|
No. |
Title |
Length |
| 1. |
Brandenburg Concerto No. 1 In F Major, BWV 1046: I. Allegro |
3:51 |
| 2. |
Brandenburg Concerto No. 1 In F Major, BWV 1046: II. Adagio |
3:32 |
| 3. |
Brandenburg Concerto No. 1 In F Major, BWV 1046: III. Allegro |
4:00 |
| 4. |
Brandenburg Concerto No. 1 In F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II |
6:33 |
| 5. |
Brandenburg Concerto No. 2 In F Major, BWV 1047: I. [Allegro] |
4:29 |
| 6. |
Brandenburg Concerto No. 2 In F Major, BWV 1047: II. Andante |
3:12 |
| 7. |
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai |
2:44 |
| 8. |
Brandenburg Concerto No. 3 In G Major, BWV 1048: I. Allegro |
5:01 |
| 9. |
Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza |
0:55 |
| 10. |
Brandenburg Concerto No. 3 In G Major, BWV 1048: III. Allegro |
4:49 |
| 11. |
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro |
5:59 |
| 12. |
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio Ma non Tanto |
4:43 |
| 13. |
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro |
5:20 |
| 14. |
Piano Sonata No. 8 In C Minor, Op. 13, "Pathetique": II. Adagio Cantabile |
4:42 |
| 15. |
Piano Sonata No. 8 In C Minor, Op. 13, "Pathetique": III. Rondo: Allegro |
4:30 |
| 16. |
Piano Sonata No. 8 In C Minor, Op. 13, "Pathetique": I. Grave - Allegro Di Molto e Con Brio |
8:29 |
| 17. |
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": I. Adagio Sostenuto |
5:15 |
| 18. |
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": II. Allegretto |
2:04 |
| 19. |
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": III. Presto Agitato |
7:21 |
| 20. |
Piano Sonata No. 23 In F Minor, Op. 57, "Appassionata": I. Allegro Assai |
9:36 |
| 21. |
Piano Sonata No. 23 In F Minor, Op. 57, "Appassionata": II. Andante Con Moto |
5:47 |
| 22. |
Piano Sonata No. 23 In F Minor, Op. 57, "Appassionata": III. Allegro Ma Non Troppo - Presto |
8:10 |
| 23. |
Symphony No. 2 In D Major, Op. 73: I. Allegro Non Troppo (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
14:41 |
| 24. |
Symphony No. 2 In D Major, Op. 73: II. Adagio Non Troppo (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
9:35 |
| 25. |
Symphony No. 2 In D Major, Op. 73: III. Allegretto Grazioso (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
5:16 |
| 26. |
Symphony No. 2 In D Major, Op. 73: IV. Allegretto Con Spirito (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
9:14 |
| 27. |
Serenade No. 2 in A Major, Op. 16: I. Allegro Moderato (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
8:19 |
| 28. |
Serenade No. 2 in A Major, Op. 16: II. Scherzo: Vivace (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
3:03 |
| 29. |
Serenade No. 2 in A Major, Op. 16: III. Adagio non Troppo (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
9:11 |
| 30. |
Serenade No. 2 in A Major, Op. 16: IV. Quasi Menuetto (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
5:31 |
| 31. |
Serenade No. 2 in A Major, Op. 16: V. Rondo: Allegro (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
6:32 |
| 32. |
Nocturne No. 1 in B-Flat Minor, Op. 9, No. 1 (featuring Idil Biret) |
5:35 |
| 33. |
Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 (featuring Idil Biret) |
4:30 |
| 34. |
Nocturne No. 3 in B Major, Op. 9, No. 3 (featuring Idil Biret) |
6:24 |
| 35. |
Nocturne No. 4 in F Major, Op. 15, No. 1 (featuring Idil Biret) |
4:16 |
| 36. |
Nocturne No. 5 in F-Sharp Major, Op. 15, No. 2 (featuring Idil Biret) |
3:48 |
| 37. |
Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1 (featuring Idil Biret) |
5:41 |
| 38. |
Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 (featuring Idil Biret) |
6:16 |
| 39. |
Nocturne No. 9 in B Major, Op. 32, No. 1 (featuring Idil Biret) |
5:00 |
| 40. |
Nocturne No. 13 in C Minor, Op. 48, No. 1 (featuring Idil Biret) |
7:29 |
| 41. |
Nocturne No. 15 in F Minor, Op. 55, No. 1 (featuring Idil Biret) |
4:46 |
| 42. |
Nocturne No. 16 in E-Flat Major, Op. 55, No. 2 (featuring Idil Biret) |
5:15 |
| 43. |
Nocturne No. 17 in B Major, Op. 62, No. 1 (featuring Idil Biret) |
7:50 |
| 44. |
Nocturne No. 19 in E Minor, Op. 72, No. 1 (featuring Idil Biret) |
4:41 |
| 45. |
Nocturne No. 20 in C-Sharp Minor, Op. Posth. (featuring Idil Biret) |
3:59 |
| 46. |
Prelude a l'apres-midi D'un Faune (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra, Jan Van Reeth) |
10:34 |
| 47. |
Nocturnes: Nuages (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra, BRT Philharmonic Chorus) |
7:32 |
| 48. |
Nocturnes: Fetes (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra, BRT Philharmonic Chorus) |
6:57 |
| 49. |
Nocturnes: Sirenes (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra, BRT Philharmonic Chorus) |
