Line To Heaven
Download links and information about Line To Heaven by Introvoys. This album was released in 1994 and it belongs to Rock, Pop genres. It contains 12 tracks with total duration of 40:41 minutes.
Artist: | Introvoys |
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Release date: | 1994 |
Genre: | Rock, Pop |
Tracks: | 12 |
Duration: | 40:41 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Sa Habang Panahon | 2:45 |
2. | Kailanman | 3:21 |
3. | Line to Heaven | 3:25 |
4. | I Won't Shed a Tear | 4:06 |
5. | Binibini | 3:19 |
6. | Huwag Kang Tamad (Juan Tamad) | 3:12 |
7. | This Is Our Song | 2:58 |
8. | My Girl | 2:45 |
9. | May Pag-Asa Pa | 3:33 |
10. | A Certain Smile | 4:02 |
11. | Without You | 2:25 |
12. | Kapayapaan | 4:50 |
Details
[Edit]Philippine pop/rock band Introvoys' 1994 release Line to Heaven has melodies that are catchy and pop-inflected, some of which are imbedded in rock-styled arrangements. Other songs are presented unpretentiously in a light pop vein.
The album's standout song is "Line to Heaven," a highly catchy and melodic tune containing heartfelt lyrics sung with much sincerity by its composer, E. Arespacochaga. The song was written after Arespacochaga suffered a terrible tragedy, the loss of his parents in a car accident.
The guitar and keyboards play a large role in the band's music. The opening song, "Sa Habang Panahon" (For a Long Time), sets the pace for the album and features a melodic, pop-inflected tune set amidst a rock-styled arrangement. The song has a moderate pace and includes a searing lead guitar solo. "Kailanman" (Nevermore) moves on a slow pace and contains a tuneful melody. There are five members in the Introvoys, but none of the instruments or roles are specified on the credits. The singing throughout the album is tuneful but also lacks some depth. Nonetheless, the sincerity in the vocals helps camouflage the lack of depth. Another catchy tune is the spirited and anthemic "This Is Our Song," part of which sounds like Bryan Adams' "Summer of '69." "My Girl" is a nice, tuneful ballad and contains a strong melody line in the chorus, again showcasing the band's predilection toward pop-inflected melodies.