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Classics Explained: An Introduction To... Vivaldi: The Four Seasons

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Download links and information about Classics Explained: An Introduction To... Vivaldi: The Four Seasons by Jeremy Siepmann. This album was released in 2001 and it belongs to genres. It contains 115 tracks with total duration of 01:58:39 minutes.

Artist: Jeremy Siepmann
Release date: 2001
Genre:
Tracks: 115
Duration: 01:58:39
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Tracks

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No. Title Length
1. First Concerto: Spring. Intro; Opening, Upward-Pointing Figure 1:33
2. First Concerto: Spring. Answering, Downward Figure Complete The Phrase 0:22
3. First Concerto: Spring. Beginning Of Dialogue 0:25
4. First Concerto: Spring. The Nature Of Musical Conversation; Repetition, 'Echo' Effect 1:26
5. First Concerto: Spring. Upward Pointing To One 'Target' Note 0:40
6. First Concerto: Spring. 'Answer' Points To Two, Downward Notes 'And Here Is A Prong With Two Hooks') 0:11
7. First Concerto: Spring. Same Idea Repeated Three Times 0:19
8. First Concerto: Spring. The First Solo Section: Birdsong From Three Soloists, Not One 1:53
9. First Concerto: Spring. Repeat Of 'Two-Pronged' Theme In Orchestra 0:22
10. First Concerto: Spring. Orchestra Depicts Murmuring Stream, But Still There's No Real Melody 0:51
11. First Concerto: Spring. Further Illustrative 'Water Studies' 0:32
12. First Concerto: Spring. Orchestra Erupts Into Thunderstorm 0:27
13. First Concerto: Spring. Orchestral Thunder, Virtuosic 'Lightning' From Soloist - But Still No 'Tune' 0:54
14. First Concerto: Spring. Soloistic 'Birds' Return To The Air 0:41
15. First Concerto: Spring. Variant Of Opening Theme, With 'Argument' Between Two Notes, One High... 0:25
16. First Concerto: Spring. Cue To First Movement 0:20
17. First Concerto: Spring. First Movement (Complete) 3:29
18. First Concerto: Spring. Scene Setting And Main Theme Of Second Movement 1:56
19. First Concerto: Spring. Analytical Comment And Main Theme Again 0:57
20. First Concerto: Spring. Main Theme Varied 0:41
21. First Concerto: Spring. Further Var. Tracing Slow, Descending Scale-Steps 0:43
22. First Concerto: Spring. Analytical Discussion Of 'Pace' And 'Tempo'; Further Variant Of Main Theme 2:51
23. First Concerto: Spring. Vivaldi Springs A Surprise, Reversing Direction And Heightening Tension 0:44
24. First Concerto: Spring. Analytical Cue To Second Movement 0:44
25. First Concerto: Spring. Second Movement (Complete) 2:35
26. First Concerto: Spring. Undercover 'Bagpipes' Initiate The Finale 1:05
27. First Concerto: Spring. Second Part Of Main Theme: New Notes, Same Rhythm 0:18
28. First Concerto: Spring. An 'Echo' With A Difference 0:23
29. First Concerto: Spring. Reminder Of 'Echoed' Phrase In Its Original Form 0:12
30. First Concerto: Spring. Surprise Variant Provides Springboard Into New Descending Four-Note Pattern 0:19
31. First Concerto: Spring. Unexpected, 'Flowing' Entrance Of Soloist 0:36
32. First Concerto: Spring. The Use Of 'Sequence' In First Extended Solo 1:21
33. First Concerto: Spring. Vivaldi Prepares Expectation... 0:19
34. First Concerto: Spring...And Frustrates It By Bringing In A New Theme, Using His Four-Note 'Motto' 1:07
35. First Concerto: Spring. Violins Accompanied By Flowing 'Commentary' In Lower Strings 0:34
