Turn On the Bright Lights (Tenth Anniversary Edition)
Download links and information about Turn On the Bright Lights (Tenth Anniversary Edition) by Interpol. This album was released in 2012 and it belongs to Indie Rock, Alternative genres. It contains 28 tracks with total duration of 02:08:42 minutes.
Artist: | Interpol |
---|---|
Release date: | 2012 |
Genre: | Indie Rock, Alternative |
Tracks: | 28 |
Duration: | 02:08:42 |
Buy it NOW at: | |
Buy on iTunes $15.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Untitled | 3:56 |
2. | Obstacle 1 | 4:11 |
3. | NYC | 4:19 |
4. | PDA | 5:00 |
5. | Say Hello to the Angels | 4:28 |
6. | Hands Away | 3:05 |
7. | Obstacle 2 | 3:47 |
8. | Stella Was a Diver and She Was Always Down | 6:28 |
9. | Roland | 3:35 |
10. | The New | 6:07 |
11. | Leif Erikson | 4:00 |
12. | Interlude | 1:00 |
13. | Specialist | 6:39 |
14. | PDA (First Demo) | 4:44 |
15. | Roland (First Demo) | 3:44 |
16. | Get the Girls / Song 5 (First Demo) | 3:47 |
17. | Precipitate (Second Demo) | 5:33 |
18. | Song Seven (Second Demo) | 4:43 |
19. | A Time to Be So Small (Second Demo) | 5:46 |
20. | Untitled (Third Demo) | 4:12 |
21. | Stella (Third Demo) | 6:39 |
22. | NYC (Third Demo) | 4:26 |
23. | Leif Erikson (Third Demo) | 4:27 |
24. | Gavilan / Cubed (Third Demo) | 6:48 |
25. | Obstacle 2 (Peel Session) | 3:53 |
26. | Hands Away (Peel Session) | 3:09 |
27. | The New (Peel Session) | 5:59 |
28. | NYC (Peel Session) | 4:17 |
Details
[Edit]Ten years after the release of Interpol's debut album, Turn on the Bright Lights, a remastered edition with 17 bonus cuts lets fans hear it with superior sound. There are also early EP cuts, b-sides, demos, and Peel Sessions in perfect context, including five tracks never before released. Interpol's obvious debt to Joy Division is readily apparent in the first demos of "Roland" and "Get the Girls/Song 5," as well as the official album cuts "Stella Was a Diver and She Was Always Down" and "Leif Erikson." However, it's only one piece of Interpol's sonic palette. While the band prefers the serrated post-punk edge of the early '80s over, say, the generic guitar distortion of the '90s grunge era, it's often to substantial personal effect. "Say Hello to the Angels" sounds like a much angrier band stretching out The Smiths. "Gavilan/Cubed" has never previously been issued in any version; it's an ethereal piece up to Interpol's standards.