|
No. |
Title |
Length |
| 1. |
The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins |
1:20 |
| 2. |
Forty-Four Duos - IV. Midsummer Night Song (featuring Gyorgy Pauk, Kazuki Sawa) |
0:47 |
| 3. |
A Greater Contrast, Of Both Pitch And Character, Violin And Viola |
0:28 |
| 4. |
Duo For Violin & Viola In B Flat Major, K. 424, Finale. Variations 1 & 2 - STUDIO EXAMPLE (featuring Catherine Manson, Ralf Ehlers) |
2:19 |
| 5. |
Arrival At The Standard String Trio, Violin, Viola And Cello |
0:13 |
| 6. |
String Trio In B Flat Major - III. Menuetto (featuring Ensemble Villa Musica) |
1:09 |
| 7. |
The String Quartet, Two Violins, Viola And Cello |
0:21 |
| 8. |
String Quartet In F Major, Op. 18, No. 1 - III. Scherzo (featuring Kodály Quartet / Kodaly Quartet) |
1:54 |
| 9. |
The String Quintet, When The Extra Instrument Is A Second Viola |
0:30 |
| 10. |
String Quintet No. 5 In D Major, K. 593 - II. Adagio (featuring Eder Quartet, Janos Fehervari) |
2:21 |
| 11. |
The String Quintet, When The Extra Instrument Is A Second Cello |
0:20 |
| 12. |
String Quintet In C Major - III. Scherzo (featuring Ensemble Villa Musica) |
2:13 |
| 13. |
The String Sextet, Two Violins, Two Violas, And Two Cellos |
0:16 |
| 14. |
String Sextet No. 1 In B Flat Major - II. Andante Ma Moderato (featuring Stuttgart Soloist) |
1:28 |
| 15. |
The String Octet, The Standard String Quartet Times Two |
0:21 |
| 16. |
Octet In E Flat Major, Op. 20 - Movement 1 (featuring Divertimenti) |
2:16 |
| 17. |
Double The String Octet, A Fully Fledged String Orchestra |
0:15 |
| 18. |
String Symphony No. 2 - III. Allegro Vivace (featuring Northern Chamber Orchestra, Nicholas Ward) |
2:12 |
| 19. |
The Massed Strings Of A Symphony Orchestra |
0:38 |
| 20. |
Fantasia On A Theme Of Thomas Tallis (featuring New Zealand Symphony Orchestra, James Judd) |
2:59 |
| 21. |
Contrasts Of Pitch And Instrumental 'colour' In The Woodwind Section |
0:45 |
| 22. |
Wind Quintet In A Minor, Op. 100, No. 5 - Theme (featuring Michael Thompson Wind Quintet) |
1:10 |
| 23. |
In The First Variation It's The Horn That Gets The Lion's Share |
0:06 |
| 24. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 1 (featuring Michael Thompson Wind Quintet) |
1:29 |
| 25. |
In Variation Two The Torch Is Handed To The Bassoon |
0:08 |
| 26. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 2 (featuring Michael Thompson Wind Quintet) |
1:08 |
| 27. |
In Variation Three The Oboe Leads |
0:13 |
| 28. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 3 (featuring Michael Thompson Wind Quintet) |
1:13 |
| 29. |
Variation Four, Conversation Before Returning To A Solo-Dominated Texture |
0:08 |
| 30. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 4 (featuring Michael Thompson Wind Quintet) |
1:17 |
| 31. |
And Variation Five Is Dominated By The Clarinet |
0:04 |
| 32. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 5 (featuring Michael Thompson Wind Quintet) |
1:13 |
| 33. |
The Next To Be Featured Is The Virtuoso Flute |
0:07 |
| 34. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 6 (featuring Michael Thompson Wind Quintet) |
1:23 |
| 35. |
Individual Farewells And A Closing Chorus |
0:20 |
| 36. |
Wind Quintet In A Minor, Op. 100, No. 5 - Variation 7 (featuring Michael Thompson Wind Quintet) |
0:41 |
| 37. |
A Mixed Group, Clarinet, Bassoon, Horn, String Quartet, And Double-Bass |
0:20 |
| 38. |
Octet In F Major, D. 803 - III. Trio (featuring Schubert Ensemble Budapest) |
2:01 |
| 39. |
The Early Classical Symphony Orchestra Of Haydn And Mozart |
0:35 |
| 40. |
Symphony No. 29 In A Major, K. 201 - IV. Allegro Con Spirito (featuring Capella Istropolitana, Barry Wordsworth) |
3:33 |
| 41. |
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew |
0:34 |
| 42. |
Canzon 28 (featuring Eric Crees, London Symphony Orchestra Brass) |
1:40 |
| 43. |
Beethoven's Fifth, Two Horns, Two Trumpets, And Three Trombones Join The Team |
0:59 |
| 44. |
Symphony No. 5 - IV. Allegro (featuring Nicolaus Esterházy Sinfonia / Nicolaus Esterhazy Sinfonia, Béla Drahos / Bela Drahos) |
4:28 |
| 45. |
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler |
0:27 |
| 46. |
Beethoven Changed The Face Of The Symphony And The Orchestra Forever |
0:47 |
| 47. |
Symphony No. 6, 'Tragic' - I. Heftig, Aber Markig (featuring Antoni Wit, Polish NRSO) |
1:45 |
| 48. |
The Cult Of Orchestral Elephantiasis Reaches Its Peak |
1:05 |
| 49. |
Symphony No. 1, 'Gothic' - VI. Te Ergo Quaesumus (featuring Slovak Philharmonic Orchestra, Slovak Philharmonic Choir, Lucnica Chorus, Ondrej Lenárd / Ondrej Lenard, Slovak Opera Chorus, Bratislava City Choir, Czecho-Slovak Radio Symphony Orchestra, Youth Echo Choir, Bratislava Children's Choir, Sloval Folk Ensemble Chorus) |
1:44 |
| 50. |
When Large Doesn't Necessarily Mean Loud. Debussy |
1:11 |
| 51. |
Images - I. Gigues (featuring Alexander Rahbari, BRT Philharmonic Brussels) |
1:51 |
| 52. |
A Crisis Of Confidence, The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot |
2:42 |
| 53. |
Turangalila Symphony - II. Chant D'amour I' (featuring Antoni Wit, Thomas BLoch, Polish NRSO) |
1:14 |
| 54. |
The Advent Of The 'early Music' Movement Brings A New Vitality And Freshness |
0:58 |
| 55. |
Ballet De Xerxes - Gavotte En Rondeau (featuring Aradia Baroque Ensemble, Kevin Mallon) |
0:47 |
| 56. |
Computer And Synthesiser, Friends Or Foes |
1:36 |
| 57. |
Concerto In D Minor For Two Violins - II. Largo Ma Non Tanto (featuring Manfred Clynes) |
2:13 |
| 58. |
A Speculative Look Ahead. Mass In B Minor - Dona Nobis Pacem (featuring Capella Istropolitana, Slovak Philharmonic Choir, Christian Brembeck) |
3:24 |