12:43 |
| 50. |
La Mer: De l'aube a Midi Sur la Mer (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
9:19 |
| 51. |
La Mer: Jeux de Vagues (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
7:28 |
| 52. |
La Mer: Dialogue Du Vent Et de la Mer (featuring Alexander Rahbari, Belgian Radio And Television Philharmonic Orchestra) |
8:27 |
| 53. |
Lachrimae Pavan, P. 15 (featuring Nigel North) |
5:21 |
| 54. |
Galliard to Lachrimae, P. 46 (featuring Nigel North) |
2:41 |
| 55. |
Pavan in G Minor, P. 16 (featuring Nigel North) |
5:12 |
| 56. |
The Earl of Essex, His Galliard, P. 42, "Can She Excuse" (featuring Nigel North) |
1:54 |
| 57. |
Pavan in G Minor, P. 18 (featuring Nigel North) |
5:39 |
| 58. |
M. Giles Hobie's Galliard, P. 29 (featuring Nigel North) |
1:57 |
| 59. |
Dowland's Tears (Arr. No. North of I Saw My Lady Weep) (featuring Nigel North) |
2:07 |
| 60. |
Sir Henry Umpton's Funeral, H. 9 (Arr. For Lute) (featuring Nigel North) |
5:59 |
| 61. |
Sir John Langton's Pavan, P. 14a (featuring Nigel North) |
5:43 |
| 62. |
Mr Langton's Galliard: Mr. Langton's Galliard, P. 33 (featuring Nigel North) |
2:36 |
| 63. |
Piper's Pavan, P. 8 (featuring Nigel North) |
5:16 |
| 64. |
Captain Digorie Piper's Galliard, P. 19 (featuring Nigel North) |
1:53 |
| 65. |
Dowland's Adieu for Master Oliver Cromwell (Arr. For Lute) (featuring Nigel North) |
4:58 |
| 66. |
Galliard in G Minor, P. 30 (featuring Nigel North) |
1:59 |
| 67. |
Mignarda, P. 34 (featuring Nigel North) |
2:59 |
| 68. |
Lachrimae (Alternative Version) (featuring Nigel North) |
5:15 |
| 69. |
Semper Dowland Semper Dolens, P. 9 (featuring Nigel North) |
4:22 |
| 70. |
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
11:39 |
| 71. |
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Molto Vivace (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
8:07 |
| 72. |
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Allegro con Fuoco (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
11:10 |
| 73. |
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
12:00 |
| 74. |
Symphonic Variations, Op. 78, B. 70 (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
22:05 |
| 75. |
Requiem, Op. 48: Introit Et Kyrie (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
6:37 |
| 76. |
Requiem, Op. 48: Offertoire (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
8:55 |
| 77. |
Requiem, Op. 48: Sanctus (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
3:28 |
| 78. |
Requiem, Op. 48: Pie Jesu (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
3:31 |
| 79. |
Requiem, Op. 48: Agnus Dei (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
5:58 |
| 80. |
Requiem, Op. 48: Libera Me (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
4:38 |
| 81. |
Requiem, Op. 48: In Paradisum (featuring Jeremy Summerly, Oxford Camerata, Lisa Beckley, Colm Carey, Oxford Schola Cantorum, Nicholas Gedge) |
3:28 |
| 82. |
Pieces de Fantaisie, Op. 51: Suite No. 1: Andantino (featuring Colm Carey) |
3:35 |
| 83. |
Tantum ergo (featuring Jeremy Summerly, Oxford Schola Cantorum) |
3:15 |
| 84. |
Messe Basse: Kyrie (featuring Jeremy Summerly, Colm Carey, Oxford Schola Cantorum) |
2:21 |
| 85. |
Messe Basse: Sanctus (featuring Jeremy Summerly, Colm Carey, Oxford Schola Cantorum) |
2:28 |
| 86. |
Messe Basse: Benedictus (featuring Jeremy Summerly, Colm Carey, Oxford Schola Cantorum) |
2:23 |
| 87. |
Messe Basse: Agnus Dei (featuring Jeremy Summerly, Colm Carey, Oxford Schola Cantorum) |
3:11 |
| 88. |
Cantique de Jean Racine, Op. 11 (featuring Jeremy Summerly, Colm Carey, Oxford Schola Cantorum) |
6:30 |
| 89. |
Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
5:06 |
| 90. |
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
3:35 |
| 91. |
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
2:40 |
| 92. |
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
3:55 |
| 93. |
Peer Gynt Suite No. 2, Op. 55: I. Ingrid's Lament (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
3:58 |
| 94. |
Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
4:26 |
| 95. |
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
2:39 |
| 96. |
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
5:40 |
| 97. |
From Holberg's Time, Op. 40: I. Prelude (featuring The Bournemouth Sinfonietta, Richard Studt) |
2:48 |
| 98. |
From Holberg's Time, Op. 40: II. Sarabande (featuring The Bournemouth Sinfonietta, Richard Studt) |
3:49 |
| 99. |
From Holberg's Time, Op. 40: III. Gavotte (featuring The Bournemouth Sinfonietta, Richard Studt) |
3:28 |
| 100. |
From Holberg's Time, Op. 40: IV. Air (featuring The Bournemouth Sinfonietta, Richard Studt) |