36. First Concerto: Spring. Soloist Returns With New Variant 0:36
37. First Concerto: Spring. Pace Slows As Violins Trace Another Four-Note Scalewise Decent 0:24
38. First Concerto: Spring. The Peasants Return With The Main Theme, Which Turns Unexpectedly Downward 0:47
39. First Concerto: Spring. Intensification As Harmonies Change Under Broad, Descending Four-Note... 0:37
40. First Concerto: Spring. Mini-Earthquake Transformed Into Harmonic Landslide 0:46
41. First Concerto: Spring. Critical Mood-Change In Soloist's Lonely Soliloquy 0:42
42. First Concerto: Spring. Cue To Restoration Of Main Theme In Its Entirety As The Movement Ends. 0:22
43. First Concerto: Spring. Third Movement (Complete) 4:15
44. Second Concerto: 'Summer': Scene Setting And Opening Of First Movement 0:34
45. Second Concerto: 'Summer': Expanded Groups Of Answering Phrase 0:24
46. Second Concerto: 'Summer': Upper And Lower Strings Alternately Succumb To Lethargy 0:49
47. Second Concerto: 'Summer': As In 'Spring', Soloist Enters With Birdsong 0:34
48. Second Concerto: 'Summer': Orchestra Hijacks Soloist's Material 0:40
49. Second Concerto: 'Summer': Soloist Returns, First As Turtle-Dove, Then As Goldfinch 0:50
50. Second Concerto: 'Summer': Gentle Breezes Give Way To North Wind 1:03
51. Second Concerto: 'Summer': The Storm Subsides; Soloist Enters As Weeping Peasant Boy 1:00
52. Second Concerto: 'Summer': Movement Ends As Storm Returns 0:17
53. Second Concerto: 'Summer': First Movement (Complete) 5:20
54. Second Concerto: 'Summer': Second Movement Opens With Extreme Contrasts 1:34
55. Second Concerto: 'Summer': Second Movement (Complete) 2:28
56. Second Concerto: 'Summer': Stormy Weather; Thunder 0:37
57. Second Concerto: 'Summer': Lightning From Upper Strings 0:22
58. Second Concerto: 'Summer': More Lightning; 'Heat' Lightning From Violins, 'Fork' Lightning From... 0:24
59. Second Concerto: 'Summer': Torrential Rain, Depicted By Entire Orchestra 0:46
60. Second Concerto: 'Summer': Deferred Entry Of Solo Violin, In Virtuoso Vein 0:54
61. Second Concerto: 'Summer': Peasant's Failing Resolve As Violin Spirals Down 0:21
62. Second Concerto: 'Summer': Nature Triumphant; Soloist Draws On Orchestra's 'Rain' Music 1:35
63. Second Concerto: 'Summer': The Peasant's Capitulation 0:23
64. Second Concerto: 'Summer': Third Movement (Complete) 3:03
65. Third Concerto: 'Autumn': Repetitiousness And Folk Music; The Movement's Opening 1:16
66. Third Concerto: 'Autumn': Secondary Theme, A Closely Related Development Of The First 0:28
67. Third Concerto: 'Autumn': Solo Entry Restates The Opening Theme, 'Double-Stopping' 1:05
68. Third Concerto: 'Autumn': Unexpectedly, A New Theme Where A Repeat Might Be Expected 0:36
69. Third Concerto: 'Autumn': The Soloist As 'Drunkard' 0:45
70. Third Concerto: 'Autumn': Further Violinistic Slips And Slides 0:15
71. Third Concerto: 'Autumn': Orchestra Re-Enters With Main Theme, But Is Interrupted By The Drunkard 0:18
72. Third Concerto: 'Autumn': Other Drunks Join In 'Dialogue' With The Orchestra 1:01
73. Third Concerto: 'Autumn': The Orchestral Peasants Continue Their Dancing, But Things Have Changed 0:57
74. Third Concerto: 'Autumn': Enter Another Drunk, Courtesy Of The Virtuoso Soloist 0:40
75. Third Concerto: 'Autumn': The Dance Breaks Up 0:38
76. Third Concerto: 'Autumn': The Drunkard Interrupts Again, Then Falls Asleep, Breathing Heavily 0:56
