No. |
Title |
Length |
1. |
First Concerto: Spring. Intro; Opening, Upward-Pointing Figure |
1:33 |
2. |
First Concerto: Spring. Answering, Downward Figure Complete The Phrase |
0:22 |
3. |
First Concerto: Spring. Beginning Of Dialogue |
0:25 |
4. |
First Concerto: Spring. The Nature Of Musical Conversation; Repetition, 'Echo' Effect |
1:26 |
5. |
First Concerto: Spring. Upward Pointing To One 'Target' Note |
0:40 |
6. |
First Concerto: Spring. 'Answer' Points To Two, Downward Notes 'And Here Is A Prong With Two Hooks') |
0:11 |
7. |
First Concerto: Spring. Same Idea Repeated Three Times |
0:19 |
8. |
First Concerto: Spring. The First Solo Section: Birdsong From Three Soloists, Not One |
1:53 |
9. |
First Concerto: Spring. Repeat Of 'Two-Pronged' Theme In Orchestra |
0:22 |
10. |
First Concerto: Spring. Orchestra Depicts Murmuring Stream, But Still There's No Real Melody |
0:51 |
11. |
First Concerto: Spring. Further Illustrative 'Water Studies' |
0:32 |
12. |
First Concerto: Spring. Orchestra Erupts Into Thunderstorm |
0:27 |
13. |
First Concerto: Spring. Orchestral Thunder, Virtuosic 'Lightning' From Soloist - But Still No 'Tune' |
0:54 |
14. |
First Concerto: Spring. Soloistic 'Birds' Return To The Air |
0:41 |
15. |
First Concerto: Spring. Variant Of Opening Theme, With 'Argument' Between Two Notes, One High... |
0:25 |
16. |
First Concerto: Spring. Cue To First Movement |
0:20 |
17. |
First Concerto: Spring. First Movement (Complete) |
3:29 |
18. |
First Concerto: Spring. Scene Setting And Main Theme Of Second Movement |
1:56 |
19. |
First Concerto: Spring. Analytical Comment And Main Theme Again |
0:57 |
20. |
First Concerto: Spring. Main Theme Varied |
0:41 |
21. |
First Concerto: Spring. Further Var. Tracing Slow, Descending Scale-Steps |
0:43 |
22. |
First Concerto: Spring. Analytical Discussion Of 'Pace' And 'Tempo'; Further Variant Of Main Theme |
2:51 |
23. |
First Concerto: Spring. Vivaldi Springs A Surprise, Reversing Direction And Heightening Tension |
0:44 |
24. |
First Concerto: Spring. Analytical Cue To Second Movement |
0:44 |
25. |
First Concerto: Spring. Second Movement (Complete) |
2:35 |
26. |
First Concerto: Spring. Undercover 'Bagpipes' Initiate The Finale |
1:05 |
27. |
First Concerto: Spring. Second Part Of Main Theme: New Notes, Same Rhythm |
0:18 |
28. |
First Concerto: Spring. An 'Echo' With A Difference |
0:23 |
29. |
First Concerto: Spring. Reminder Of 'Echoed' Phrase In Its Original Form |
0:12 |
30. |
First Concerto: Spring. Surprise Variant Provides Springboard Into New Descending Four-Note Pattern |
0:19 |
31. |
First Concerto: Spring. Unexpected, 'Flowing' Entrance Of Soloist |
0:36 |
32. |
First Concerto: Spring. The Use Of 'Sequence' In First Extended Solo |
1:21 |
33. |
First Concerto: Spring. Vivaldi Prepares Expectation... |
0:19 |
34. |
First Concerto: Spring...And Frustrates It By Bringing In A New Theme, Using His Four-Note 'Motto' |
1:07 |
35. |
First Concerto: Spring. Violins Accompanied By Flowing 'Commentary' In Lower Strings |
0:34 |
36. |
First Concerto: Spring. Soloist Returns With New Variant |
0:36 |
37. |
First Concerto: Spring. Pace Slows As Violins Trace Another Four-Note Scalewise Decent |
0:24 |
38. |
First Concerto: Spring. The Peasants Return With The Main Theme, Which Turns Unexpectedly Downward |
0:47 |
39. |
First Concerto: Spring. Intensification As Harmonies Change Under Broad, Descending Four-Note... |
0:37 |
40. |
