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Your Past Comes Back to Haunt You, Vol. 3

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Download links and information about Your Past Comes Back to Haunt You, Vol. 3 by John Fahey. This album was released in 2011 and it belongs to Blues, Country, Songwriter/Lyricist, Acoustic, Contemporary Folk genres. It contains 22 tracks with total duration of 01:10:16 minutes.

Artist: John Fahey
Release date: 2011
Genre: Blues, Country, Songwriter/Lyricist, Acoustic, Contemporary Folk
Tracks: 22
Duration: 01:10:16
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Yallaboosha River Blues 3:43
2. You Gonna Miss Me 3:20
3. Wissenschaftlich River Blues Part 1 3:17
4. Wissenschaftlich River Blues Part 2 3:28
5. Zekiah Swamp Blues 3:25
6. Nobody’s Business 3:12
7. Going Crabbing Talking Blues Part 1 3:09
8. Going Crabbing Talking Blues Part 2 3:15
9. You Better Get Right So God Can Use You 3:27
10. Weissman Blues 3:06
11. Dasein River Blues 3:12
12. Racemic Tartrate River Blues Part 1 3:11
13. Racemic Tartrate River Blues Part 2 3:13
14. Smoky Ordinary Blues [Dance of the Inhabitants] 3:01
15. I Shall Not Be Moved 3:06
16. Old Country Rock 3:11
17. Little Hat Blues 3:19
18. Guitar Solo Title Unknown [Revelation On the Banks of the Pawtuxent] 2:57
19. Guitar Solo Title Unknown [Night Train to Valhalla] 3:27
20. Some Summer Day 3:47
21. The Langley Two-Step 1:37
22. Dream of the Origin of the French Broad River 2:53

Details

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Your Past Comes Back to Haunt You: The Fonotone Years, 1958-1965 is a massive John Fahey document that was a full decade in the making by Dean Blackwood of Revenant, guitarist Glenn Jones, and Lance Ledbetter of Dust-to-Digital. Released a full decade after Fahey's death, it contains 115 tracks compiling the guitarist's complete 78-rpm recordings for Joe Bussard's Fonotone label — solo, as Blind Thomas, the Mississippi Swampers, etc. — remastered from the original reel-to-reel tapes. These are Fahey's earliest recordings, the vast majority of which are previously unreleased on CD. The 12"-by-12" collection also contains an 88-page hardback book with essays and track annotations by Jones and contributions from Eddie Dean, Claudio Guerrieri, Malcolm Kirton, Mike Stewart, and R. Anthony Lee, as well as a previously unpublished 1967 interview by Douglas Blazek., Rovi