5:40 |
| 101. |
From Holberg's Time, Op. 40: V. Rigaudon (featuring The Bournemouth Sinfonietta, Richard Studt) |
3:18 |
| 102. |
Lyric Pieces, Book 8, Op. 65, No. 6 - Wedding-Day At Troldhaugen (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
6:01 |
| 103. |
3 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: I. Prelude: In the King's Hall (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
3:12 |
| 104. |
3 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: II. Intermezzo, "Borghild's Dream" (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
3:59 |
| 105. |
3 Orchestral Pieces from Sigurd Jorsalfar, Op. 56: III. Hommage March (featuring BBC Scottish Symphony Orchestra, Jerzy Maksymiuk) |
11:04 |
| 106. |
Messiah, HWV 56 (1751 Version), Pt. I: Sinfonia (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:04 |
| 107. |
Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: Comfort Ye, My People (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:13 |
| 108. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria: Every Valley Shall Be Exalted (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:19 |
| 109. |
Messiah, HWV 56 (1751 Version), Pt. I: Chorus: And the Glory of the Lord (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:31 |
| 110. |
Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: Thus Saith the Lord of Hosts (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:27 |
| 111. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria: But Who May Abide the Day of His Coming (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
4:30 |
| 112. |
Messiah, HWV 56 (1751 Version), Pt. I: Chorus: And He Shall Purify (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:32 |
| 113. |
Messiah, HWV 56 (1751 Version), Pt. I: Recitative: Behold, a Virgin Shall Conceive, and Bear a Son (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:24 |
| 114. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria and Chorus: O Thou That Tellest Good Tidings to Zion (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
5:42 |
| 115. |
Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: For Behold, Darkness Shall Cover the Earth (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:09 |
| 116. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria: The People That Walked in Darkness (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:35 |
| 117. |
Messiah, HWV 56 (1751 Version), Pt. I: Chorus: For Unto Us a Child Is Born (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:52 |
| 118. |
Messiah, HWV 56 (1751 Version), Pt. I: Pifa (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:12 |
| 119. |
Messiah, HWV 56 (1751 Version), Pt. I: Accompanied Recitative: There Were Shepherds Abiding in the Field (Trebles) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:28 |
| 120. |
Messiah, HWV 56 (1751 Version), Pt. I: Chorus: Glory to God in the Highest (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:14 |
| 121. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria: Rejoice Greatly, O Daughter of Zion (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
4:05 |
| 122. |
Messiah, HWV 56 (1751 Version), Pt. I: Recitative: Then Shall the Eyes of the Blind Be Opened (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:23 |
| 123. |
Messiah, HWV 56 (1751 Version), Pt. I: Aria: He Shall Feed His Flock Like a Shepherd (CounterTenor, Treble) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
4:53 |
| 124. |
Messiah, HWV 56 (1751 Version), Pt. I: Chorus: His Yoke Is Easy, His Burthen Is Light (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:19 |
| 125. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Behold, the Lamb of God (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:49 |
| 126. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: He Was Despised and Rejected of Men (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
12:21 |
| 127. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Surely He Hath Borne Our Griefs and Carried Our Sorrows (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:00 |
| 128. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: And With His Stripes We Are Healed (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:55 |
| 129. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: All We Like Sheep Have Gone Astray (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:33 |
| 130. |
Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: All They That See Him, Laugh Him to Scorn (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:42 |
