Vanilla Fudge and The Psychedelic Sixties
Download links and information about Vanilla Fudge and The Psychedelic Sixties by John Fred, Vanilla Fudge, John Fred & His Playboy Band, Cryan' Shames. This album was released in 1967 and it belongs to Rock, Hard Rock, Heavy Metal, Pop, Psychedelic genres. It contains 16 tracks with total duration of 54:37 minutes.
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| Artist: | John Fred, Vanilla Fudge, John Fred & His Playboy Band, Cryan' Shames |
| Release date: | 1967 |
| Genre: | Rock, Hard Rock, Heavy Metal, Pop, Psychedelic |
| Tracks: | 16 |
| Duration: | 54:37 |
| Buy it NOW at: | |
| Buy on iTunes Partial Album | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | You Keep Me Hangin' On | 6:47 |
| 2. | Judy In Disguise | 2:56 |
| 3. | Ben Franklin's Almanac | 2:04 |
| 4. | Bye Bye Baby (featuring Big Brother & The Holding Company) | 4:14 |
| 5. | Romeo & Juliet (featuring Michael, The Messengers) | 1:59 |
| 6. | Kind Of A Drag (Remastered Stereo Version) (featuring Buckinghams) | 2:17 |
| 7. | I Should Have Known (featuring Soft Machine) | 7:28 |
| 8. | What Would You Do If The Sun Died (featuring The Flock) | 2:49 |
| 9. | You Ain't Tuff (featuring Joe Stampley, The Uniques) | 2:22 |
| 10. | Tell Me (Have You Seen Me) (featuring Apostolic Intervention) | 2:00 |
| 11. | Midnight Hour (featuring The Messengers) | 2:34 |
| 12. | Don't Talk To Strangers (featuring The Beau Brummels) | 2:23 |
| 13. | Don't Want To Cry (featuring Buckinghams) | 2:15 |
| 14. | I'm The One For You (featuring The Great Society) | 2:22 |
| 15. | Til The End Of The Day (featuring Trafalgar Square) | 2:11 |
| 16. | Eleanor Rigby | 7:56 |
Details
[Edit]In a debut consisting of covers, nobody could accuse Vanilla Fudge of bad taste in their repertoire; with stoned-out, slowed-down versions of such then-recent classics as "Ticket to Ride," "Eleanor Rigby," and "People Get Ready," they were setting the bar rather high for themselves. Even the one suspect choice — Sonny Bono's "Bang Bang" — turns out to be rivaled only by Mott the Hoople's version of "Laugh at Me" in putting Bono's songwriting in the kindest possible light. Most of the tracks here share a common structure of a disjointed warm-up jam, a Hammond-heavy dirge of harmonized vocals at the center, and a final flat-out jam. Still, some succeed better than others: "You Keep Me Hanging On" has a wonderfully hammered-out drum part, and "She's Not There" boasts some truly groovy organ jams. While the pattern can sound repetitive today, each song still works as a time capsule of American psychedelia.