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Confessin'

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Download links and information about Confessin' by John Stubblefield Quintet. This album was released in 1985 and it belongs to Jazz, Avant Garde Jazz genres. It contains 7 tracks with total duration of 42:07 minutes.

Artist: John Stubblefield Quintet
Release date: 1985
Genre: Jazz, Avant Garde Jazz
Tracks: 7
Duration: 42:07
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Tracks

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No. Title Length
1. Spiral Dance (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 5:12
2. Waltz for Duke Pearson (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 4:51
3. Blood Count (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 6:38
4. More Fun (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 4:16
5. Dusk to Dawn (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 7:50
6. Whisper (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 4:11
7. Confessin' (featuring Mulgrew Miller, Rufus Reid, John Stubblefield, Cecil Bridgewater, Eddie Gladden) 9:09

Details

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John Stubblefield has made relatively few recordings as a leader during his long career, but it isn't because the saxophonist isn't deserving. This post-bop date from 1984 finds him in good company with trumpeter and flügelhornist Cecil Bridgewater, and a rhythm section with Mulgrew Miller, Rufus Reid, and Eddie Gladden. Stubblefield is featured on tenor sax mostly, starting with his hypnotic "Spiral Dance," highlighted by his potent solo and Bridgewater's warm flügelhorn. Bridgewater contributed "Waltz for Duke Pearson" (dedicated to the pianist and composer who died in 1980); this bop-flavored waltz features its composer on muted trumpet and the leader's lush playing. Stubblefield's interpretation of Billy Strayhorn's dark ballad "Blood Count" (the last piece he composed while dying a painful death from cancer) packs an emotional punch. Stubblefield switches to soprano sax for the lively "Dusk to Dawn," which showcase Miller's considerable chops at the keyboard. Miller arranged his haunting "Whisper" around the leader's mournful soprano sax. Stubblefield is again on soprano for the intense closer "Confessin'," which has some thunderous piano and percussion that seem influenced somewhat by McCoy Tyner, with whom Stubblefield has previously worked. This top-notch CD is well worth acquiring.