| 131. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: He Trusted in God That He Would Deliver Him (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:21 |
| 132. |
Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: Thy Rebuke Hath Broken His Heart (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:45 |
| 133. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: Behold, and See If There Be Any Sorrow Like Unto His Sorrow (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:32 |
| 134. |
Messiah, HWV 56 (1751 Version), Pt. II: Accompanied Recitative: He Was Cut Off Out of the Land of the Living (Treble) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:17 |
| 135. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: But Thou Didst Not Leave His Soul in Hell (Treble) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:59 |
| 136. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Lift Up Your Heads, O Ye Gates (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:08 |
| 137. |
Messiah, HWV 56 (1751 Version), Pt. II: Recitative: Unto Which of the Angels Said He At Any Time (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:19 |
| 138. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Let All the Angels of God Worship Him (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:39 |
| 139. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: Thou Art Gone Up On High (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:10 |
| 140. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: The Lord Gave the Word (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:12 |
| 141. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: How Beautiful Are the Feet of Them That Preach the Gospel of Peace (Treble) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:17 |
| 142. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Their Sound Is Gone Out Into All Lands (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:32 |
| 143. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: Why Do the Nations So Furiously Rage Together (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:48 |
| 144. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Let Us Break Their Bonds Asunder (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:52 |
| 145. |
Messiah, HWV 56 (1751 Version), Pt. II: Recitative: He That Dwelleth in Heaven Shall Laugh Them to Scorn (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:10 |
| 146. |
Messiah, HWV 56 (1751 Version), Pt. II: Aria: Thou Shalt Break Them With a Rod of Iron (Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:16 |
| 147. |
Messiah, HWV 56 (1751 Version), Pt. II: Chorus: Hallelujah (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
4:03 |
| 148. |
Messiah, HWV 56 (1751 Version), Pt. III: Aria: I Know That My Redeemer Liveth (Treble) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
5:43 |
| 149. |
Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Since By Man Came Death (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:05 |
| 150. |
Messiah, HWV 56 (1751 Version), Pt. III: Accompanied Recitative: Behold: ITell You a Mystery (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:36 |
| 151. |
Messiah, HWV 56 (1751 Version), Pt. III: Aria: The Trumpet Shall Sound (Bass) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
8:38 |
| 152. |
Messiah, HWV 56 (1751 Version), Pt. III: Recitative: Then Shall Be Brought to Pass the Saying That Is Written (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
0:15 |
| 153. |
Messiah, HWV 56 (1751 Version), Pt. III: Duet: O Death, Where Is Thy Sting (CounterTenor and Tenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
1:06 |
| 154. |
Messiah, HWV 56 (1751 Version), Pt. III: Chorus: But Thanks Be to God (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
2:11 |
| 155. |
Messiah, HWV 56 (1751 Version), Pt. III: Aria: If God Is for Us, Who Can Be Against Us (CounterTenor) (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
4:53 |
| 156. |
Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Worthy Is the Lamb That Was Slain (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:16 |
| 157. |
Messiah, HWV 56 (1751 Version), Pt. III: Chorus: Amen (featuring The Academy Of Ancient Music, Iestyn Davies, Toby Spence, Oxford, Edward Higginbottom, Eamonn Dougan, New College Choir, Otta Jones, Robert Brooks, Henry Jenkinson) |
3:34 |
| 158. |
String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: I. Allegro con Spirito (featuring Kodály Quartet / Kodaly Quartet) |
5:32 |
| 159. |
String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: II. Adagio Sostenuto (featuring Kodály Quartet / Kodaly Quartet) |
