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A Love Letter to New Orleans

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Download links and information about A Love Letter to New Orleans by Irvin Mayfield. This album was released in 2011 and it belongs to Jazz genres. It contains 14 tracks with total duration of 01:11:27 minutes.

Artist: Irvin Mayfield
Release date: 2011
Genre: Jazz
Tracks: 14
Duration: 01:11:27
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Tracks

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No. Title Length
1. Mo' Better Blues (With Ellis Marsalis) 5:26
2. Latin Tinge II (Los Hombres Calientes With Bill Summers) 5:56
3. Romeo and Juliet (With Ellis Marsalis) 2:53
4. Old Time Indians Meeting of the Chiefs (Los Hombres Calientes With Cyril Neville, Donald Harrison Jr. & Big Chief Bo Dollis Sr.) 1:48
5. James Booker (Los Hombres Calientes With Bill Summers & Carlos Henriquez) 8:54
6. El Negro, Pts. 1, 2, 3 (Los Hombres Calientes With Bill Summers & Horacio "El Negro" Hernandez) 7:15
7. Fatimah 5:00
8. Lynch Mob - Interlude (With Dillard University Choir) 1:39
9. Blue Dawn (With Wynton Marsalis) 8:08
10. George Porter (Los Hombres Calientes With George Porter Jr.) 3:52
11. Super Star (With Ellis Marsalis, Louisiana Philharmonic Orchestra) 5:06
12. Wind Song (With Gordon Parks) 4:58
13. I'll Fly Away (Los Hombres Calientes With Davell Crawford & Cyril Neville) 2:26
14. Mardi Gras Second Line (Los Hombres Calientes With Troy "Trombone Shorty" Andrews, Kermit Ruffins, Rebirth Brass Band & John Boutte') 8:06

Details

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The body of Crescent City trumpeter Irvin Mayfield's work might be considered "a love letter to New Orleans," and this compilation of his Basin Street Records recordings, assembled to accompany a book with each song constituting a chapter (it is available as a stand-alone CD and in a CD/book package), certainly makes that case. Drawing from such albums as Love Songs, Ballads and Standards (a duo collection with Ellis Marsalis), Half Past Autumn Suite, and Strange Fruit, plus Mayfield's work with the group Los Hombres Calientes, the music ranges from traditional N.O. "Indian" chants and second-line playing to straight-ahead jazz. Mayfield's different projects make for a range of music that is almost too varied. Strange Fruit, for instance, is a concept album about a 1920s lynching, and music from it sits oddly beside, say, the version of Leon Russell and Bonnie Bramlett's "Superstar" from the Ellis Marsalis album. But it all relates to New Orleans somehow, and the album gives a good sense of Mayfield's recorded accomplishments so far.