Performs Trouble No More Live At Town Hall
Download links and information about Performs Trouble No More Live At Town Hall by John Mellencamp. This album was released in 2014 and it belongs to Rock, Blues Rock, Country, Pop genres. It contains 15 tracks with total duration of 01:03:22 minutes.
Artist: | John Mellencamp |
---|---|
Release date: | 2014 |
Genre: | Rock, Blues Rock, Country, Pop |
Tracks: | 15 |
Duration: | 01:03:22 |
Buy it NOW at: | |
Buy on iTunes $5.99 | |
Buy on Amazon $8.99 |
Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Stones In My Passway (Live At Town Hall/2003) | 3:17 |
2. | Death Letter (Live At Town Hall/2003) | 6:16 |
3. | To Washington (Live at Town Hall/2003) | 3:17 |
4. | Highway 61 Revisited (Live At Town Hall/2003) | 4:40 |
5. | Baltimore Oriole (Live At Town Hall/2003) | 4:03 |
6. | Joliet Bound (Live At Town Hall/2003) | 3:30 |
7. | Down In the Bottom (Live At Town Hall/2003) | 3:28 |
8. | Johnny Hart (Live At Town Hall/2003) | 4:45 |
9. | Diamond Joe (Live At Town Hall/2003) | 4:28 |
10. | John the Revelator (Live At Town Hall/2003) | 3:28 |
11. | Small Town (Live At Town Hall/2003) | 4:16 |
12. | Lafayette (Live At Town Hall/2003) | 3:44 |
13. | Teardrops Will Fall (Live At Town Hall/2003) | 4:22 |
14. | Paper In Fire (Live At Town Hall/2003) | 4:06 |
15. | Pink Houses (Live At Town Hall/2003) | 5:42 |
Details
[Edit]John Mellencamp has gone from heartland rocker to a folk hero reviving classic folk, country, and blues. His 2003 album Trouble No More was a quickly assembled set of covers. Eleven years later comes this live representation of the tour that supported the album’s release. His performance at New York City’s Town Hall on July 31, 2003, includes 11 of the album’s 12 songs (Bob Dylan’s “Highway 61 Revisited” replaces Skeeter Davis’ “The End of the World”). “Small Town,” “Paper in Fire,” and “Pink Houses” round out the track selection and are performed as reinvented Americana folk songs and dirty electric blues. The studio album had been solid, but these live performances loosen things up appropriately. Mellencamp is in fine voice, and whether it’s Robert Johnson’s “Stones in My Passway,” Hoagy Carmichael’s “Baltimore Oriole,” or Lucinda Williams’ “Lafayette,” he and his band—strong on accordion and stand-up bass—make it nearly sound like it’s the '50s in a juke joint down South. Except Mellencamp has a carefully planned setlist.