7:44 |
| 160. |
String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: III. Menuetto: Presto (featuring Kodály Quartet / Kodaly Quartet) |
2:37 |
| 161. |
String Quartet No. 60 in G Major, Op. 76, No. 1, Hob. III:75: IV. Finale: Allegro Ma non Troppo (featuring Kodály Quartet / Kodaly Quartet) |
6:03 |
| 162. |
String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": I. Allegro (featuring Kodály Quartet / Kodaly Quartet) |
6:46 |
| 163. |
String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": II. Andante O Piu Tosto Allegretto (featuring Kodály Quartet / Kodaly Quartet) |
5:18 |
| 164. |
String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": III. Menuetto: Allegro Ma non Troppo (featuring Kodály Quartet / Kodaly Quartet) |
3:31 |
| 165. |
String Quartet No. 61 in D Minor, Op. 76, No. 2, Hob. III:76, "Fifths": IV. Vivace Assai (featuring Kodály Quartet / Kodaly Quartet) |
4:10 |
| 166. |
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": I. Allegro (featuring Kodály Quartet / Kodaly Quartet) |
6:49 |
| 167. |
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": II. Poco Adagio, Cantabile (featuring Kodály Quartet / Kodaly Quartet) |
7:59 |
| 168. |
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": III. Menuetto: Allegro (featuring Kodály Quartet / Kodaly Quartet) |
4:46 |
| 169. |
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob. III:77, "Emperor": IV. Finale: Presto (featuring Kodály Quartet / Kodaly Quartet) |
5:19 |
| 170. |
Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegro Maestoso - Tempo Giusto - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
5:14 |
| 171. |
Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Quasi Adagio - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
5:10 |
| 172. |
Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegretto Vivace - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
4:06 |
| 173. |
Piano Concerto No. 1 in E-Flat Major, S. 124 - R455: Allegro Marziale Animato - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
4:27 |
| 174. |
Piano Concerto No. 2 in A Major, S. 125 - R456: Adagio Sostenuto assai - Tempo del Andante (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
7:55 |
| 175. |
Piano Concerto No. 2 in A Major, S. 125 - R456: Allegro Deciso - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
8:46 |
| 176. |
Piano Concerto No. 2 in A Major, S. 125 - R456: Marziale un poco meno Allegro - un poco meno Mosso - (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
4:04 |
| 177. |
Piano Concerto No. 2 in A Major, S. 125 - R456: Allegro Animato (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
1:57 |
| 178. |
Totentanz, S. 126 - R457 (featuring Slovak Radio Symphony Orchestra, Joseph Banowetz, Oliver Dohnanyi) |
16:15 |
| 179. |
Inter Natos Mulierum, K. 72 (featuring Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
5:10 |
| 180. |
Misericordias Domini, K. 222 (featuring Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
6:05 |
| 181. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Introit: Requiem Aeternam (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
3:58 |
| 182. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Kyrie Eleison (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
2:15 |
| 183. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: I. Dies Irae (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
1:40 |
| 184. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: II. Tuba Mirum (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
2:43 |
| 185. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: III. Rex Tremendae Majestatis (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
1:47 |
| 186. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: IV. Recordare, Jesu Pie (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
4:26 |
| 187. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: V. Confutatis Maledictis (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
1:49 |
| 188. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sequence: VI. Lacrimosa Dies Illa (completed By Sussmayr) (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
2:42 |
| 189. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Offertory: I. Domine Jesu Christe (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
3:03 |
| 190. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Offertory: II. Hostias Et Preces (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
3:21 |
| 191. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Sanctus (Sussmayr) (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
1:19 |
