Live At Dana Point 1957
Download links and information about Live At Dana Point 1957 by Joe Albany. This album was released in 1957 and it belongs to Jazz genres. It contains 18 tracks with total duration of 01:43:51 minutes.
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| Artist: | Joe Albany |
| Release date: | 1957 |
| Genre: | Jazz |
| Tracks: | 18 |
| Duration: | 01:43:51 |
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| Buy on iTunes $17.82 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | The Things I Love (featuring The Warne Marsh Quartet) | 4:22 |
| 2. | Dahoud (featuring The Warne Marsh Quartet) | 6:44 |
| 3. | Now's the Time (featuring The Warne Marsh Quartet) | 4:11 |
| 4. | Billie's Bounce (featuring The Warne Marsh Quartet) | 6:15 |
| 5. | Body and Soul (featuring The Warne Marsh Quartet) | 9:25 |
| 6. | Limehouse Blues (featuring The Warne Marsh Quartet) | 7:11 |
| 7. | Love Is Here to Stay (featuring The Warne Marsh Quartet) | 6:19 |
| 8. | I've Got You Under My Skin (featuring The Warne Marsh Quartet) | 5:50 |
| 9. | Once In Awhile (featuring The Warne Marsh Quartet) | 5:11 |
| 10. | Night and Day (featuring The Warne Marsh Quartet) | 4:45 |
| 11. | My Little Suade Shoes (featuring The Warne Marsh Quartet) | 7:34 |
| 12. | Darn That Dream (featuring The Warne Marsh Quartet) | 4:57 |
| 13. | After You've Gone (featuring The Warne Marsh Quartet) | 3:29 |
| 14. | Easy to Love (featuring The Warne Marsh Quartet) | 4:31 |
| 15. | S' Wonderful (featuring The Warne Marsh Quartet) | 5:47 |
| 16. | Tea for Two (featuring The Warne Marsh Quartet) | 5:20 |
| 17. | The Song Is You (featuring The Warne Marsh Quartet) | 5:16 |
| 18. | The Way You Look Tonight (featuring The Warne Marsh Quartet) | 6:44 |
Details
[Edit]Joe Albany, a talented but troubled bop pianist, made some recordings in the late '40s and then was rarely heard on records again until the 1970s. Until now, the one exception was a rehearsal session with tenor saxophonist Warne Marsh that came out as The Right Combination. The music on Live at Dana Point 1957, a two-CD set, was taped at the gig that occurred after The Right Combination rehearsal and it was sitting unknown and unlisted on some reel-to-reel tapes in the possession of Marsh's widow for decades. The recording quality is listenable — if just adequate — but the historic nature of the music overcomes the technical deficiencies. The cool-toned Marsh is in excellent form, jamming on 18 standards. Albany has a lot of short solos and bassist Bob Whitlock and drummer Red Martinson are steady in support. Although not quite essential, fans of the always-searching Marsh, Albany, and West Coast jazz in general will find this music quite stimulating.