Chilcano
Download links and information about Chilcano by José Luis Madueño / Jose Luis Madueno. This album was released in 1996 and it belongs to Jazz, Crossover Jazz, Latin genres. It contains 12 tracks with total duration of 01:04:28 minutes.
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| Artist: | José Luis Madueño / Jose Luis Madueno |
| Release date: | 1996 |
| Genre: | Jazz, Crossover Jazz, Latin |
| Tracks: | 12 |
| Duration: | 01:04:28 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Games (feat. Alex Acuña & Oscar Stagnaro) | 5:14 |
| 2. | Reflections (feat. Steve Tavaglione, Richie Zellon, Oscar Stagnaro & Alex Acuña) | 8:15 |
| 3. | Moonspark (feat. Richie Zellon) | 5:02 |
| 4. | Staying at Home (feat. Pedro Eustache, John Peña & Alex Acuña) | 7:41 |
| 5. | Nica's Prelude | 1:00 |
| 6. | Nica's Dream (feat. John Patitucci & Alex Acuña) | 5:48 |
| 7. | Valsamo (feat. John Patitucci & Alex Acuña) | 6:24 |
| 8. | Waiting for Tomorrow (feat. Alex Acuña & John Patitucci) | 6:11 |
| 9. | Going in Circles (feat. Steve Tavaglione) | 3:31 |
| 10. | Joyful Goblin | 2:46 |
| 11. | Chilcano (feat. Pedro Eustache, John Peña & Alex Acuña) | 5:52 |
| 12. | Witch Doctor in the Alley (feat. Ramón Stagnaro, Steve Tavaglione, Oscar Stagnaro & Alex Acuña) | 6:44 |
Details
[Edit]Keyboardist Jose Luis Madueno's outing shows off the influence of the Latin side of Chick Corea and the Yellowjackets. Madueno is easily the dominant force, for Steve Tavaglione makes just three appearances (his tenor solo on "Reflections" is a highlight), flutist Pedro Eustache helps out on two numbers, three songs have a guitarist, and there are one of three bassists on eight of the songs; only drummer-percussionist Alex Acuna (who is replaced by Barry Smith on "Moonspark") is on virtually every number. Jose Luis Madueno displays his Peruvian heritage, along with a strong melodic streak, and performs music open to the influences of pop, fusion and even new age (the ballads are quite lightweight) in addition to straight-ahead jazz. The results (which are not recommended to Latin jazz purists) are enjoyable, if a bit derivative. The playful "Games," a trio rendition of "Nica's Dream" (with bassist John Patitucci), and the grooving "Waiting for Tomorrow" are the high points.