First Concerto: Spring. Mini-Earthquake Transformed Into Harmonic Landslide |
0:46 |
41. |
First Concerto: Spring. Critical Mood-Change In Soloist's Lonely Soliloquy |
0:42 |
42. |
First Concerto: Spring. Cue To Restoration Of Main Theme In Its Entirety As The Movement Ends. |
0:22 |
43. |
First Concerto: Spring. Third Movement (Complete) |
4:15 |
44. |
Second Concerto: 'Summer': Scene Setting And Opening Of First Movement |
0:34 |
45. |
Second Concerto: 'Summer': Expanded Groups Of Answering Phrase |
0:24 |
46. |
Second Concerto: 'Summer': Upper And Lower Strings Alternately Succumb To Lethargy |
0:49 |
47. |
Second Concerto: 'Summer': As In 'Spring', Soloist Enters With Birdsong |
0:34 |
48. |
Second Concerto: 'Summer': Orchestra Hijacks Soloist's Material |
0:40 |
49. |
Second Concerto: 'Summer': Soloist Returns, First As Turtle-Dove, Then As Goldfinch |
0:50 |
50. |
Second Concerto: 'Summer': Gentle Breezes Give Way To North Wind |
1:03 |
51. |
Second Concerto: 'Summer': The Storm Subsides; Soloist Enters As Weeping Peasant Boy |
1:00 |
52. |
Second Concerto: 'Summer': Movement Ends As Storm Returns |
0:17 |
53. |
Second Concerto: 'Summer': First Movement (Complete) |
5:20 |
54. |
Second Concerto: 'Summer': Second Movement Opens With Extreme Contrasts |
1:34 |
55. |
Second Concerto: 'Summer': Second Movement (Complete) |
2:28 |
56. |
Second Concerto: 'Summer': Stormy Weather; Thunder |
0:37 |
57. |
Second Concerto: 'Summer': Lightning From Upper Strings |
0:22 |
58. |
Second Concerto: 'Summer': More Lightning; 'Heat' Lightning From Violins, 'Fork' Lightning From... |
0:24 |
59. |
Second Concerto: 'Summer': Torrential Rain, Depicted By Entire Orchestra |
0:46 |
60. |
Second Concerto: 'Summer': Deferred Entry Of Solo Violin, In Virtuoso Vein |
0:54 |
61. |
Second Concerto: 'Summer': Peasant's Failing Resolve As Violin Spirals Down |
0:21 |
62. |
Second Concerto: 'Summer': Nature Triumphant; Soloist Draws On Orchestra's 'Rain' Music |
1:35 |
63. |
Second Concerto: 'Summer': The Peasant's Capitulation |
0:23 |
64. |
Second Concerto: 'Summer': Third Movement (Complete) |
3:03 |
65. |
Third Concerto: 'Autumn': Repetitiousness And Folk Music; The Movement's Opening |
1:16 |
66. |
Third Concerto: 'Autumn': Secondary Theme, A Closely Related Development Of The First |
0:28 |
67. |
Third Concerto: 'Autumn': Solo Entry Restates The Opening Theme, 'Double-Stopping' |
1:05 |
68. |
Third Concerto: 'Autumn': Unexpectedly, A New Theme Where A Repeat Might Be Expected |
0:36 |
69. |
Third Concerto: 'Autumn': The Soloist As 'Drunkard' |
0:45 |
70. |
Third Concerto: 'Autumn': Further Violinistic Slips And Slides |
0:15 |
71. |
Third Concerto: 'Autumn': Orchestra Re-Enters With Main Theme, But Is Interrupted By The Drunkard |
0:18 |
72. |
Third Concerto: 'Autumn': Other Drunks Join In 'Dialogue' With The Orchestra |
1:01 |
73. |
Third Concerto: 'Autumn': The Orchestral Peasants Continue Their Dancing, But Things Have Changed |
0:57 |
74. |
Third Concerto: 'Autumn': Enter Another Drunk, Courtesy Of The Virtuoso Soloist |
0:40 |
75. |
Third Concerto: 'Autumn': The Dance Breaks Up |
0:38 |
76. |
Third Concerto: 'Autumn': The Drunkard Interrupts Again, Then Falls Asleep, Breathing Heavily |
0:56 |
77. |
Third Concerto: 'Autumn': Conversation Amongst The Sober Peasants Leads To Their Final Dance |
0:24 |
78. |
Third Concerto: 'Autumn': First Movement (Complete) |
4:45 |
79. |
Third Concerto: 'Autumn': Scene-Setting For Second Movement |
