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Moskau-Petuschki / Felix-Szenen

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Download links and information about Moskau-Petuschki / Felix-Szenen by John Wolf Brennan. This album was released in 1997 and it belongs to Jazz genres. It contains 35 tracks with total duration of 01:06:03 minutes.

Artist: John Wolf Brennan
Release date: 1997
Genre: Jazz
Tracks: 35
Duration: 01:06:03
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Tracks

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No. Title Length
1. Prolog/Epilog: Am Bahnhof in Lobnja (featuring Daniele Patumi, Marion Namestnik) 0:49
2. Wenja´s Leid-Motiv I: Der Kreml, virtuell (featuring Daniele Patumi, Marion Namestnik) 0:55
3. Loko-Motiv I: Moskau, Kursker Bahnhof (featuring Daniele Patumi, Marion Namestnik) 0:38
4. Engels-Choral I: Koslowskijs Modulationen (featuring Daniele Patumi, Marion Namestnik) 0:37
5. Bunin-Goethe (featuring Daniele Patumi, Marion Namestnik) 2:15
6. Schaljapin-Othello/Loko-Motiv II: Elektrougli - Kilometer 33 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:09
7. Wenja´s Leid-Motiv II: Sika & Wermut (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:17
8. Engels-Choral II: Q-Baby (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:39
9. Freiheit-Neger-Grenze: Sibirische Utopien (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:14
10. Sphinx: Chamberlain´s Fall (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 0:32
11. Lemma: Mikro-Diagramm - Kilometer 61 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:19
12. Loko-Motiv III: Trans-ZEN-Den-Tal (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 3:27
13. Wenja´s Leid-Motiv III: Dresna. Kilometer 85 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:04
14. Mithridates: Perpetuum mobile (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:57
15. Loko-Motiv IV: Ussad - Kilometer 105 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 0:51
16. Di-Lemma: Semjonytsch (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 6:14
17. Pokrow: Kilometer 113 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:06
18. Wenja´s Leid-Motiv IV: Espressivo (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 0:49
19. Engels-Choral III: Höllenbreughel (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:13
20. Ognatango I: Auf dem Karussell (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:54
21. Loko-Motiv V: Petuschki - Kilometer 130 (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 0:38
22. Ognatango II: In der Falle (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:48
23. Kosmose: Ich bin der Liebling meiner selbst (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:05
24. Ihr sehr ergebenes Walserchen (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:02
25. Mikrolog. Das zwiespältigste Selbstgespräch (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:23
26. Ballade. Ganz in Gediegenheit gebadet (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:52
27. Schizophrenic, but in time: Am Familientisch (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 3:41
28. Mikrograph: Man nennt das, glaube ich, Erde… (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 4:05
29. Chilbitanz/Calliope: Rotmantel & Zalenkos (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:51
30. Solitude. Eine handwerkliche Romanze (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:36
31. Schrrammarrsch. Nettchen & der Seesoldat (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:53
32. Wursthornkadenz: Er wurde ner-vös, d.h. bös (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:59
33. Microsong. Lizzi & Ralf in Amerika (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:13
34. Ihr sehr erhebendes Walserchen (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 1:36
35. Mikrosmose. Keine Angst mehr und keine Fragen (featuring Daniele Patumi, Marion Namestnik, Lars Lindvall) 2:22

Details

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Pianist and composer John Wolf Brennan's masterwork is an adaptation for theatre that is based upon the writings of Wenedict Yerofeyev's "Moskau-Petuschki" and Robert Walser's "Felix-Szenen." The first section features 22 tracks that chronicle Yerofeyev's oeuvre and opus magnum: a tone poem of drinking and of human pursuit. Brennan's uses violinist Tscho Theissing, Martin Mayes on French horn and hand horn, Daniele Patumi on double bass, and the voices of Liana Schwanja and Oscar Bingisse to chronicle the dark side of alcoholism and tirades of the protagonist. Brennan brings this exceptional masterpiece to fruition in his distinctive atonal style that is wholly improvised. "Felix-Szenen" are fragmented, loosely connected stories with an indistinctive plot that Brennan fuses together through the highly distinctive techniques of Marion Namestnik on violin, Lars Lindvall on flugelhorn and trumpet, himself on melodica and piano and Daniele Patumi on double bass. This section of musical art features 13 tracks that are like different facets of the protagonist's microcosm, each presenting a different angle to Walser's obsession. Brennan is a master of conceptional improvisation and clearly juxtaposes his avant-garde vision on these 20th century classic writings with confidence and musical integrity.