77. Third Concerto: 'Autumn': Conversation Amongst The Sober Peasants Leads To Their Final Dance 0:24
78. Third Concerto: 'Autumn': First Movement (Complete) 4:45
79. Third Concerto: 'Autumn': Scene-Setting For Second Movement 1:08
80. Third Concerto: 'Autumn': Second Movement (Complete) 2:45
81. Third Concerto: 'Autumn': Similarities Between The Third Movement And The First 1:06
82. Third Concerto: 'Autumn': Expection And Surprise: Vivaldi Tacks On One Bar Too Many 0:27
83. Third Concerto: 'Autumn': A Case Of Predictable Unpredictability: Novelty And Repetition 0:36
84. Third Concerto: 'Autumn': Soloist's Double-Stopping Depicts Hunting Horns 0:34
85. Third Concerto: 'Autumn': Orchestra Yields To Unexpected Display Of Virtuosity By Soloist 0:38
86. Third Concerto: 'Autumn': Soloist Suddenly Takes The Part Of The Fleeing Beast 0:25
87. Third Concerto: 'Autumn': Symmetrical Parallels With First Movement: 'Beast'/'Drunkard' Etc. 0:47
88. Third Concerto: 'Autumn': Death Of The Quarry, End Of The Movement 0:17
89. Third Concerto: 'Autumn': Third Movement (Complete) 3:13
90. Fourth Concerto: 'Winter': Orchestral Strings Enter, Part By Part; Soloist Depicts The Biting Wind 1:24
91. Fourth Concerto: 'Winter': Wind Subsides And Returns, Tormenting The Trudgers Through The Snow 0:53
92. Fourth Concerto: 'Winter': Soloist Depicts Snow Flurries 0:27
93. Fourth Concerto: 'Winter': Soloist's Flurries Interrupted By Six Blasts Of Orchestral Wind 0:32
94. Fourth Concerto: 'Winter': Teeth Chattering, And With Stamping Feet, The Travellers Finally Reach... 1:54
95. Fourth Concerto: 'Winter': Cue To First Movement As Whole 0:11
96. Fourth Concerto: 'Winter': First Movement (Complete) 3:24
97. Fourth Concerto: 'Winter': Soloist's 'Aria' Accompanied By Pizzicato 'Raindrops' 0:37
98. Fourth Concerto: 'Winter': A Sequence Of Simple Scales, Accompanied By Opening Rhythm 0:33
99. Fourth Concerto: 'Winter': Two Scalewise Ideas For The Price Of One, Foreground And Background 0:52
100. Fourth Concerto: 'Winter': New, Rising Scale-Pattern Unfurled With Ever-Greater Breadth 0:36
101. Fourth Concerto: 'Winter': The Pace Increases Eight-Fold In Concluding Downwards Scale 0:35
102. Fourth Concerto: 'Winter': Against An Unvarying Tempo, The Pace Is Repeatedly Varied 1:03
103. Fourth Concerto: 'Winter': Foreground/Background 0:34
104. Fourth Concerto: 'Winter': Detailed Discussion Of Foreground/Background Perceptions, Analogies... 2:14
105. Fourth Concerto: 'Winter': Second Movement (Complete) 2:19
106. Fourth Concerto: 'Winter': Scene-Setting; Soloist Begins For The First Time 0:47
107. Fourth Concerto: 'Winter': Soloist Rises Progressively, In Sequence, Decoratively Outlining Chord... 0:26
108. Fourth Concerto: 'Winter': First Orchestral Section; Pace Is Halved; The Undermining Onset Of... 0:47
109. Fourth Concerto: 'Winter': The Walkers Lose Their Balance And Stylishly Fall Down 0:22
110. Fourth Concerto: 'Winter': Soloist Returns As The Original Solitary Walker And Strides Away From... 0:23
111. Fourth Concerto: 'Winter': One Tempo, Two Rates Of Speed: Fast For The Soloist, Slow For The... 1:50
112. Fourth Concerto: 'Winter': Orchestra Evokes The Warm Winds Of The Sirocco 0:36
113. Fourth Concerto: 'Winter': Answering Blast From The Borea, The Cold Wind Of The North; Struggle... 1:07
114. Fourth Concerto: 'Winter': Cue To Final Movement 0:23
115. Fourth Concerto: 'Winter': Third Movement (Complete) 3:08

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