Terra Nostra (Live Recording)
Download links and information about Terra Nostra (Live Recording) by ΓΙΑΝΝΑΤΟΥ ΣΑΒΙΝΑ / GIANNATOU SABINA, PRIMAVERA EN SALONICO, Lamia Mpentioui. This album was released in 2003 and it belongs to New Age, Jazz, World Music genres. It contains 20 tracks with total duration of 01:14:13 minutes.
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| Artist: | ΓΙΑΝΝΑΤΟΥ ΣΑΒΙΝΑ / GIANNATOU SABINA, PRIMAVERA EN SALONICO, Lamia Mpentioui |
| Release date: | 2003 |
| Genre: | New Age, Jazz, World Music |
| Tracks: | 20 |
| Duration: | 01:14:13 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €2.09 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Me To Feggari Perpato (Live) | 2:40 |
| 2. | Ivan nadõnka dúmashe (Live) | 2:45 |
| 3. | A Fairy's Love Song (Live) | 3:47 |
| 4. | Ballo sardo (Live) | 5:13 |
| 5. | Yiallah Tnem Rima (Live) | 1:25 |
| 6. | El Barquero (Live) | 5:28 |
| 7. | Ksanthi Evraiopoula (Live) | 4:53 |
| 8. | Chant des belles mères (Chant sauves de l'oubli) [Live] | 2:48 |
| 9. | Schubho Ihaw Qolo (Live) | 3:31 |
| 10. | Sto 'Pa Kai Sto Ksanaleo (Live) | 2:42 |
| 11. | Tres Hermanicas Eran (Live) | 5:16 |
| 12. | Los Bibilicos (Live) | 4:00 |
| 13. | Hey Het (Live) | 4:59 |
| 14. | Ah mou dieu (Live) | 5:36 |
| 15. | Kleise Ta Blefara Sou Kai Des (Live) | 1:33 |
| 16. | Adieu pauvre carvanas (Live) | 2:08 |
| 17. | Wa Habibi (Live) | 2:19 |
| 18. | Madonna de la grazia (Live) | 3:32 |
| 19. | Kadifis (Live) | 3:14 |
| 20. | Tzako (Live) | 6:24 |
Details
[Edit]No one can accuse Savina Yannatou of not taking chances. On this live recording (with the pristine sound quality one associates with everything on ECM), she not only goes through Mediterranean and Sephardic music, but also some Celtic and a healthy dose of Arabic. Her band, Primavera en Salonico, keep things close to the edge, as on "Madonna de la Grazia," which skirts the avant-garde (or the end of "Jaco," for that matter). On "Balio Dardo," they all prove that you can make electrifying noise without electricity. On several of the Arab-inflected tracks, singer Lamia Bedioui joins the group to sing (or in the case of "Close Your Eyes and See," recite) while Yannatou adds improvised vocal accompaniment. Mostly, however, this album is about the songs and the way the modalities connect the genres. Yannatou seems most at home on the Greek and Mediterranean material, but also acquits herself well on the songs that are more of a geographical stretch. It's a step forward for her, daring and satisfying.