1:08 |
80. |
Third Concerto: 'Autumn': Second Movement (Complete) |
2:45 |
81. |
Third Concerto: 'Autumn': Similarities Between The Third Movement And The First |
1:06 |
82. |
Third Concerto: 'Autumn': Expection And Surprise: Vivaldi Tacks On One Bar Too Many |
0:27 |
83. |
Third Concerto: 'Autumn': A Case Of Predictable Unpredictability: Novelty And Repetition |
0:36 |
84. |
Third Concerto: 'Autumn': Soloist's Double-Stopping Depicts Hunting Horns |
0:34 |
85. |
Third Concerto: 'Autumn': Orchestra Yields To Unexpected Display Of Virtuosity By Soloist |
0:38 |
86. |
Third Concerto: 'Autumn': Soloist Suddenly Takes The Part Of The Fleeing Beast |
0:25 |
87. |
Third Concerto: 'Autumn': Symmetrical Parallels With First Movement: 'Beast'/'Drunkard' Etc. |
0:47 |
88. |
Third Concerto: 'Autumn': Death Of The Quarry, End Of The Movement |
0:17 |
89. |
Third Concerto: 'Autumn': Third Movement (Complete) |
3:13 |
90. |
Fourth Concerto: 'Winter': Orchestral Strings Enter, Part By Part; Soloist Depicts The Biting Wind |
1:24 |
91. |
Fourth Concerto: 'Winter': Wind Subsides And Returns, Tormenting The Trudgers Through The Snow |
0:53 |
92. |
Fourth Concerto: 'Winter': Soloist Depicts Snow Flurries |
0:27 |
93. |
Fourth Concerto: 'Winter': Soloist's Flurries Interrupted By Six Blasts Of Orchestral Wind |
0:32 |
94. |
Fourth Concerto: 'Winter': Teeth Chattering, And With Stamping Feet, The Travellers Finally Reach... |
1:54 |
95. |
Fourth Concerto: 'Winter': Cue To First Movement As Whole |
0:11 |
96. |
Fourth Concerto: 'Winter': First Movement (Complete) |
3:24 |
97. |
Fourth Concerto: 'Winter': Soloist's 'Aria' Accompanied By Pizzicato 'Raindrops' |
0:37 |
98. |
Fourth Concerto: 'Winter': A Sequence Of Simple Scales, Accompanied By Opening Rhythm |
0:33 |
99. |
Fourth Concerto: 'Winter': Two Scalewise Ideas For The Price Of One, Foreground And Background |
0:52 |
100. |
Fourth Concerto: 'Winter': New, Rising Scale-Pattern Unfurled With Ever-Greater Breadth |
0:36 |
101. |
Fourth Concerto: 'Winter': The Pace Increases Eight-Fold In Concluding Downwards Scale |
0:35 |
102. |
Fourth Concerto: 'Winter': Against An Unvarying Tempo, The Pace Is Repeatedly Varied |
1:03 |
103. |
Fourth Concerto: 'Winter': Foreground/Background |
0:34 |
104. |
Fourth Concerto: 'Winter': Detailed Discussion Of Foreground/Background Perceptions, Analogies... |
2:14 |
105. |
Fourth Concerto: 'Winter': Second Movement (Complete) |
2:19 |
106. |
Fourth Concerto: 'Winter': Scene-Setting; Soloist Begins For The First Time |
0:47 |
107. |
Fourth Concerto: 'Winter': Soloist Rises Progressively, In Sequence, Decoratively Outlining Chord... |
0:26 |
108. |
Fourth Concerto: 'Winter': First Orchestral Section; Pace Is Halved; The Undermining Onset Of... |
0:47 |
109. |
Fourth Concerto: 'Winter': The Walkers Lose Their Balance And Stylishly Fall Down |
0:22 |
110. |
Fourth Concerto: 'Winter': Soloist Returns As The Original Solitary Walker And Strides Away From... |
0:23 |
111. |
Fourth Concerto: 'Winter': One Tempo, Two Rates Of Speed: Fast For The Soloist, Slow For The... |
1:50 |
112. |
Fourth Concerto: 'Winter': Orchestra Evokes The Warm Winds Of The Sirocco |
0:36 |
113. |
Fourth Concerto: 'Winter': Answering Blast From The Borea, The Cold Wind Of The North; Struggle... |
1:07 |
114. |
Fourth Concerto: 'Winter': Cue To Final Movement |
0:23 |
115. |
Fourth Concerto: 'Winter': Third Movement (Complete) |
3:08 |