7:17 |
Details
[Edit]Anyone who has even the most basic knowledge of Gene "Jug" Ammons will tell you how marvelous a ballad player he was. When the tenor titan played ballads, there was nothing superficial going on — Ammons dug deep and showed the world what soulful, smoky, ultra-expressive playing was all about. Assembled in 2000, Gentle Jug, Vol. 3 marked the third time that Fantasy put together a ballad-oriented collection by the saxophone master. For those who don't know anything about Ammons, three Gentle Jug collections might seem excessive, but it isn't. Spanning 1961-1970, Gentle Jug, Vol. 3 draws on Ammons' Prestige years and — like the two previous Gentle Jug collections — shows why his lyrical ballad playing was so revered. Whether he is interpreting "Blue Velvet," "The Masquerade Is Over" or Mel Tormé's "Born to Be Blue," this 61-minute, 11-song CD paints a consistently attractive picture of Jug's romantic side. His haunting 1960 performance of "Angel Eyes" is among the most captivating versions of that great, if overdone, standard — and when Ammons pours his heart into "Lush Life," it is obvious that he has no problem relating to Billy Strayhorn's world-weary outlook. While some of these performances feature pianists, others find Jug leading organ combos. Surprisingly, Jug was not a big fan of organists; he complained that they "didn't know changes" — nonetheless, he did some of his best (and most popular) work in their presence. Like the previous Gentle Jug collections, this hard bop/soul-jazz CD is well worth obtaining if you are searching for an album of smoky mood music.