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Hooker & The Hogs

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Download links and information about Hooker & The Hogs by John Lee Hooker, The Groundhogs. This album was released in 1965 and it belongs to Blues, Rock, Blues Rock, Hard Rock, Heavy Metal, Country, Psychedelic, Acoustic genres. It contains 15 tracks with total duration of 54:23 minutes.

Artist: John Lee Hooker, The Groundhogs
Release date: 1965
Genre: Blues, Rock, Blues Rock, Hard Rock, Heavy Metal, Country, Psychedelic, Acoustic
Tracks: 15
Duration: 54:23
Buy on iTunes $9.99
Buy on Amazon $9.49
Buy on Amazon $58.99
Buy on Songswave €1.52

Tracks

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No. Title Length
1. Mai Lee 3:28
2. I'm Losing You 3:51
3. Little Girl Go Back to School 3:50
4. Little Dreamer 4:17
5. Don't Be Messin' With My Bread 3:19
6. Bad Luck and Trouble 4:00
7. Waterfront 4:11
8. No One Pleases Me But You 2:23
9. It's Raining Here 3:21
10. It's a Crazy Mixed Up World 4:14
11. Seven Days and Seven Nights 3:38
12. Wandering Blues 2:56
13. Goin' Mad Blues 3:45
14. Black Man Blues 3:29
15. Helpless Blues 3:41

Details

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American bluesmen were massively popular in England in the 1960s, and many of them toured the country using local pickup bands. The Groundhogs were just a little rougher and a little more angular than their competition, which made them a good fit for Hooker, who chose them as his backing band for his spring 1965 tour of the UK. The collaboration was so fertile Hooker proposed they record an album together. While some of these songs later surfaced with overdubbed horn parts, this is the first time the Hooker & The Hogs sessions have been heard in full. You can feel the symbiosis at work. Hooker gave the Groundhogs a depth of heart and soul that they couldn’t access on their own, while the young Londoners enlivened the old bluesman and spiked his classic songs with rock ‘n’ roll grit. The American bands Hooker played with always emphasized the element of laziness in his rhythms, but there is no trace of laziness here. This is hot, surging, heavy music, from “Mai Lee” to “No One Please Me But You” to “It’s Raining Here.” The best tracks are spiced with tricks from keyboardist Tom Parker, whether it’s the wheezy organ of “Waterfront” or the seasick fills of “Little Dreamer.”