|
No. |
Title |
Length |
| 1. |
The Antiquity And Magic Of The Flute |
0:21 |
| 2. |
Prelude A L'Apres-Midi D'un Faune (featuring Alexander Rahbari, BRT Philharmonic Brussels) |
3:19 |
| 3. |
The Versatility And Agility Of The Flute |
0:22 |
| 4. |
Orchestral Suite No. 2 In B Minor - VII. Badinerie (featuring Capella Istropolitana, Jaroslav Dvořák / Jaroslav Dvorak) |
1:18 |
| 5. |
The Flute In Fifteenth-Century Spain |
0:25 |
| 6. |
Sa'dawi' (featuring Thomas Wimmer, Accentus Ensemble) |
0:56 |
| 7. |
Other Flutes, The Bass And Alto |
0:30 |
| 8. |
Chamber Music No. Ii' (featuring Okko Kamu, Hanna Juutilainen, Finnish Chamber Orchestra) |
1:13 |
| 9. |
The Piccolo, Aptly Named |
0:20 |
| 10. |
La Naissance D'Osiris - VI. Premier Et Deuxieme Tambourin (featuring Capella Savaria, Mary Terey-Smith) |
0:48 |
| 11. |
From A Piccolo Of The 18th C. To One Of Its Descendants In The 20th |
0:09 |
| 12. |
Suite No. 1 For Small Orchestra - II. Valse (featuring Alexander Rahbari, BRT Philharmonic Brussels) |
0:55 |
| 13. |
A Variety Of Techniques |
0:19 |
| 14. |
Chamber Music No. Ii' (featuring Okko Kamu, Hanna Juutilainen, Finnish Chamber Orchestra) |
0:32 |
| 15. |
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before |
0:28 |
| 16. |
The Nutcracker - Act II, No. 2. Scene (featuring Slovak Radio Symphony Orchestra, Ondrej Lenárd / Ondrej Lenard) |
0:44 |
| 17. |
From The Transverse To The Vertical, The Baroque Recorder |
0:41 |
| 18. |
Recorder Suite In A Minor - Menuet Ii' (featuring Capella Istropolitana, Richard Edlinger) |
2:12 |
| 19. |
An Unfamiliar, Early Vision Of The Instrument |
0:23 |
| 20. |
Naelden, Naelden (featuring Andreas Edlund, Sven Berger, Convivium Musicum Gothenburgense) |
1:09 |
| 21. |
The Bachian Oboe |
0:36 |
| 22. |
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 - VII. Duetto. Wie Selig Sind Doch Die (featuring Mátyás Antal / Matyas Antal, Jozsef Mukk, Judit Németh / Judit Nemeth, Hungarian Radio Chorus Failoni Chamber Orchestra Budapest) |
3:34 |
| 23. |
Introduction To The Cor Anglais Or 'English Horn' |
0:41 |
| 24. |
Symphony No. 9, 'From The New World' - II. Largo (featuring Stephen Gunzenhauser, Slovak Philharmonic Orchestra) |
1:24 |
| 25. |
The Loneliness Of The Cor Anglais |
0:12 |
| 26. |
The Swan Of Tuonela (featuring Iceland Symphony Orchestra, Petri Sakari) |
1:50 |
| 27. |
The Cor Anglais Joins The French Horn In Haydn |
0:17 |
| 28. |
Symphony No. 22, 'The Philosopher' - I. Adagio (featuring Northern Chamber Orchestra, Nicholas Ward) |
1:43 |
| 29. |
Introduction To The Oboe D'amore, Beloved Of Bach, But Also Of Ravel |
0:23 |
| 30. |
Bolero (featuring The Royal Philharmonic Orchestra, Adrian Leaper) |
0:51 |
| 31. |
The Clarinet Family, Boxing Compass From The Depths Of The Bass Clarinet. The Egyptian (Violence) - Taras Bulba (The Death Of Ostap) (featuring Alexander Rahbari, Slovak Radio Symphony Orchestra, Ondrej Lenárd / Ondrej Lenard, BRT Philharmonic Brussels) |
0:38 |
| 32. |
Shrill & Complaining. Petrushka. No. 8, Peasant With Bear - Playful. Symphonie Fantastique. V. Songe D'une Nuit - Jazzy. Romeo And Juliet. Act Ii' (featuring Alexander Rahbari, Slovak Radio Symphony Orchestra, National Symphony Orchestra Of Ukraine, Andrew Mogrelia, Pinchas Steinberg, BRT Philharmonic Brussels) |
1:39 |
| 33. |
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft |
0:18 |
| 34. |
Gayane Suite No. 1 - V. Gayane's Solo (featuring St. Petersburg State Symphony Orchestra, Andre Anichanov) |
0:55 |
| 35. |
The Bass Clarinet As A Coloring Agent. Petrushka. No. 4, The Blackamoor - Iberia (Almeria) (featuring Alexander Rahbari, Moscow Symphony Orchestra, Igor Golovschin, BRT Philharmonic Brussels) |
1:44 |
| 36. |
The Range Of The Normal Clarinet Parts Goes Quite High... |
