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Things We Lost In the Fire (Original Motion Picture Soundtrack)

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Download links and information about Things We Lost In the Fire (Original Motion Picture Soundtrack) by Gustavo Santaolalla, Johan Söderqvist / Johan Soderqvist. This album was released in 2007 and it belongs to Theatre/Soundtrack genres. It contains 30 tracks with total duration of 37:10 minutes.

Artist: Gustavo Santaolalla, Johan Söderqvist / Johan Soderqvist
Release date: 2007
Genre: Theatre/Soundtrack
Tracks: 30
Duration: 37:10
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Tracks

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No. Title Length
1. Opening Montage 1:44
2. Audrey With Flowers 0:28
3. Funeral Dinner 1:03
4. Jerry's Apartment 0:33
5. Audrey In Bed 0:47
6. The Funeral 1:23
7. Jerry By Window 0:47
8. Brian Rubs Ear 0:37
9. Brian Dies 0:45
10. After the Shooting 2:38
11. Audrey's Upset 1:27
12. Audrey Can't Sleep 0:50
13. Jerry Rubs Ear 0:42
14. Audrey and Jerry In the Study 1:18
15. Audrey Brings Clothes 0:29
16. Almost a Kiss 0:59
17. Jerry Takes Test 0:26
18. Audrey Throws Out Jerry 0:46
19. Harper On Sofa 0:52
20. Will He Die Now? 0:48
21. Drug Alley 1:59
22. Jerry and Neil 1:56
23. Cold Turkey 1 0:51
24. Cold Turkey 2 0:53
25. The Dinner 3:38
26. Audrey Breaks Down 2:36
27. Do They Glow? 1:18
28. The Cemetary 1:19
29. Audrey Opens the Letter 0:27
30. End Credits 2:51

Details

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Gustavo Santaolalla and Johan Soderqvist's score for director Susanne Bier's film Things We Lost in the Fire is an appropriate accompaniment to the low-key drama. The Danish Bier, an adherent of the European "Dogma" brand of filmmaking — naturalistic acting, natural lighting, handheld camera, etc. — brought much of this approach to an American "Hollywood" film with big movie stars (Halle Berry, Benicio Del Toro, David Duchovny) in telling her story about a recently widowed woman and her platonic but nevertheless involved relationship with a drug addict who was a friend of her husband. Santaolalla and Sodverqvist provide a large number of short cues (30 in 37 minutes on the soundtrack album) dominated by delicately played acoustic guitars, with occasional orchestral or electronic backgrounds. It's a quiet, careful, somber style in keeping with the subject and style of the film.