| 192. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Benedictus (Sussmayr) (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
4:25 |
| 193. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Agnus Dei (Sussmayr) (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
2:20 |
| 194. |
Requiem In D Minor, K. 626 (completed F.X. Sussmayr): Communion: Lux Aeterna (completed By Sussmayr) (featuring Marcus Ullmann, Miriam Allan, Martin Snell, Anne Buter, Leipzig Chamber Orchestra, Gewandhaus Chamber Choir) |
4:51 |
| 195. |
Missa Papae Marcelli: Kyrie (featuring Oxford Camerata / Jeremy Summerly) |
4:30 |
| 196. |
Missa Papae Marcelli: Gloria (featuring Oxford Camerata / Jeremy Summerly) |
5:36 |
| 197. |
Missa Papae Marcelli: Credo (featuring Oxford Camerata / Jeremy Summerly) |
8:26 |
| 198. |
Missa Papae Marcelli: Agnus Dei (featuring Oxford Camerata / Jeremy Summerly) |
7:46 |
| 199. |
Missa Papae Marcelli: Sanctus (featuring Oxford Camerata / Jeremy Summerly) |
8:48 |
| 200. |
Missa Aeterna Christi Munera: Kyrie (featuring Oxford Camerata / Jeremy Summerly) |
2:06 |
| 201. |
Missa Aeterna Christi Munera: Gloria (featuring Oxford Camerata / Jeremy Summerly) |
2:50 |
| 202. |
Missa Aeterna Christi Munera: Credo (featuring Oxford Camerata / Jeremy Summerly) |
5:04 |
| 203. |
Missa Aeterna Christi Munera: Sanctus (featuring Oxford Camerata / Jeremy Summerly) |
5:00 |
| 204. |
Missa Aeterna Christi Munera: Agnus Dei (featuring Oxford Camerata / Jeremy Summerly) |
4:52 |
| 205. |
Scheherazade, Op. 35: I. the Sea and Sinbad's Ship (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
9:17 |
| 206. |
Scheherazade, Op. 35: II. the Kalender Prince (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
11:21 |
| 207. |
Scheherazade, Op. 35: III. the Young Prince and the Young Princess (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
9:56 |
| 208. |
Scheherazade, Op. 35: IV. Festival At Baghdad - the Sea (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
11:24 |
| 209. |
Tale of Tsar Saltan, Op. 57: I. the Tsar's Farewell and Departure (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
4:37 |
| 210. |
Tale of Tsar Saltan, Op. 57: II. the Tsarina In a Barrel At Sea (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
7:23 |
| 211. |
Tale of Tsar Saltan, Op. 57: III. the Three Wonders (featuring Enrique Batiz, Philharmonia Orchestra, David Nolan) |
7:04 |
| 212. |
String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": I. Allegro (featuring Kodály Quartet / Kodaly Quartet) |
17:02 |
| 213. |
String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": III. Scherzo: (Allegro Molto) (featuring Kodály Quartet / Kodaly Quartet) |
4:04 |
| 214. |
String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": IV. Presto (featuring Kodály Quartet / Kodaly Quartet) |
9:47 |
| 215. |
String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con Moto (featuring Kodály Quartet / Kodaly Quartet) |
15:47 |
| 216. |
String Quartet No. 12 in C Minor, D. 703, "Quartettsatz": Allegro Assai (featuring Kodály Quartet / Kodaly Quartet) |
10:18 |
| 217. |
Kinderszenen (Scenes of Childhood), Op. 15: I. Von Fremden Landern Und Menschen (Of Foreign Lands and People) |
1:31 |
| 218. |
Kinderszenen (Scenes of Childhood), Op. 15: II. Curiose Geschichte (A Strange Story) |
0:53 |
| 219. |
Kinderszenen (Scenes of Childhood), Op. 15: III. Hasche-Mann (Catch-as-Catch-Can) |
0:30 |
| 220. |
Kinderszenen (Scenes of Childhood), Op. 15: IV. Bittendes Kind (Pleading Child) |
0:46 |
| 221. |
Kinderszenen (Scenes of Childhood), Op. 15: V. Gluckes Genug (Happy Enough) |
0:33 |
| 222. |
Kinderszenen (Scenes of Childhood), Op. 15: VI. Wichtige Begebenheit (An Important Event) |
0:59 |
| 223. |
Kinderszenen (Scenes of Childhood), Op. 15: VII. Traumerei (Dreaming) |
2:42 |
| 224. |
Kinderszenen (Scenes of Childhood), Op. 15: VIII. Am Camin (By the Fireside) |
0:48 |
| 225. |
Kinderszenen (Scenes of Childhood), Op. 15: IX. Ritter Vom Steckenpferd (Knight of the Hobby-Horse) |
0:40 |
| 226. |
Kinderszenen (Scenes of Childhood), Op. 15: X. Fast Zu Ernst (Almost Too Serious) |
1:28 |
| 227. |
Kinderszenen (Scenes of Childhood), Op. 15: XI. Furchtenmachen (Frightening) |
1:49 |
| 228. |
Kinderszenen (Scenes of Childhood), Op. 15: XII. Kind Im Einschlummern (Child Falling Asleep) |
2:02 |
| 229. |
Kinderszenen (Scenes of Childhood), Op. 15: XIII. Der Dichter Spricht (The Poet Speaks) |
2:24 |
| 230. |
Papillons, Op. 2 |
14:44 |
| 231. |
Masquerade Suite (Arr. A. Dolukhanian): I. Preambule |
2:07 |
| 232. |
Masquerade Suite (Arr. A. Dolukhanian): II. Pierrot |
2:19 |
| 233. |
Masquerade Suite (Arr. A. Dolukhanian): III. Arlequin |
1:01 |
