The Best of George Lewis 1943-1964
Download links and information about The Best of George Lewis 1943-1964 by George Lewis. This album was released in 2013 and it belongs to Jazz genres. It contains 36 tracks with total duration of 02:23:34 minutes.
Artist: | George Lewis |
---|---|
Release date: | 2013 |
Genre: | Jazz |
Tracks: | 36 |
Duration: | 02:23:34 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | St. Philip Street Breakdown | 2:49 |
2. | New Orleans Hula | 2:37 |
3. | Over the Waves | 3:52 |
4. | Lead Me Saviour | 2:54 |
5. | Climax Rag | 4:24 |
6. | Careless Love | 5:13 |
7. | Just a Closer Walk with Thee | 4:18 |
8. | Ice Cream | 4:05 |
9. | Gloryland | 3:53 |
10. | Sheik of Araby | 4:01 |
11. | Bucket's Got a Hole in It | 4:04 |
12. | When You and I Were Younger Maddie | 4:32 |
13. | Lord Lord You're Certainly Good to Me | 4:05 |
14. | Lowdown Blues | 4:33 |
15. | At the Darktown Strutters' Ball | 4:26 |
16. | Tiger Rag | 4:35 |
17. | Far Away Blues | 2:47 |
18. | The Girls All Love the Way I Walk | 2:46 |
19. | Maisie | 3:38 |
20. | 2: 19 Blues | 4:54 |
21. | Ole Miss | 2:48 |
22. | Jerusalem Blues | 5:03 |
23. | Bugle Boy March | 3:42 |
24. | Pallet on the Floor | 3:02 |
25. | Honky Tonk Town | 3:38 |
26. | Burgundy Street Blues | 4:32 |
27. | Red Wing | 2:27 |
28. | Darkness on the Delta | 2:23 |
29. | Old Rugged Cross | 5:00 |
30. | That's a Plenty | 4:58 |
31. | See See Rider | 5:11 |
32. | In the Shade of the Old Apple Tree | 4:35 |
33. | Savoy Blues | 4:46 |
34. | Isle of Capri | 3:49 |
35. | Pete's Blues | 5:09 |
36. | Shake It and Break It | 4:05 |
Details
[Edit]GHB's 2013 set The Best of George Lewis is a double-disc, 36-track retrospective that chronicles the prime of clarinetist George Lewis' career. The first disc is devoted to sides from the '40s, including dates where he played in the band of Bunk Johnson or the Eclipse Alley Five, while the second runs from 1950 to 1963, also split between sessions where he's a leader and where he's a sideman. All these tracks are culled from the masters owned by GHB/Jazzology, so this never samples Lewis' material for Decca or Blue Note or any other label that falls outside of this purview, but this is a sharp distillation of some of Lewis' prime work during the peak of the New Orleans jazz revival. For many listeners, this is an easy, efficient way to hear some of his best work.