|
No. |
Title |
Length |
| 1. |
Passacaglia on DSCH: PARS PRIMA - Sonata allegro |
7:06 |
| 2. |
Passacaglia on DSCH: PARS PRIMA - Waltz in rondo form |
3:06 |
| 3. |
Passacaglia on DSCH: PARS PRIMA - Episode (Presto) |
0:29 |
| 4. |
Passacaglia on DSCH: PARS PRIMA - Suite (Prelude – Sarabande – Jig – Sarabande – Minuet – Jig – Gavotte – Polonaise) |
13:16 |
| 5. |
Passacaglia on DSCH: PARS PRIMA - Pibroch (Lament for the Children) |
2:42 |
| 6. |
Passacaglia on DSCH: PARS PRIMA - Episode: Arabesque Variations |
0:44 |
| 7. |
Passacaglia on DSCH: PARS PRIMA - Nocturne |
2:14 |
| 8. |
Passacaglia on DSCH: PARS ALTERA - Reverie-Fantasy |
4:28 |
| 9. |
Passacaglia on DSCH: PARS ALTERA - Fanfare – Forebodings: Alarm – Glimpse of a War-Vision |
2:16 |
| 10. |
Passacaglia on DSCH: PARS ALTERA - Variations on ‘Peace, Bread and the Land’ (1917) |
2:19 |
| 11. |
Passacaglia on DSCH: PARS ALTERA - Symphonic March |
2:13 |
| 12. |
Passacaglia on DSCH: PARS ALTERA - Episode (Volante scherzoso) |
0:58 |
| 13. |
Passacaglia on DSCH: PARS ALTERA - Fandango |
2:05 |
| 14. |
Passacaglia on DSCH: PARS ALTERA - Pedal-point (‘To emergent Africa’) |
2:19 |
| 15. |
Passacaglia on DSCH: PARS ALTERA - Central episode: Etudes |
4:00 |
| 16. |
Passacaglia on DSCH: PARS ALTERA - Variations in C minor |
3:35 |
| 17. |
Passacaglia on DSCH: PARS TERTIA - Adagio: Tribute to Bach - Triple Fugue over Ground Bass |
1:48 |
| 18. |
Passacaglia on DSCH: PARS TERTIA - Subject I. Andamento |
6:00 |
| 19. |
Passacaglia on DSCH: PARS TERTIA - Subject II. B A C H |
6:50 |
| 20. |
Passacaglia on DSCH: PARS TERTIA - Subject III. Dies Irae |
6:18 |
| 21. |
Passacaglia on DSCH: PARS TERTIA -Final variations on theme derived from ground (Adagissimo barocco) |
10:30 |
| 22. |
Promenade Pastorale |
2:58 |
| 23. |
Waltzes |
8:24 |
| 24. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: 1. Fugue without Protocol (Tema locriano) |
4:58 |
| 25. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: Transition to movement 2 |
1:25 |
| 26. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: 2. Intermezzo-Notturno: Omaggio a John Field |
1:23 |
| 27. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: Alla giga |
0:44 |
| 28. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: Marcia funebre (Lento ma con moto) |
1:20 |
| 29. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: Allegro quasi feroce |
1:00 |
| 30. |
Fugue, Variations and Epilogue on a Theme by Arnold Bax: 3. Epilogue (Andante cantabile) |
5:54 |
| 31. |
Nocturne (Homage to John Field) |
5:58 |
| 32. |
Variations on a Theme of Pizzetti: Tema: movimento di Sarabanda – Riflessione del tema – Transizione |
1:17 |
| 33. |
Variations on a Theme of Pizzetti: Variation 1: Con moto amabile |
0:22 |
| 34. |
Variations on a Theme of Pizzetti: Variation 2 |
0:19 |
| 35. |
Variations on a Theme of Pizzetti: Variation 3: Più mosso (circa allegro) |
0:20 |
| 36. |
Variations on a Theme of Pizzetti: Variation 4: Poco meno mosso |
0:22 |
| 37. |
Variations on a Theme of Pizzetti: Variation 5 |
0:31 |
| 38. |
Variations on a Theme of Pizzetti: Variation 6: Sostenuto solenne |
1:13 |
| 39. |
Variations on a Theme of Pizzetti: Variation 7: Alla marcia, molto moderato e quasi automa |
1:00 |
| 40. |
Variations on a Theme of Pizzetti: Variation 8: Andante cantabile |
0:54 |
| 41. |
Variations on a Theme of Pizzetti: Variation 9: Un po’ più mosso (moderato) |
0:26 |
| 42. |
Variations on a Theme of Pizzetti: Variation 10: Allegretto squisito |
0:28 |
| 43. |
Variations on a Theme of Pizzetti: Variation 11: Alla siciliana (Allegretto grazioso) |
0:30 |
| 44. |
Variations on a Theme of Pizzetti: Variation 12: Alla barcarolla |
1:02 |
| 45. |
Variations on a Theme of Pizzetti: Variation 13: Alla tarantella |
0:23 |
| 46. |
Variations on a Theme of Pizzetti: Variation 14: Allegro |
1:48 |
| 47. |
Variations on a Theme of Pizzetti: Variation 15: Sostenuto |
0:32 |
| 48. |
Variations on a Theme of Pizzetti: Variation 16 |
2:03 |
| 49. |
Sonatina No 2: Adagietto |
3:10 |
| 50. |
Sonatina No 2: Allegro |
4:15 |
