Cheapo-Cheapo Productions Presents Real Live John Sebastian (Live)
Download links and information about Cheapo-Cheapo Productions Presents Real Live John Sebastian (Live) by John Sebastian. This album was released in 1971 and it belongs to Rock, Folk Rock, Pop, Songwriter/Lyricist genres. It contains 16 tracks with total duration of 50:55 minutes.
Artist: | John Sebastian |
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Release date: | 1971 |
Genre: | Rock, Folk Rock, Pop, Songwriter/Lyricist |
Tracks: | 16 |
Duration: | 50:55 |
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Tracks
[Edit]No. | Title | Length |
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1. | Mobile Line (Gonna Carry Me Away from the Bull Frog Blues) [Live] | 2:31 |
2. | Lovin' You (Live) | 2:46 |
3. | Fishin' Blues (Live) | 3:42 |
4. | Younger Girl (Live) | 3:00 |
5. | Did You Ever Have to Make Up Your Mind (Live) | 3:03 |
6. | Rooty-Toot (Live) | 2:52 |
7. | In the Still of the Night (Live) | 3:25 |
8. | Blue Suede Shoes (Live) | 2:39 |
9. | Nashville Cats (Live) | 2:56 |
10. | Waiting for a Train (Live) | 2:49 |
11. | My Gal (Live) | 3:16 |
12. | Younger Generation (Live) | 3:32 |
13. | Darlin' Be Home Soon (Live) | 4:12 |
14. | Blues for Dad and JB's Happy Harmonica (Live) | 3:41 |
15. | Amy's Theme (Live) | 1:51 |
16. | Goodnight Irene (Live) | 4:40 |
Details
[Edit]Like some other live albums, this one was released to provide an alternative to a bootleg. But in this case, the particular bootleg appeared to be a legitimate release. The early years of John Sebastian's solo career were bedeviled by a contract dispute involving his move from MGM records to Reprise records, and in the course of it, MGM obtained a tape of a Sebastian concert and released it without his consent under the title John Sebastian Live. That album was withdrawn, but Sebastian countered it with his own concert album, pointedly called Cheapo-Cheapo Productions Presents Real Live John Sebastian. Of course, both albums were a response to Sebastian's popularity as a solo concert attraction in the wake of his appearance in the Woodstock film and on its soundtrack album. In the early '70s, no rock festival was complete without the tie-dyed singer/songwriter and his warm and friendly stage manner. Despite the circumstances that led to this album's creation, fans had reason to rejoice, since it proved to be a definitive statement of Sebastian's stage show. Alone but for pianist Paul Harris, he ranged through a repertoire including old folk and rock & roll standards, Lovin' Spoonful songs, and his own recent solo songs. Funny, self-deprecating, and engaging in a wise, yet wide-eyed way, he turned his concert audience into a group of friends and did the same thing to those listening to the LP. Here was a performer capable of reaching back to the music of Jimmie Rodgers and Leadbelly, Carl Perkins, and the Five Satins, demonstrating how such predecessors had influenced the good-time music he made in the '60s. A virtual jukebox, he made the history of popular music seem like endless fun, and he made people who heard the album wish they'd been at the show.