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20th Century Masters - The Millennium Collection: The Best of Jerry Jeff Walker

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Download links and information about 20th Century Masters - The Millennium Collection: The Best of Jerry Jeff Walker by Jerry Jeff Walker. This album was released in 2002 and it belongs to Rock, Country, Outlaw Country genres. It contains 12 tracks with total duration of 50:11 minutes.

Artist: Jerry Jeff Walker
Release date: 2002
Genre: Rock, Country, Outlaw Country
Tracks: 12
Duration: 50:11
Buy on iTunes $8.99

Tracks

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No. Title Length
1. Mr. Bojangles (Live Version) 5:39
2. Old Five and Dimers Like Me 3:12
3. L.A. Freeway 4:47
4. Hairy Ass Hillbillies 3:25
5. Gettin' By (Live Version) 4:14
6. Desperados Waiting for the Train (Live Version) 5:41
7. Sangria Wine (Live Version) 3:43
8. Up Against the Wall, Red Neck (Live Version) 4:17
9. Pot Can't Call the Kettle Black 3:09
10. Pissin' In the Wind 3:59
11. Leavin' Texas 4:22
12. Railroad Lady (Live Version) 3:43

Details

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Unforgivably, it does not say this anywhere on the CD packaging, but this is a compilation of material from Walker's MCA releases of the early-to-late '70s. This was one of his stronger periods as both a commercial and artistic presence, so what's the harm in putting release dates on the track listings? At any rate, it's a fair run through a dozen tracks from half a dozen albums, at a time when Walker was among the foremost singer/songwriters fusing country, rock, Americana, and a little pop. Focusing on story-songs with the somewhat humorous yet world-weary tone common to numerous Texas-based singer/songwriters of this ilk, this includes some of Walker's better works, like "Sangria Wine," "Pissin' in the Wind," and "Hairy Ass Hillbillies." Also it reflects the role he took as an interpretive artist to popularize some songs by Guy Clark ("L.A. Freeway," "Desperadoes Waiting for a Train"), Ray Wylie Hubbard ("Up Against the Wall, Redneck Mother"), and Billy Joe Shaver ("Old Five and Dimers Like Me"). Note that the version of "Mr. Bojangles" here is not Walker's original recording, but a live one from the A Man Must Carry On album.