Wherever You Are (Live)
Download links and information about Wherever You Are (Live) by Jack Ingram. This album was released in 2006 and it belongs to Rock, Country genres. It contains 14 tracks with total duration of 58:26 minutes.
Artist: | Jack Ingram |
---|---|
Release date: | 2006 |
Genre: | Rock, Country |
Tracks: | 14 |
Duration: | 58:26 |
Buy it NOW at: | |
Buy on iTunes $3.99 | |
Buy on Amazon $3.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Hello | 0:36 |
2. | Wherever You Are | 3:35 |
3. | I Would (Live At Gruene Hall) | 3:59 |
4. | How Many Days (Live At Gruene Hall) | 4:29 |
5. | Work This Out (Live At Gruene Hall) | 4:51 |
6. | One Thing (Live At Gruene Hall) | 4:16 |
7. | Only Daddy That'll Walk the Line (Live At Gruene Hall) | 4:35 |
8. | Biloxi (Live At Gruene Hall) | 4:59 |
9. | Mustang Burn (Live At Gruene Hall) | 5:25 |
10. | Happy Happy, Country Country (Live At Gruene Hall) | 3:13 |
11. | Barbie Doll (Live At Gruene Hall) | 6:21 |
12. | Goodnight Moon (Live At Gruene Hall) | 4:38 |
13. | You Never Knocked Me Down (CMT Outlaws 2005) (featuring Danielle Peck) | 3:59 |
14. | Love You | 3:30 |
Details
[Edit]Jack Ingram's Live Wherever You Are is a strange little album. It is live for the most part, though its title track was recorded in the studio, and "Never Knocked Me Down," comes from a CMT Outlawsbroadcast. The rest is taken from various stages and places along the road, and the record sounds like that — too chopped up. The editing process tried hard to capture the flow of a single gig, but it still comes across as a reflection of its title. There's nothing wrong with this per se, but as it is, Live Wherever You Are feels more like a stopgap between studio albums just to have something on the market. There are some great performances here, such as his read of "Only Daddy That'll Walk the Line," and "Goodnight Moon," and some silly ones, too, that appear to be novelty crowd-pleasers like "Happy Happy (Country Country)." Ingram can be a truly electrifying performer, but that has never been captured on his studio recordings. Perhaps he wants to keep those two parts of his vocation separate. But the bottom line is, that when a set is constructed like this one is, so abruptly in feel without normal transitions, something gets lost; and it feels like that here. Some songs really burn, while others feel out of place in line.