| 234. |
Masquerade Suite (Arr. A. Dolukhanian): IV. Valse Noble |
1:43 |
| 235. |
Masquerade Suite (Arr. A. Dolukhanian): V. Eusebius |
1:54 |
| 236. |
Masquerade Suite (Arr. A. Dolukhanian): VI. Florestan |
0:53 |
| 237. |
Masquerade Suite (Arr. A. Dolukhanian): VII. Coquette |
1:31 |
| 238. |
Masquerade Suite (Arr. A. Dolukhanian): VIII. Replique - Sphinxes |
0:51 |
| 239. |
Masquerade Suite (Arr. A. Dolukhanian): IX. Papillons |
0:44 |
| 240. |
Masquerade Suite (Arr. A. Dolukhanian): X. A.S.C.H. - S.C.H.A. (Lettres Dansantes) |
0:45 |
| 241. |
Masquerade Suite (Arr. A. Dolukhanian): XI. Chiarina |
1:24 |
| 242. |
Masquerade Suite (Arr. A. Dolukhanian): XII. Chopin |
1:14 |
| 243. |
Masquerade Suite (Arr. A. Dolukhanian): XIII. Estrella |
0:29 |
| 244. |
Masquerade Suite (Arr. A. Dolukhanian): XIV. Reconnaissance |
1:36 |
| 245. |
Masquerade Suite (Arr. A. Dolukhanian): XV. Pantalon Et Colombine |
0:54 |
| 246. |
Masquerade Suite (Arr. A. Dolukhanian): XVI. Valse Allemande |
1:00 |
| 247. |
Masquerade Suite (Arr. A. Dolukhanian): Intermezzo: Paganini |
1:33 |
| 248. |
Masquerade Suite (Arr. A. Dolukhanian): XVII. Aveu |
0:57 |
| 249. |
Masquerade Suite (Arr. A. Dolukhanian): XVIII. Promenade |
2:16 |
| 250. |
Masquerade Suite (Arr. A. Dolukhanian): XIX. Pause |
0:17 |
| 251. |
Masquerade Suite (Arr. A. Dolukhanian): XX. Marche Des Davidsbundler Contre Les Philistins |
3:32 |
| 252. |
Spem In Alium (featuring Jeremy Summerly, Oxford Camerata) |
12:19 |
| 253. |
Mass, "Salve Intemerata": Salve Intemerata (featuring Jeremy Summerly, Oxford Camerata) |
23:09 |
| 254. |
Mass, "Salve Intemerata": Gloria (featuring Jeremy Summerly, Oxford Camerata) |
6:36 |
| 255. |
Mass, "Salve Intemerata": Sanctus (featuring Jeremy Summerly, Oxford Camerata) |
7:47 |
| 256. |
Mass, "Salve Intemerata": Agnus Dei (featuring Jeremy Summerly, Oxford Camerata) |
5:31 |
| 257. |
Mass, "Salve Intemerata": Credo (featuring Jeremy Summerly, Oxford Camerata) |
7:55 |
| 258. |
With All Our Heart (featuring Jeremy Summerly, Oxford Camerata) |
3:11 |
| 259. |
Discomfort Them, O Lord (featuring Jeremy Summerly, Oxford Camerata) |
6:36 |
| 260. |
I Call and Cry to Thee, O Lord (featuring Jeremy Summerly, Oxford Camerata) |
4:09 |
| 261. |
The Nutcracker Suite, Op. 71a: I. Miniature Overture (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
3:23 |
| 262. |
The Nutcracker Suite, Op. 71a: II. March (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:22 |
| 263. |
The Nutcracker Suite, Op. 71a: III. Dance of the Sugar Plum Fairies (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
1:47 |
| 264. |
The Nutcracker Suite, Op. 71a: IV. Russian Dance, "Trepak" (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
1:10 |
| 265. |
The Nutcracker Suite, Op. 71a: V. Arab Dance (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:54 |
| 266. |
The Nutcracker Suite, Op. 71a: VI. Chinese Dance (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
1:12 |
| 267. |
The Nutcracker Suite, Op. 71a: VII. Dance of the Reeds (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:22 |
| 268. |
The Nutcracker Suite, Op. 71a: VIII. Waltz of the Flowers (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
6:53 |
| 269. |
Swan Lake, Op. 20, Act II, Scene (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:35 |
| 270. |
Swan Lake, Op. 20, Act I: Valse (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
5:48 |
| 271. |
Swan Lake, Op. 20, Act II: Dances of the Swans: Allegro (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
1:29 |
| 272. |
Swan Lake, Op. 20, Act II: Dances of the Swans: Andante (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
6:42 |
| 273. |
Swan Lake, Op. 20, Act II: Dances of the Swans: Tempo de Valse (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
1:30 |
| 274. |
Swan Lake, Op. 20, Act I: Dance of the Goblets (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
3:56 |
| 275. |
Swan Lake, Op. 20, Act III: Hungarian Dance (Czardas) (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
3:03 |
| 276. |
Swan Lake, Op. 20, Act III: Spanish Dance (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:09 |
| 277. |
Swan Lake, Op. 20, Act III: Neapolitan Dance (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
2:10 |
| 278. |
Swan Lake, Op. 20, Act IV: Finale (Abridged) (featuring Slovak Philharmonic Orchestra, Michael Halász / Michael Halasz) |
5:13 |
| 279. |
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): I. Allegro (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
3:33 |
| 280. |
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): II. Largo e Pianissimo Sempre (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
