Blue Wave / Dreams Are Real
Download links and information about Blue Wave / Dreams Are Real by José Roberto Bertrami / Jose Roberto Bertrami. This album was released in 1999 and it belongs to Jazz, Latin genres. It contains 15 tracks with total duration of 01:12:50 minutes.
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| Artist: | José Roberto Bertrami / Jose Roberto Bertrami |
| Release date: | 1999 |
| Genre: | Jazz, Latin |
| Tracks: | 15 |
| Duration: | 01:12:50 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Bye Bye Brazil (Vocal) | 8:18 |
| 2. | Chorodô (Vocal) | 3:38 |
| 3. | Partido Alto #2 (Instrumental) | 7:41 |
| 4. | Shot On Goal (Perigo de Gol) [Instrumental] | 4:47 |
| 5. | Blue Wave (Instrumental) | 6:47 |
| 6. | Parati (Instrumental) | 1:50 |
| 7. | Sheds and Weeds (Barracos e Arbustos) [Instrumental] | 3:24 |
| 8. | Dreams Are Real (Tempós Atrás) [Instrumental] | 4:23 |
| 9. | Sad for Both of Us (Tristeza de Nós Dois) [Instrumental] | 5:30 |
| 10. | Nova Ipanema (Instrumental) | 3:54 |
| 11. | Saudade (Encontro Com a Saudade) [Instrumental] | 2:46 |
| 12. | A Big Hug for Nelson Piquet (Instrumental) | 3:30 |
| 13. | Someone to Light Up My Life (Se Todos Fossem Iguais a Você) [Instrumental] | 5:23 |
| 14. | Novo Leblon (Instrumental) | 6:51 |
| 15. | E Nada Mais (Vocal) | 4:08 |
Details
[Edit]In 1999, Milestone/Fantasy reissued two albums that José Roberto Bertrami had recorded in the 1980s, Blue Wave (1983) and Dreams Are Real (1984), on a single 73-minute CD. When the albums were first released on LP, they came as a major surprise to those who knew Bertrami for his work with Azymuth, a band that had been offering a very accessible and melodic style of Brazilian pop-jazz. Quite a departure from Azymuth's albums, Blue Wave and Dreams Are Real found the keyboardist/pianist taking a more cerebral and complex jazz-fusion/post-bop approach. Like Azymuth's recordings, pieces such as "Parati," "Chorodo," and "Nova Ipanema" are quite melodic and have a definite Brazilian flavor. They aren't nearly as groove-oriented as Azymuth's work, however, and they're definitely more intellectual. When Blue Wave and Dreams Are Real came out, some Azymuth fans wondered if Bertrami was getting ready to leave the band permanently. But in fact, he recorded several more albums with the band before leaving in the late 1980s (though he would rejoin the outfit for sporadic appearances in the 1990s). With the recordings on this CD, Bertrami had a chance to express another side of himself, and he did so with challenging and impressive results.