Voice of the Violin (Bonus Version)
Download links and information about Voice of the Violin (Bonus Version) by Joshua Bell. This album was released in 2006 and it belongs to genres. It contains 16 tracks with total duration of 55:29 minutes.
Artist: | Joshua Bell |
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Release date: | 2006 |
Genre: | |
Tracks: | 16 |
Duration: | 55:29 |
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Tracks
[Edit]No. | Title | Length |
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1. | Vocalise, Op. 34, No. 14 (featuring Michael Stern, Orchestra Of St. Luke's) | 5:49 |
2. | Ave Maria (featuring Michael Stern, Orchestra Of St. Luke's) | 4:38 |
3. | Werther: Pourquoi Me Réveiller (featuring Michael Stern, Orchestra Of St. Luke's) | 2:33 |
4. | Après un Rêve, Op. 7, No. 1 (featuring Michael Stern, Orchestra Of St. Luke's) | 2:45 |
5. | Rusalka: Song to the Moon (featuring Michael Stern, Orchestra Of St. Luke's) | 5:25 |
6. | Vesperae Solennes de Confessore for Soloists, Chorus & Orchestra, K. 339: Laudate Dominum (featuring Michael Stern, Orchestra Of St. Luke's) | 4:40 |
7. | None But the Lonely Heart, Op. 6, No. 6 (featuring Michael Stern, Orchestra Of St. Luke's) | 2:47 |
8. | L'Elisir D'Amore: Una Furtiva Lagrima (featuring Michael Stern, Orchestra Of St. Luke's) | 4:14 |
9. | In Trutina from Carmina Burana (featuring Michael Stern, Orchestra Of St. Luke's) | 2:32 |
10. | Songs Without Words, Op. 62, No. 1: May Breezes (featuring Michael Stern, Orchestra Of St. Luke's) | 2:14 |
11. | Beau soir (featuring Frederic Chiu) | 2:28 |
12. | Estrellita (featuring Michael Stern, Orchestra Of St. Luke's) | 3:12 |
13. | Siete Conciones Populares Espanolas: Nana (Bercuese) (featuring Michael Stern, Orchestra Of St. Luke's) | 2:07 |
14. | The Pearl Fishers: "Je Crois Entendre Encore" (featuring Michael Stern, Orchestra Of St. Luke's) | 3:26 |
15. | Morgen! Op. 27, No. 4 (featuring Anna Netrebko, Michael Stern, Orchestra Of St. Luke's) | 3:41 |
16. | Après un Rêve, Op. 7, No. 1 (Alternate Version) (featuring Frederic Chiu) | 2:58 |
Details
[Edit]Young English virtuoso Joshua Bell attempts an intriguing gambit here: Arrange and translate a slate of classical songs, arias and wordless pieces originally written for the human voice as a showcase for his expressive gifts on solo violin. While it's clearly intended to trade on the commercial success of Bell's previous Romance of the Violin anthology, the repertoire choices and execution here frequently transcend any concerns about the sequelitis that likely inspired them. With the exception of a notable duet with pianist Frederic Chiu on Debussy's "Beau Soir," Bell's playing is cast against orchestral arrangements that subtly reinforce or contrast his rich, emotionally-charged touch. Bell swoops, soars and flutters through a slate of material that includes expected crowd-pleasers like "Ave Maria" and "Carmina Burana," yet one ultimately characterized by a compelling eclecticism. The virtuoso's affection for his instrument is not sacrosanct however, as his standout duet with popular contemporary soprano Anna Netrebko on Strauss' "Morgen!" attests, a rewarding performance that ultimately underscores the collection's titular conceit.