Plates-formes Et Traquenards
Download links and information about Plates-formes Et Traquenards by Jean Derome. This album was released in 2008 and it belongs to Jazz, Rock genres. It contains 21 tracks with total duration of 01:09:55 minutes.
Artist: | Jean Derome |
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Release date: | 2008 |
Genre: | Jazz, Rock |
Tracks: | 21 |
Duration: | 01:09:55 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Le Glas | 2:28 |
2. | Le Rift | 7:23 |
3. | Les Synapses | 2:38 |
4. | Le Derrick | 1:41 |
5. | Tec(hno)t®onique | 2:49 |
6. | Le Lit Du Chiro | 2:06 |
7. | Les Volcans | 2:38 |
8. | La Dérive Des Continents | 2:18 |
9. | Plate-forme électorale | 2:29 |
10. | Plancher de Danse | 7:49 |
11. | Piège À Bulles | 2:00 |
12. | Piège Inuit | 3:37 |
13. | Alambic | 1:29 |
14. | Chercher Noise | 2:03 |
15. | Malentendu (en Trompe-l'œil) | 1:26 |
16. | Ta Ferveur | 5:09 |
17. | La Proie Pour L'ombre | 1:41 |
18. | Miroir Aux Alouettes | 3:04 |
19. | Dream-Catch 22 | 6:10 |
20. | Attrape-Nigaud | 2:00 |
21. | Trap Case | 6:57 |
Details
[Edit]The FIMAV Festival offered the opening slot of its 25th edition to frequent participant and Montreal musique actuelle mainstay Jean Derome, who rose to the occasion with, basically, a new band and two new long-form compositions. Plates-Formes et Tranquenards documents the event in stellar clarity. Derome's Dangereux Zhoms is a long-standing project, though it spent most of the 2000s under wraps. The unit had been reactivated in 2007 to release a new CD (To Continue), but none of that material is found here. However, the current DZ lineup provides the backbone of the project: Derome on flutes and saxophones (and some creative conducting), trombonist Tom Walsh, pianist Guillaume Dostaler, bassist Pierre Cartier, and drummer Pierre Tanguay. Augmenting the group are a cross-section of Ambiances Magnétiques' larger circle of players, including vocalist Joane Hétu, guitarist Bernard Falaise (of Miriodor fame), and turntablist Martin Tétreault. This 12-piece ensemble performs two long suites (35 minutes each) by Derome, compositions that blend his typical driving odd-metered themes — the second and last parts of "Plates-Formes," part six of "Tranquenards," other sections, too — with jazzier bits, textural playing, and improvised and semi-improvised sections in subgroupings. Overall, the project sounds like a cross between Derome's jazzier writing and Canot-Camping, his conducted improv project. It is prime Derome: soulful at times, perplexing at others, chaotic one moment, extremely well organized the next, both majestic (in a serial music way) and silly (in a circus fanfare way). A must for fans of Derome's musique actuelle and an excellent audio recording to boot. ~ François Couture, Rovi