0:15 |
| 37. |
The Snow Maiden - Scene 5. Melodrama (featuring Moscow Symphony Orchestra, Igor Golovschin) |
1:18 |
| 38. |
And Quite Low... |
0:05 |
| 39. |
Peter And The Wolf (The Cat) (featuring Slovak Radio Symphony Orchestra, Ondrej Lenárd / Ondrej Lenard) |
0:46 |
| 40. |
The Clarinet As Concerto Soloist |
0:19 |
| 41. |
Clarinet Concerto In A Major - III. Rondo (featuring Ernst Ottensamer, Johannes Wildner, Wiener Akademie) |
2:49 |
| 42. |
But That's Not The Instrument Mozart Wrote It For, This Is |
0:17 |
| 43. |
Clarinet Concerto In A Major - III. Rondo (featuring English Chamber Orchestra, Thea King, Jeffrey Tate) |
2:48 |
| 44. |
Introduction To The Saxophone |
1:07 |
| 45. |
Hary Janos Suite - IV. The Battle And Defeat Of Napoleon (featuring Mátyás Antal / Matyas Antal, Hungarian State Orchestra) |
1:04 |
| 46. |
The Soprano Saxophone Has Quite A Different Feel To It |
0:10 |
| 47. |
L'Arlesienne Suite No. 1 - II. Minuet (featuring Slovak Philharmonic Orchestra, Anthony Bramall) |
1:17 |
| 48. |
The Little Sopranino Sax Goes Even Higher |
0:13 |
| 49. |
Bolero (featuring The Royal Philharmonic Orchestra, Adrian Leaper) |
0:53 |
| 50. |
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel |
0:16 |
| 51. |
Pictures At An Exhibition (The Old Castle) (featuring Slovak Philharmonic Orchestra, Daniel Nazareth) |
0:56 |
| 52. |
The Saxophone Can Be Quite Contagiously Good-Humoured |
0:12 |
| 53. |
Sax-O-Phun (featuring Rudy Wiedoeft) |
0:23 |
| 54. |
The Puffa-Puffa Image Of The Bassoon |
0:26 |
| 55. |
Peter And The Wolf (Grandfather) (featuring Slovak Radio Symphony Orchestra, Ondrej Lenárd / Ondrej Lenard) |
0:47 |
| 56. |
The Bachian Bassoon, In Accompanimental Mode |
0:20 |
| 57. |
Cantata 'Weichet Nur, Betrubte Schatten', BWV 202, 'Wedding Cantata' - Aria No. 1 (featuring Capella Istropolitana, Christian Brembeck, Friederike Wagner) |
1:20 |
| 58. |
Allowing The Basson To Sing. Carmen Suite No. 1 - V. Les Dragons D'Alcala (featuring Slovak Philharmonic Orchestra, Anthony Bramall) |
0:57 |
| 59. |
And Ravel, Also In Spanish Mode, Does Likewise |
0:16 |
| 60. |
Bolero (featuring The Royal Philharmonic Orchestra, Adrian Leaper) |
1:00 |
| 61. |
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness |
0:15 |
| 62. |
Symphony No. 3 - I. Lento Moderato (featuring Royal Scottish National Orchestra, David Lloyd-Jones) |
1:03 |
| 63. |
The Eerie Bassoon In Its Highest Register |
0:16 |
| 64. |
The Rite Of Spring (Opening) (featuring Alexander Rahbari, BRT Philharmonic Brussels) |
0:59 |
| 65. |
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy |
0:22 |
| 66. |
The Firebird Suite (1919) - Berceuse (featuring Alexander Rahbari, BRT Philharmonic Brussels) |
1:02 |
| 67. |
The Bassoon As Concerto Soloist, Avoiding All Exaggeration |
0:15 |
| 68. |
Bassoon Concerto In G Minor - III. Finale (featuring Albrecht Holder, Nicolás Pasquet / Nicolas Pasquet, Stuttgart Philharmonic Orchestra) |
2:02 |
| 69. |
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast |
0:29 |
| 70. |
Ma Mere L'oye (Mother Goose) - IV. Beauty And The Beast (featuring Slovak Radio Symphony Orchestra, Kenneth Jean) |
1:30 |
| 71. |
The French Horn Under Its Woodwind Hat |
0:26 |
| 72. |
Wind Quintet, Op. 43 - III. Praeludium - Tema Con Variazioni' (featuring Oslo Wind Ensemble) |
1:43 |
| 73. |
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era |
0:12 |
| 74. |
Wind Quintet In A Minor, Op. 100, No. 5 - II. Andante Con Variazioni' (featuring Michael Thompson Wind Quintet) |
1:32 |
| 75. |
The Horn In Harmonious Blend With Strings In Another Quintet |
0:17 |
| 76. |
Horn Quintet In E Flat Major, K. 407 - III. Rondeau (featuring Kodály Quartet / Kodaly Quartet, Jeno Kevehazi) |
3:55 |
