Bonnie & Clyde (Original Television Miniseries Soundtrack)
Download links and information about Bonnie & Clyde (Original Television Miniseries Soundtrack) by John Debney. This album was released in 2013 and it belongs to World Music, Theatre/Soundtrack, Instrumental genres. It contains 26 tracks with total duration of 55:39 minutes.
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| Artist: | John Debney |
| Release date: | 2013 |
| Genre: | World Music, Theatre/Soundtrack, Instrumental |
| Tracks: | 26 |
| Duration: | 55:39 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on iTunes $8.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Bonnie & Clyde Main Titles | 2:08 |
| 2. | Chicken Thieves / I Was Born / Bonnie's Theme | 3:29 |
| 3. | First Robbery | 1:49 |
| 4. | Welcome To the Speakeasy | 0:59 |
| 5. | Speakeasy Raid / Prison Escape / Lovemaking / Love At First Sight | 3:14 |
| 6. | The Drive Home | 1:01 |
| 7. | Hamer's Theme | 0:36 |
| 8. | Bonnie Walks Home | 1:15 |
| 9. | Clyde Dreams of Happiness | 2:11 |
| 10. | Playing For You | 1:02 |
| 11. | I'm Bonnie Parker / Escape / Bonnie's Sacrifice | 3:30 |
| 12. | Bonnie's Scrapbook / Goodbye Momma / Fate Theme | 2:03 |
| 13. | First Dance | 0:46 |
| 14. | The Headlines / Robbery Gone Wrong | 2:55 |
| 15. | Night Two Main Titles / Bonnie Strays | 2:58 |
| 16. | Seneca Square Dance | 2:27 |
| 17. | Bank Job | 1:31 |
| 18. | Buck and Blanche Join In Car / Robbery and Ballet | 2:20 |
| 19. | Don't Mess With Bonnie and Clyde / Bonnie's Theme Piano | 2:22 |
| 20. | One Kiss | 1:29 |
| 21. | The Story of Bonnie and Clyde / Mom Won't Answer | 3:14 |
| 22. | Forest Shootout / Buck Shot / Morning After | 3:27 |
| 23. | Buck Is Abandoned | 1:09 |
| 24. | A Banking Opportunity | 0:27 |
| 25. | Love Has Its Consequences | 1:42 |
| 26. | Like a Rubber Ball / Prelude To Hell Unleashed / Aftermath / The Graves | 5:35 |
Details
[Edit]Veteran film composer John Debney (Passion of the Christ, Elf, Iron Man 2) again shows his range on the soundtrack to A&E's Bonnie and Clyde mini-series. Drawing inspiration from both the dustbowl folk and vibrant jazz of the 1930s, Debney's robust score captures the excitement, drama, and desperation of America's famed bank-robbing sweethearts. Threaded throughout the heartland dobro picking and swing-era trombones are the creaking, ambient sections and big orchestral bursts befitting a Hollywood production of this type. Although he takes some liberties with the modern, percussion-driven "Main Titles," Bonnie and Clyde is truly a period piece, and Debney treats the subject respectfully, staying true to the vintage aesthetic while adding just enough contemporary flourishes to please a modern television audience.