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One Man Band (Live)

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Download links and information about One Man Band (Live) by James Taylor. This album was released in 2007 and it belongs to Rock, Punk Rock, Pop, Songwriter/Lyricist genres. It contains 19 tracks with total duration of 01:17:44 minutes.

Artist: James Taylor
Release date: 2007
Genre: Rock, Punk Rock, Pop, Songwriter/Lyricist
Tracks: 19
Duration: 01:17:44
Buy on iTunes $9.99
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Something In the Way She Moves (Live at the Colonial Theatre) 3:47
2. Never Die Young (Live at the Colonial Theatre) 4:24
3. The Frozen Man (Live at the Colonial Theatre) 5:07
4. Mean Old Man (Live at the Colonial Theatre) 3:42
5. School Song (Live at the Colonial Theatre) 1:27
6. Country Road (Live at the Colonial Theatre) 4:08
7. Slap Leather (Live at the Colonial Theatre) 3:07
8. My Traveling Star (Live at the Colonial Theatre) 4:11
9. You've Got a Friend (Live at the Colonial Theatre) 5:01
10. Steamroller Blues (Live at the Colonial Theatre) 5:59
11. Secret O' Life (Live at the Colonial Theatre) 3:42
12. Line 'Em Up (Live at the Colonial Theatre) 4:39
13. Chili Dog (Live at the Colonial Theatre) 1:57
14. Shower the People (Live at the Colonial Theatre) 4:56
15. Sweet Baby James (Live at the Colonial Theatre) 3:41
16. Carolina In My Mind (Live at the Colonial Theatre) 5:04
17. Fire and Rain (Live at the Colonial Theatre) 4:52
18. Copperline (Live at the Colonial Theatre) 4:52
19. You Can Close Your Eyes (Live at the Colonial Theatre) 3:08

Details

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Actually, it’s a two man band. This live collection was recorded at the Colonial Theatre in Pittsfield, MA, July 2007, with keyboardist Larry Goldings joining Taylor for a pleasant and inspired evening of many well-known Taylor classics. “Something in the Way She Moves,” “You’ve Got a Friend,” “Sweet Baby James,” “Carolina In My Mind,” “Fire and Rain,” alongside later faves such as “Never Die Young” and “Copperline” show that Taylor has lost none of his vocal range while his ability to convey the same warm sincerity that catapulted him to fame in the early ‘70s as the prototypical sensitive singer-songwriter remains undiminished. His guitar picking is stellar throughout and Goldings’ piano flourishes are empathetic and never overpowering, though Taylor does allow Goldings a few fine displays (“The Frozen Man,” the jazz leanings of “Mean Old Man” and the instrumental “School”). In between song patter is quick, witty and never a hindrance. Only “Slap Leather” with its faux-funk breaks the mood. Taylor’s songs are amazingly resilient and though obviously he has sung these songs thousands of times, he still brings them to life with empathy and meaning.