2:38 |
| 281. |
The 4 Seasons, Violin Concerto in E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): III. Danza Pastorale: Allegro (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
4:21 |
| 282. |
The 4 Seasons, Violin Concerto in G Minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non Molto (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
5:23 |
| 283. |
The 4 Seasons, Violin Concerto in G Minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
2:33 |
| 284. |
The 4 Seasons, Violin Concerto in G Minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
3:07 |
| 285. |
The 4 Seasons, Violin Concerto in F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
4:47 |
| 286. |
The 4 Seasons, Violin Concerto in F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): II. Adagio Molto (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
2:45 |
| 287. |
The 4 Seasons, Violin Concerto in F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III. Allegro (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
3:20 |
| 288. |
The 4 Seasons, Violin Concerto in F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non Molto (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
3:29 |
| 289. |
The 4 Seasons, Violin Concerto in F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
2:20 |
| 290. |
The 4 Seasons, Violin Concerto in F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): III. Allegro (featuring Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser) |
3:16 |
| 291. |
Concerto In C Major, RV 443: I. Allegro (featuring Jiří Stivín / Jiri Stivin, Capella Istropolitana, Oliver Dohnanyi) |
3:32 |
| 292. |
Concerto In C Major, RV 443: III. Allegro Molto (featuring Jiří Stivín / Jiri Stivin, Capella Istropolitana, Oliver Dohnanyi) |
2:50 |
| 293. |
Concerto In C Major, RV 443: II. Largo (featuring Jiří Stivín / Jiri Stivin, Capella Istropolitana, Oliver Dohnanyi) |
4:04 |
| 294. |
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": I. Allegro (featuring Capella Istropolitana, Jaroslav Krček / Jaroslav Krcek, Jiří Válek / Jiri Valek) |
3:45 |
| 295. |
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": II. Cantabile (featuring Capella Istropolitana, Jaroslav Krček / Jaroslav Krcek, Jiří Válek / Jiri Valek) |
3:03 |
| 296. |
Flute Concerto In D Major, Op. 10, No. 3, RV 428, "Il Gardellino": III. Allegro (featuring Capella Istropolitana, Jaroslav Krček / Jaroslav Krcek, Jiří Válek / Jiri Valek) |
3:00 |
| 297. |
Oboe Concerto In C Major, RV 450: I. Allegro Molto (featuring Budapest Failoni Chamber Orchestra, Stefan Schilli, Bela Nagy) |
4:11 |
| 298. |
Oboe Concerto In C Major, RV 450: II. Larghetto (featuring Budapest Failoni Chamber Orchestra, Stefan Schilli, Bela Nagy) |
2:53 |
| 299. |
Oboe Concerto In C Major, RV 450: III. Allegro (featuring Budapest Failoni Chamber Orchestra, Stefan Schilli, Bela Nagy) |
2:55 |
| 300. |
O Euchari In Leta Via (featuring Oxford Camerata / Jeremy Summerly) |
8:57 |
| 301. |
Alleluia, O Virga Mediatrix (featuring Oxford Camerata / Jeremy Summerly) |
3:37 |
| 302. |
Ave generosa (featuring Oxford Camerata / Jeremy Summerly) |
6:32 |
| 303. |
Laus Trinitati (featuring Oxford Camerata / Jeremy Summerly) |
1:30 |
| 304. |
Kyrie: Kyrie Eleison (featuring Oxford Camerata / Jeremy Summerly) |
4:32 |
| 305. |
O Presul Vere Civitatis (featuring Oxford Camerata / Jeremy Summerly) |
8:22 |
| 306. |
O Ignis Spiritus Paraclitus (featuring Oxford Camerata / Jeremy Summerly) |
5:53 |
| 307. |
Ordo Virtutum: Procession (featuring Oxford Camerata / Jeremy Summerly) |
4:29 |
| 308. |
O Pastor Animarum (featuring Oxford Camerata / Jeremy Summerly) |
1:29 |
| 309. |
O Viridissima Virga (featuring Oxford Camerata / Jeremy Summerly) |
5:29 |
| 310. |
O Virga Ac Diadema (featuring Oxford Camerata / Jeremy Summerly) |
7:59 |
| 311. |
Das Rheingold, Scene 4: Entry of the Gods Into Valahlla (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
7:13 |
| 312. |
Die Walkure, Act III: Ride of the Valkyries (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
5:27 |
| 313. |
Why Ask You?, Act III: Wotan's Farewell - Magie Fire Music (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
15:25 |
| 314. |
Siegfried, Act II, Scene 2: Forest Murmurs (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
8:41 |
| 315. |
Gotterdammerung (Twilight of the Gods), Act III, Scene 2: Siegfried's Funeral March (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
8:12 |
| 316. |
Gotterdammerung (Twilight of the Gods), Prologue: Prelude - Siegfried's Rhine Journey (featuring Slovak Radio Symphony Orchestra, Uwe Mund) |
11:01 |
