Dave Douglas: In Our Lifetime
Download links and information about Dave Douglas: In Our Lifetime by Joey Baron, Dave Douglas, Uri Caine, James Genus, Chris Speed, Josh Roseman. This album was released in 1994 and it belongs to Jazz, Avant Garde Jazz genres. It contains 12 tracks with total duration of 01:11:45 minutes.
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| Artist: | Joey Baron, Dave Douglas, Uri Caine, James Genus, Chris Speed, Josh Roseman |
| Release date: | 1994 |
| Genre: | Jazz, Avant Garde Jazz |
| Tracks: | 12 |
| Duration: | 01:11:45 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | In Our Lifetime (featuring Marty Ehrlich) | 10:21 |
| 2. | Three Little Monsters | 5:27 |
| 3. | Forward Flight | 7:01 |
| 4. | The Persistence of Memory | 4:39 |
| 5. | Out In the Cold | 6:30 |
| 6. | Strength and Sanity | 4:51 |
| 7. | Four Miniatures after Booker Little: Sappho | 0:50 |
| 8. | Four Miniatures after Booker Little: At Dawn | 4:09 |
| 9. | Four Miniatures after Booker Little: Shred | 2:42 |
| 10. | Four Miniatures after Booker Little: Rapid Ear Movement | 1:42 |
| 11. | Moods in Free Time | 5:49 |
| 12. | Bridges (for Tim Berne) | 17:44 |
Details
[Edit]Trumpeter Dave Douglas's New World CD is consistently intriguing, the type of music that gains in interest with each listening. Douglas is quick to acknowledge the influence of Booker Little (the early-'60s trumpeter who was among the first to emerge from Clifford Brown's shadow) and on this set he performs three of Little's tunes plus his suite of Four Miniatures After Booker Little ("Sappho," "At Dawn," "Shred," and "Rapid Ear Movement"). However, it is the two lengthier pieces, "In Our Lifetime" and "Bridges" (the latter over 17 minutes long), that are of greatest interest. Douglas's originals, which are episodic and avant-garde (but not afraid to swing) while expertly mixing together improvisation with composition, are consistently colorful. His flexible band (Chris Speed on tenor and clarinet, trombonist Josh Roseman, pianist Uri Caine, bassist James Genus, drummer Joey Baron and guest bass clarinetist Marty Ehrlich on the title cut) is able to switch grooves quickly and interpret the frequently dramatic music with sensitivity and wit.