Create account Log in

Inactive Messiah

[Edit]

Download links and information about Inactive Messiah by INACTIVE MESSIAH. This album was released in 2004 and it belongs to Rock, Black Metal, Metal, Death Metal genres. It contains 10 tracks with total duration of 44:02 minutes.

Artist: INACTIVE MESSIAH
Release date: 2004
Genre: Rock, Black Metal, Metal, Death Metal
Tracks: 10
Duration: 44:02
Buy on iTunes $9.90

Tracks

[Edit]
No. Title Length
1. T.C.D.D. 4:34
2. Give Me All 4:10
3. Mind Trap 5:07
4. Building Your God 3:14
5. Hate In Me 4:17
6. Blossom Paranoia 3:56
7. Tell Me One Reason 4:30
8. Shut the F**k Up 3:44
9. Back to Life/Memories 5:34
10. Marble Smiling Face 4:56

Details

[Edit]

Of all things, Inactive Messiah's greatest achievement as a heavy metal band may well be their laudable incorporation of space into the songs heard in this eponymous 2004 release — a rare example of accessible results in songcraft for a genre best known for instrumental and volume-based overkill. Accomplished drummer Catherine dictates the band's precision-based arrangements, which feature complementary, airtight riffs from guitarists Dimitris and Thanos, and a deathly gruff vocal performance by Mineiro that's noticeably clued into rap's attention to rhythmic intonation. Conversely, although a key songwriter and founding member, bassist Lefteris is mostly along for the ride here (as is frequently the case with heavy metal), and keyboardist Christos tends to make his presence known by his scarcity as much as his timely, often merely mood-enhancing contributions throughout — the synth beat-laden "Shut the F**k Up," being a notable exception. At times reminiscent of Cleansing-era Prong, this and additional album highlights such as "Building Your God" and "Blossom of Paranoia" deliver that vaunted sense of space with clever contrasts of dual guitar harmonies and shrieking harmonics, as well as distinctive and all-powerful grooves. Diversions from this successful template include, on the downside, the overly nu-metal atonal nuances of openers "T.C.D.D." and "Give Me All," and, on the upside, the melodic vocals employed on "Tell Me One Reason," and, finally, the gothic melodies and atmospherics contained in closers "Back to Life/Memories" and "Marble Smiling Face." All told, the above attributes make for an imminently approachable and seductive record, one that may greatly surprise initially cynical listeners with repeated plays.