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Mental Cruelty - the 1960 Jazz Soundtrack

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Download links and information about Mental Cruelty - the 1960 Jazz Soundtrack by George Gruntz. This album was released in 2003 and it belongs to Jazz, Avant Garde Jazz, Theatre/Soundtrack genres. It contains 21 tracks with total duration of 43:10 minutes.

Artist: George Gruntz
Release date: 2003
Genre: Jazz, Avant Garde Jazz, Theatre/Soundtrack
Tracks: 21
Duration: 43:10
Buy on iTunes $9.99
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Main Theme 1:57
2. Blues and Theme 2:46
3. Student Hang Out 1:05
4. Morning After the Wedding Night 1:27
5. Music for Night Children 5:22
6. Jazz Appreciation I (Motif for Ted) 3:26
7. Jazz Appreciation II (Motif for Ted) 3:24
8. Swiss Tease (Tango) 1:24
9. Romance I 0:58
10. Romance II 0:39
11. Stroll On Theme 1:12
12. Good Time Joe 0:43
13. Latin Stroll On Theme 0:45
14. Main Theme - Romance 3:29
15. Spanish Castles 2:43
16. Nick and Marlene 2:03
17. The Proposal 4:53
18. Final Theme 0:25
19. Student Hang Out 1:13
20. Main Theme Version X 0:55
21. Main Theme Version Y 2:21

Details

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John Corbett wasn't kidding when he said that he was going to start releasing non-vanguard jazz titles in the Atavistic Unheard Music Series. If this is a representative example, then bring them on. Pianist and composer George Gruntz is in the company of saxophonist Barney Wilen, drummer Kenny "Clook" Clarke, and a pair of unknown Europeans on bass and another saxophone. The unheard record in question is a 1960 soundtrack to a Swiss film called Mental Cruelty, which was made by a former soccer star. The soundtrack was issued by Decca, briefly, on 10" EP, until the musicians realized it — they were paid for a film soundtrack, not a recorded one. Decca refused to pay, lost in court, and had to destroy what remaining vinyl they had, making this a thousand dollar collector's item. Given that this was Gruntz's first soundtrack, it's extremely impressive. There are 18 tracks, all of them in the prevailing hard bop style of the day with some cool and noir-ish elements thrown in. But it feels more like a blowing session in the same way the Miles Davis soundtrack to L'Ascenseur pour L'Echafaud by Louis Malle did; loose blowing based on images and rushes from the film. Wilen is in especially fine form here: His tone has that big full sound with just a hint of the edge of Sonny Rollins in it. Gruntz is obviously a cocky, confident young pianist, but he is humbled by Clarke's mastery on the swinging bop tunes and even on the two waltzes, which were the first Clarke had played on record in his life. This is more than a cool jazz record; it is a bit of hipster history with the chops to back up its obscurity. Highly recommended.