Things We Lost In the Fire (Original Motion Picture Soundtrack)
Download links and information about Things We Lost In the Fire (Original Motion Picture Soundtrack) by Gustavo Santaolalla, Johan Söderqvist / Johan Soderqvist. This album was released in 2007 and it belongs to Theatre/Soundtrack genres. It contains 30 tracks with total duration of 37:10 minutes.
Artist: | Gustavo Santaolalla, Johan Söderqvist / Johan Soderqvist |
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Release date: | 2007 |
Genre: | Theatre/Soundtrack |
Tracks: | 30 |
Duration: | 37:10 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Opening Montage | 1:44 |
2. | Audrey With Flowers | 0:28 |
3. | Funeral Dinner | 1:03 |
4. | Jerry's Apartment | 0:33 |
5. | Audrey In Bed | 0:47 |
6. | The Funeral | 1:23 |
7. | Jerry By Window | 0:47 |
8. | Brian Rubs Ear | 0:37 |
9. | Brian Dies | 0:45 |
10. | After the Shooting | 2:38 |
11. | Audrey's Upset | 1:27 |
12. | Audrey Can't Sleep | 0:50 |
13. | Jerry Rubs Ear | 0:42 |
14. | Audrey and Jerry In the Study | 1:18 |
15. | Audrey Brings Clothes | 0:29 |
16. | Almost a Kiss | 0:59 |
17. | Jerry Takes Test | 0:26 |
18. | Audrey Throws Out Jerry | 0:46 |
19. | Harper On Sofa | 0:52 |
20. | Will He Die Now? | 0:48 |
21. | Drug Alley | 1:59 |
22. | Jerry and Neil | 1:56 |
23. | Cold Turkey 1 | 0:51 |
24. | Cold Turkey 2 | 0:53 |
25. | The Dinner | 3:38 |
26. | Audrey Breaks Down | 2:36 |
27. | Do They Glow? | 1:18 |
28. | The Cemetary | 1:19 |
29. | Audrey Opens the Letter | 0:27 |
30. | End Credits | 2:51 |
Details
[Edit]Gustavo Santaolalla and Johan Soderqvist's score for director Susanne Bier's film Things We Lost in the Fire is an appropriate accompaniment to the low-key drama. The Danish Bier, an adherent of the European "Dogma" brand of filmmaking — naturalistic acting, natural lighting, handheld camera, etc. — brought much of this approach to an American "Hollywood" film with big movie stars (Halle Berry, Benicio Del Toro, David Duchovny) in telling her story about a recently widowed woman and her platonic but nevertheless involved relationship with a drug addict who was a friend of her husband. Santaolalla and Sodverqvist provide a large number of short cues (30 in 37 minutes on the soundtrack album) dominated by delicately played acoustic guitars, with occasional orchestral or electronic backgrounds. It's a quiet, careful, somber style in keeping with the subject and style of the film.