Zero Tolerance
Download links and information about Zero Tolerance by Hit Squad. This album was released in 2004 and it belongs to Rock genres. It contains 19 tracks with total duration of 52:41 minutes.
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| Artist: | Hit Squad |
| Release date: | 2004 |
| Genre: | Rock |
| Tracks: | 19 |
| Duration: | 52:41 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Intro | 1:11 |
| 2. | Skit (featuring Redman) | 0:07 |
| 3. | U Can't (featuring Parrish) | 3:06 |
| 4. | Serious (featuring Das EFX, Redman, EPMD) | 3:21 |
| 5. | International (featuring Das EFX) | 3:51 |
| 6. | Victory (featuring K - Solo) | 4:05 |
| 7. | Line of Fire (featuring Mick Knoxx) | 3:56 |
| 8. | Callin' Me (featuring 275) | 3:42 |
| 9. | Interlude (featuring DJ White Rock) | 0:17 |
| 10. | Where We From (featuring Lil Raz, Parrish) | 3:19 |
| 11. | Interlude (featuring Lil Raz) | 0:10 |
| 12. | Get Money (featuring Heron, Lil Raz) | 3:51 |
| 13. | Comin' With the Ruff S**t (featuring Parrish) | 3:01 |
| 14. | We Ain't Gonna Stop Until (featuring Heron) | 4:03 |
| 15. | Last Dayz (featuring Parrish, 215) | 2:47 |
| 16. | My Crew (featuring Rob Jackson) | 4:42 |
| 17. | It's the Pee Back 2 Work (featuring Parrish) | 3:22 |
| 18. | Next Chapter (featuring Parrish) | 3:14 |
| 19. | Outro | 0:36 |
Details
[Edit]The "crew" is one of the most essential elements in hip-hop culture, but it is rare for a crew album to match up to the accomplishments of a single artist or unit. However, when your crew is lead by Parrish "PMD" Smith and features such top guns as Redman, Das EFX, Mobb Deep, and Fat Joe, you have a better than average chance of coming together to make a record well worth listening to. Zero Tolerance even features a mini-reunion of EPMD, with PMD and Erick Sermon sharing mike time with Redman and Das EFX over a swinging beat by Havoc of Mobb Deep on "Serious." But this isn't just an orgy of all-star hip-hoppers. Lesser-known talents like K-Solo, Mick Knoxx, and especially Lil Raz fill out major portions of this album. But most impressive is 275, whose loose style on "Callin' Me" over Fury's '70s wah-wah orchestra production is the record's highest highlight. The production is consistent, mostly sample-based but nothing too obvious, and executed by almost as many different technicians as there are tracks. PMD's own console control on "Last Dayz" finds him sharing a standout beat laced with laser-beam synths with 275, but even then it's impossible to call him out as the star of this evenhanded set. A crew record that doesn't rely on the leader's coattails to carry it through? Only a true master of the genre could pull that off.