The Essential Joshua Bell
Download links and information about The Essential Joshua Bell by Joshua Bell. This album was released in 2007 and it belongs to genres. It contains 28 tracks with total duration of 02:05:49 minutes.
Artist: | Joshua Bell |
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Release date: | 2007 |
Genre: | |
Tracks: | 28 |
Duration: | 02:05:49 |
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Tracks
[Edit]No. | Title | Length |
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1. | Swan Lake, Op. 20, Act III: Danse Russe (featuring Berliner Philharmoniker, Michael Tilson Thomas) | 4:29 |
2. | Concerto in E Minor for Violin and Orchestra, Op. 64: III. Allegretto Non Troppo - Allegro Molto Vivace (featuring Roger Norrington, Camerata Salzburg) | 6:26 |
3. | Nocturne for Piano in C Sharp Minor, KK Anh. Ia, No. 6 (featuring The Academy Of St. Martin In The Fields, Michael Stern) | 4:07 |
4. | Gianni Schicchi: O Mio Babbino Caro (featuring The Academy Of St. Martin In The Fields, Michael Stern) | 3:21 |
5. | Concerto No. 1 in A Minor for Violin and Orchestra, Op. 28: III. Moderato - Allegretto (featuring Los Angeles Philharmonic, Esa-Pekka Salonen) | 12:49 |
6. | Beau soir (featuring Frederic Chiu) | 2:28 |
7. | Introduction and Tarantella, Op. 43 (featuring Simon Mulligan, The Royal Philharmonic Orchestra, Nigel Hess) | 5:15 |
8. | May Breezes from Songs Without Words, Op. 62, No. 1 (featuring Michael Stern, Orchestra Of St. Luke's) | 2:13 |
9. | Elegie: O Doux Printemps d'autrefois (featuring The Academy Of St. Martin In The Fields, Michael Stern) | 4:09 |
10. | The Carnival of Venice (featuring Simon Mulligan, The Royal Philharmonic Orchestra, Nigel Hess) | 9:17 |
11. | Après un Rêve, Op. 7, No. 1 (featuring Frederic Chiu) | 2:54 |
12. | Concerto in D Major for Violin and Orchestra, Op. 61: III. Rondo. Allegro (featuring Roger Norrington, Camerata Salzburg) | 9:20 |
13. | Three Preludes: I. Allegro Ben Ritmato e Deciso (featuring John Williams) | 1:40 |
14. | Nice Work If You Can Get It (featuring John Williams, London Symphony Orchestra And Chorus) | 3:37 |
15. | I Got Rhythm (featuring John Williams, London Symphony Orchestra And Chorus) | 4:17 |
16. | Ladies in Lavender (featuring The Royal Philharmonic Orchestra, Nigel Hess) | 4:03 |
17. | The Red Violin, film score: The Red Violin (featuring Philharmonia Orchestra, Esa-Pekka Salonen) | 1:32 |
18. | The Red Violin, film score: Pope's Concert (featuring Philharmonia Orchestra, Esa-Pekka Salonen) | 1:21 |
19. | The Red Violin, film score: Coitus Musicalis - Victoria's Departure (featuring Philharmonia Orchestra) | 2:46 |
20. | Candide: Make Our Garden Grow (featuring David Zinman, Philharmonia Orchestra) | 5:27 |
21. | Excerpt from West Side Story Suite (featuring David Zinman, Philharmonia Orchestra) | 9:12 |
22. | On the Town: New York, New York (featuring David Zinman, Philharmonia Orchestra) | 2:27 |
23. | Fantasy for Violin and Orchestra (featuring The Royal Philharmonic Orchestra, Nigel Hess) | 3:39 |
24. | Short Trip Home (featuring Sam Bush, Mike Marshall, Edgar Meyer) | 3:48 |
25. | BT, for violin, mandolin, mandola & double bass (featuring Sam Bush, Mike Marshall, Yo - Yo Ma, Mark O'Connor, Edgar Meyer) | 4:50 |
26. | Death by Triple Fiddle (featuring Sam Bush, Mike Marshall, Edgar Meyer) | 4:15 |
27. | Mazurka in F-Sharp Minor, Op. 6, No. 1 (featuring Béla Fleck / Bela Fleck) | 2:19 |
28. | Our Love Is Here to Stay, song (from The Goldwyn Follies, film) (featuring John Williams, London Symphony Orchestra And Chorus) | 3:48 |
Details
[Edit]Existing fans of violinist Joshua Bell are already well-acquainted with the broad scope of repertoire and performance abilities ranging deftly from the classical concerto repertoire to his well-known collaborations with Edgar Meyer. For those unfamiliar with Bell's recorded works, this two-disc set of The Essential Joshua Bell provides quite a comprehensive overview of his wide-ranging talents. Of course, it could also be argued that if one movement of a concerto is "essential," so too should be the rest of the movements. Some of the single-movement works on the album, such as the Paganini variations or the Sarasate "Introduction and Tarantella," work well on compilation albums such as this because they don't leave the listener with an incomplete picture of what the composer had intended. With larger works such as the concertos of Goldmark, Mendelssohn, or Beethoven, hearing only single movements doesn't do full justice to either the composer nor to Bell's performances. This anthology also surprisingly lacks Bell's recording of the Tchaikovsky concerto, perhaps one of his most energetic and innovative performances of a standard repertoire concerto. So if you're really not sure if you like Bell's playing or his choice of repertoire, this is certainly an enjoyable introduction. Otherwise, do yourself a favor and invest in the complete albums from which this collection was made. ~Mike D. Brownell, Rovi