Still Wanna Be Black
Download links and information about Still Wanna Be Black by Jimmy Lewis. This album was released in 1997 and it belongs to Hip Hop/R&B, Soul, Blues genres. It contains 20 tracks with total duration of 01:15:15 minutes.
Artist: | Jimmy Lewis |
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Release date: | 1997 |
Genre: | Hip Hop/R&B, Soul, Blues |
Tracks: | 20 |
Duration: | 01:15:15 |
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Tracks
[Edit]No. | Title | Length |
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1. | Message To The Ladies | 3:42 |
2. | It Aint What's On The Woman | 5:11 |
3. | There Ain't No Man That Can't Be Caught | 3:15 |
4. | Is That Anyway To Treat A Lady | 4:04 |
5. | How Long Is A Heartache Supposed To Last | 4:45 |
6. | Thank You | 4:04 |
7. | Go On Live Your Life | 3:39 |
8. | That Won't Stop Me From Loving You | 4:30 |
9. | Help Me Understand You | 4:02 |
10. | I Got My Troubles | 4:37 |
11. | It's Never Too Late | 4:31 |
12. | Stop To Start | 2:34 |
13. | I've Got To Get You Back | 3:08 |
14. | One Woman's Man | 3:11 |
15. | When Love Is Gone | 3:29 |
16. | Midnight Special | 3:19 |
17. | Friendship Only Goes So Far | 3:09 |
18. | I Intend To Take Your Place | 3:28 |
19. | Don't Sit Around | 3:31 |
20. | Still Wanna Be Black | 3:06 |
Details
[Edit]The core of this 20-song CD reissue is Lewis' 1974 album, Totally Involved; Ace has essentially more than doubled the length of that record by adding twelve unreleased tracks from the same era. Totally Involved was a pleasant, unremarkable record that seemed a bit more like a catalog of styles than an original vision. "It Ain't What's on the Woman" is a good Stax-styled slice of gospel-soul (with lengthy spoken parts); "Is That Any Way to Treat a Lady" hints at a Philly soul groove; "That Won't Stop Me From Loving You" has a smidgen of Norman Whitfield's early-'70s Temptations productions; and so forth. The unreleased bonus tracks are at least up to the standard of Totally Involved, and perhaps a tad better in their slightly earthier blends of pop and roots soul. He gets into some bluesy down-home soul on "I Intend to Take Your Place," and delivers a good statement of black pride, somewhat along the lines of a deep-soul Curtis Mayfield, on "Still Wanna Be Black." It's not necessarily an insult to point out Lewis' derivations. He's a competent singer and songwriter who projects a good-natured compassion, and if you specialize in early-'70s pop-soul, this isn't a bad thing to have.