Joe Liggins & The Honeydrippers
Download links and information about Joe Liggins & The Honeydrippers by Joe Liggins & His Honeydrippers. This album was released in 1989 and it belongs to Hip Hop/R&B, Soul, Blues, Jazz genres. It contains 25 tracks with total duration of 01:11:25 minutes.
Artist: | Joe Liggins & His Honeydrippers |
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Release date: | 1989 |
Genre: | Hip Hop/R&B, Soul, Blues, Jazz |
Tracks: | 25 |
Duration: | 01:11:25 |
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Tracks
[Edit]No. | Title | Length |
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1. | Pink Champagne | 3:00 |
2. | Ramblin' Blues | 2:44 |
3. | Rag Mop | 3:00 |
4. | Rhythm In the Barnyard | 4:46 |
5. | Going Back to New Orleans | 2:50 |
6. | I've Got a Right to Cry | 3:14 |
7. | The Honeydripper | 3:08 |
8. | I Just Can't Help Myself | 2:45 |
9. | Don't Miss That Train | 2:42 |
10. | Frankie Lee | 2:53 |
11. | Brand New Deal In Mobile | 2:28 |
12. | Little Joe's Boogie | 2:50 |
13. | One Sweet Letter | 2:24 |
14. | Whiskey, Gin & Wine | 2:33 |
15. | Louisiana Woman | 3:05 |
16. | Trying to Lose the Blues | 2:50 |
17. | Shuffle Boogie Blues | 2:49 |
18. | Rain, Rain, Rain | 3:02 |
19. | The Flying Dutchman | 2:15 |
20. | Tanya | 3:07 |
21. | Blues for Tanya | 2:46 |
22. | Freight Train Blues | 2:44 |
23. | Whiskey, Women & Loaded Dice | 2:43 |
24. | The Big Dipper | 2:29 |
25. | Do You Love Me Pretty Baby? | 2:18 |
Details
[Edit]Nearly everything released under the Specialty banner, from the fiery proto rock and roll of Don & Dewey to the unhinged guitar antics of Guitar Slim, is worth investigating for anyone interested in the forgotten roots of American rock. The material by Joe Liggins and his Honeydrippers during the mid-‘50s is no exception. Though he never experienced much crossover success, Liggins was a beloved figure on the chitlin circuit whose rocking backing band could easily rival the boisterous flamboyance of contemporary outfits like Hank Ballard’s Midnighters and even Little Richard’s Upsetters. Though Liggins’ band certainly helped to shape the frenetic rhythms of rock & roll with the loose and easy beats underlying tunes like “Pink Champagne” and “The Honeydripper,” they also payed homage to an earlier era of R&B, reveling in elaborate entendres and obscure off-color jokes worthy of bygone masters like Louis Jordan and Cab Calloway. The output of Liggins and his band perfectly marks the moment where the clandestine world of underground R&B began to transform into populist rock & roll.