No. |
Title |
Length |
1. |
Italian Concerto in F Major, BWV 971: I. [ ] |
4:05 |
2. |
Italian Concerto in F Major, BWV 971: II. Andante |
7:57 |
3. |
Italian Concerto in F Major, BWV 971: III. Presto |
3:38 |
4. |
Sonata in D Major, K. 430 (L. 463): Non Presto Mà a Tempo Di Ballo |
1:43 |
5. |
Sonata in D Minor, K. 9 (L. 413): Allegro |
1:47 |
6. |
Sonata in G Major, K. 13 (L. 486): Presto |
2:16 |
7. |
Sonata in A Minor "Württembergische Sonate" No. 1, Wq. 49, No. 1 (H. 30): I. Moderato |
4:07 |
8. |
Sonata in A Minor "Württembergische Sonate" No. 1, Wq. 49, No. 1 (H. 30): II. Andante |
3:28 |
9. |
Sonata in A Minor "Württembergische Sonate" No. 1, Wq. 49, No. 1 (H. 30): III. Allegro Assai |
4:26 |
10. |
"So You Want to Write a Fugue?" for Four Voices and String Quartet (featuring Donald Gramm, Vladimir Golschmann, Anita Darian, Charles Bressler, Elizabeth Benson-Guy) |
5:07 |
11. |
Deux Morceaux, Op. 57: I. Désir |
1:59 |
12. |
Deux Morceaux, Op. 57: II. Caresse Dansée |
2:34 |
13. |
Ophelia-Lieder, Op. 67 (Three Songs After William Shakespeare): No. 1 - "Wie Erkenn Ich Mein Treulieb?" (featuring Elisabeth Schwarzkopf, Geoffrey Parsons) |
3:22 |
14. |
Ophelia-Lieder, Op. 67 (Three Songs After William Shakespeare): No. 2 - "Guten Morgen, 's Ist Sankt Valentinstag" (featuring Elisabeth Schwarzkopf, Geoffrey Parsons) |
1:12 |
15. |
Ophelia-Lieder, Op. 67 (Three Songs After William Shakespeare): No. 3 - "Sie Trugen Ihn Auf Der Bahre Bloß" (featuring Elisabeth Schwarzkopf, Geoffrey Parsons) |
3:39 |
16. |
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma non Troppo |
9:55 |
17. |
A Glenn Gould Fantasy |
54:44 |
18. |
Critics' Call-Out Corner |
9:06 |