This Is Where We Disappear
Download links and information about This Is Where We Disappear by Green Pajamas. This album was released in 2001 and it belongs to Rock, Indie Rock, Alternative, Psychedelic genres. It contains 15 tracks with total duration of 01:04:18 minutes.
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| Artist: | Green Pajamas |
| Release date: | 2001 |
| Genre: | Rock, Indie Rock, Alternative, Psychedelic |
| Tracks: | 15 |
| Duration: | 01:04:18 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €1.81 | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €2.43 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | This Is Where We Disappear | 5:06 |
| 2. | Softly, Elizabeth | 5:09 |
| 3. | The Moorland Ghost | 4:32 |
| 4. | Secret Circle | 2:42 |
| 5. | French To Japanese | 3:54 |
| 6. | Matilda | 4:13 |
| 7. | Would You Even Say Hello | 3:30 |
| 8. | Something's Gone Wrong | 4:35 |
| 9. | Spinning Away | 2:42 |
| 10. | The Waitress At The Old White Lion | 3:01 |
| 11. | Sweet 16 | 4:44 |
| 12. | Sweet Moth/36 Envelopes | 5:50 |
| 13. | Wild Desire | 7:19 |
| 14. | Downslide | 4:48 |
| 15. | The Wave (It's Becoming Very Clear) | 2:13 |
Details
[Edit]Treading the ground between paisley pop and more standard alternative rock, the Green Pajamas deliver a nice set of wistful indie pop on This Is Where We Disappear, even if as usual it's not as personal or varied as singer/songwriter Jeff Kelly's solo work. Though Kelly's American, there's a British folk-rock feel to some of his melodies and imagery, what with mysterious, evanescent women and a song about "The Moorland Ghost." Kelly's fragile yet conviction-ridden voice is well-suited for such material, though the band backup is more serviceable than imaginative, with a bit of an over-reliance on fuzz guitars. When the emphasis shifts to piano that alternates between jazz and a McCartney-type bounce on "French to Japanese," for instance, the unexpected new musical color does much to sustain interest. Still, as is characteristic for Kelly, these are nice sounds for introverted, but not despairing, moods, approaching spookiness on the parts of "Sweet Moth/36 Envelopes" with disembodied vocals.